{"title":"ALL PRODUCTS","description":"","products":[{"product_id":"dion-beasley-14-monsters-framed","title":"Monsters (framed)","description":"\u003cul\u003e\n\u003cli\u003eEtching, framed in black by Don Whyte\u003c\/li\u003e\n\u003cli\u003eCat no: \u003cspan data-mce-fragment=\"1\"\u003e11\/93 - edition 5\/30. \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003eSize: 750 x 650mm (Framed).\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eAs well as drawing the “real world” Dion was also draws the imaginary world and the world of dreams. Scary monsters, three fat ladies, creatures of the dark and the night, all conjured from Dion Beasley’s exceptional imagination, as well as figures that are taken directly from his dreams. Never before have these nightmarish and haunting creatures been drawn by Dion for public viewing.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch2\u003e\n\u003cstrong\u003e\u003c\/strong\u003eARTIST\u003c\/h2\u003e\n\u003cp\u003eDion Beasley (born 1991) is an Alywarr artist from the remote community of Owairtilla, or Canteen Creek. He spent many of his early years living in remote communities in the Barkly region of the Northern Territory.\u003cbr\u003e\u003cbr\u003eAlthough being profoundly deaf Dion is ever curious about the world around him, has great observational skills and a wonderful memory. Paired with his creativity and great sense of humour, he has become known for his witty reproductions of the world, particularly life in remote community settings and the many dogs he encountered.\u003cbr\u003e\u003cbr\u003eDion lives with Muscular dystrophy and his motor scooter gives him access to the community to travel around on his own. He delights in visits to community where many of his much-loved dogs wait patiently for a titbit of meat. Many hours are spent sitting and watching the dogs and their interaction with one another, resulting inspiration for further art pieces. Etchings are distinctive and detailed, forming a creative chronicle of daily life on Aboriginal communities, with its own dramas, tensions and energies. Dion loves travelling and has visited most capital cities in Australia. He has great plans for the future and would love to visit Africa to see all the exotic animals, which would provide great inspiration for his artwork.\u003c\/p\u003e\n\u003ch2\u003eCATALOGUE\u003c\/h2\u003e\n\u003cp\u003eWe were proud to exhibit Dion's work in \u003cem\u003eFirst Etchings. Re Spun\u003c\/em\u003e in July 2022 as our first show.\u003cem\u003e \u003c\/em\u003e\u003ca href=\"https:\/\/drive.google.com\/file\/d\/1y44LNxVl7f2JCVWxwoFBq8Fb52LxQs5n\/view\" target=\"_blank\"\u003eSee the catalog\u003c\/a\u003e. \u003c\/p\u003e","brand":"Dion Beasley","offers":[{"title":"Default Title","offer_id":42995282411763,"sku":"DION-11\/93-5\/30.","price":750.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/2513\/2531\/files\/20241114_untitled_untitled-shoot_273.jpg?v=1774336907"},{"product_id":"werrkno-janet-tea-towel","title":"WERRKNO: Janet tea towel","description":"\u003cp\u003e Four works from the Werrkno series, one from each artist, have been reproduced as tea towels in collaboration with Laundry Gallery. \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eABOUT\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\"\u003eDuring the early burn of Yekke (cold) season, Kalidjan Janet Marawarr, Ngarridjdjan Raylene Bonson\u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003e,\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\"\u003eKamanj Carol Liyawanga Campion\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\"\u003eBulanjdjan Lucy Yarawanga, camped out on top of the Djinkarr escarpment for a week of artistic exploration. Facilitated by Ingrid Johanson, there was no expectation, no outcome or no theme for the trip. Instead it was a chance have uninterrupted time on country, exploring different mediums and developing new artistic skills. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\"\u003eOverlooking the picturesque flood plain of Gurrgoni Country and camping under the dry season stars, art making was fuelled by sounds and smells of the surrounding savanna woodlands, with country providing an endless source of earth pigment to grind, young leaves and broken twigs to use as painting tools, and charcoal from the fire to create a rich black paint. Artists explored new techniques painting using natural pigments from the earth ground on paper, as well as monochromatic mark making using charcoal and Indian ink.  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\"\u003eAs the workshop evolved, the artist's focus shifted to looking closer at cultural narratives and details of ancestral beings - in particular, their bodies and skin. Over the days, the women gravitated towards depicting Werrkno, the Kuninjku work for skin\/scales\/bark\/husks, with each woman depicting Werrkno from her own cultural perspectives.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003e\u003cstrong\u003eDESIGN STORY\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp data-mce-fragment=\"1\"\u003eKalidjan began the workshop painting the detail of Namorrorddo, the shooting star spirits, that emit rays ofwhite light from their heads. Beings of a malevolent nature, they live near Mankorlord Outstation. It is here that they transformed into trees, and in doing so covered the outside of the tree’s trunk with their skin. The outer bark of the tree in Kalidjan’s works take the form of black chains or loops, interlinked but changing in direction and scale. When painting the Namorrorddo skin, Kalidjan took herself away from the group to sit alone, silently gazing out over the Djinkarr escarpment, then looking back to the paper, transfixed in the movement of her hand painting this sacred Werrkno. Her considered series of six large format works tell the story of these beings, and in doing so weaves together narratives of the environment, rock caves, white light and significant landmarks of her late husband’s country and clan, Kardbam.\u003cbr\u003e\u003c\/p\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003e\u003cstrong\u003eARTIST\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eKalidjan Janet Marawarr\u003c\/span\u003e is a talented artist predominately working at the Babbarra Womens' Centre printing Janet is renowned for her use of cut out lino tiles which she prints in intuitive repeat patterns on a range of textile surfaces. Janet regards textile design as an opportunity to work with colour and new methods to express her djang (ancestral creation stories).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eIt wasn't until early 2021 that Janet picked up the manyilk (Bush brush) and painted her first bark painting since the passing of her husband, Dalngadalnga. Using the knowledge, she had from assisting him with his bark painting to painting Namorrorddo, the Shooting star spirit at Mankorlod. When she is not at the women's center printing lino or painting at home she is working for the Maningrida Night Patrol, a community safety service. \u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eCATALOGUE\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/drive.google.com\/file\/d\/1Vo1tw1yLeAoTQgnqMXOvjf8V-BNe1Nc6\/view\" target=\"_blank\"\u003eRead more about the\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eWerrkno: In This Skin - Senior Women of Maningrida Arts \u0026amp; Culture\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eexhibition (PDF). \u003c\/a\u003e\u003c\/p\u003e","brand":"Kalidjan Janet Marawarr","offers":[{"title":"Default Title","offer_id":43141538808051,"sku":"","price":40.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/2513\/2531\/files\/WERRKNOJanetteatowel_51b3240f-468c-41a5-aedd-a2097f86dcc8.png?v=1774341720"},{"product_id":"werrkno-raylene-tea-towel","title":"WERRKNO: Raylene Bonson Tea Towel","description":"\u003cp data-mce-fragment=\"1\"\u003e Four works from the Werrkno series, one from each artist, have been reproduced as tea towels in collaboration with Laundry Gallery. \u003c\/p\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003eABOUT\u003c\/h2\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eDuring the early burn of Yekke (cold) season, Kalidjan Janet Marawarr, Ngarridjdjan Raylene Bonson\u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eKamanj Carol Liyawanga Campion\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eand\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eBulanjdjan Lucy Yarawanga, camped out on top of the Djinkarr escarpment for a week of artistic exploration. Facilitated by Ingrid Johanson, there was no expectation, no outcome or no theme for the trip. Instead it was a chance have uninterrupted time on country, exploring different mediums and developing new artistic skills. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eOverlooking the picturesque flood plain of Gurrgoni Country and camping under the dry season stars, art making was fuelled by sounds and smells of the surrounding savanna woodlands, with country providing an endless source of earth pigment to grind, young leaves and broken twigs to use as painting tools, and charcoal from the fire to create a rich black paint. Artists explored new techniques painting using natural pigments from the earth ground on paper, as well as monochromatic mark making using charcoal and Indian ink.  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eAs the workshop evolved, the artist's focus shifted to looking closer at cultural narratives and details of ancestral beings - in particular, their bodies and skin. Over the days, the women gravitated towards depicting Werrkno, the Kuninjku work for skin\/scales\/bark\/husks, with each woman depicting Werrkno from her own cultural perspectives.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDESIGN STORY\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp data-mce-fragment=\"1\"\u003eNgarridjdjan used the workshop to experiment with monochromatic works of a smaller, finer scale than her usual Wubbunj (Makkasan Boat) design. Using charcoal from the fire and Indian ink, Ngarridjdjandepicted the intimate details of mimih and yawkyawk skin. She used the young leaves of the sand palm chiselled into a pointed brush, as well as the miniscule twigs from the acacia tree to make the fine markings. The memorising marks represent the patterns and repetition of the mimih and yawkyawk body, both beings that inhabit the stone country in Arnhem Land. The mimih lives among the caves and rock crevices of the stone country, while the yawkyawk young woman spirit is covered in scales and lives submerged under water in billabongs and freshwater streams.\u003c\/p\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eARTIST\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNgarridjdjan Raylene Bonson \u003c\/span\u003eis known for her textile art and her work with Babbarra Women's Centre which begun in 2012. Raylene was mentored by her late mother, Nancy Gununwanga, a senior textile artist at Bábbarra Designs and a founding member of Bábbarra Women’s Centre. She comes from an incredible artistic lineage as a member of the Dangkorlo clan her brothers are artists Owen Yalandja, Samson Bonson, and the late C. Kurrdal and T. Wulanjbirr.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eMoving from figurative depictions of Wubbunj (Makassan Boat), Mandjabu (Fish Trap) and Kunmadj (Dilly Bag) that a seen in Raylene's vast ... of screen and lino prints at Babbarra Designs. These works on paper are close and abstracted depictions of mimih and yawkyawk skin and scales, echoing the mark making of her brothers. \u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan style=\"font-weight: 400;\"\u003eCATALOGUE\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/drive.google.com\/file\/d\/1Vo1tw1yLeAoTQgnqMXOvjf8V-BNe1Nc6\/view\" data-mce-fragment=\"1\" target=\"_blank\" data-mce-href=\"https:\/\/drive.google.com\/file\/d\/1Vo1tw1yLeAoTQgnqMXOvjf8V-BNe1Nc6\/view\"\u003eRead more about the\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eWerrkno: In This Skin - Senior Women of Maningrida Arts \u0026amp; Culture\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eexhibition (PDF). \u003c\/a\u003e\u003c\/p\u003e","brand":"Ngarridjdjan Raylene Bonson","offers":[{"title":"Default Title","offer_id":43141539987699,"sku":"","price":40.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/2513\/2531\/products\/image_c4036833-43f8-4910-b3b9-60e5ea86d97f.heic?v=1774341603"},{"product_id":"bark-painting-by-paul-nabulumo-1","title":"Bark Painting by Paul Nabulumo","description":"\u003cul\u003e\n\u003cli\u003eArtist: Paul Nabulumo\u003c\/li\u003e\n\u003cli\u003eBark Painting\u003c\/li\u003e\n\u003cli\u003eSize: 51x13cm\u003c\/li\u003e\n\u003cli\u003eCat: 3552-21\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eARTIST\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003eKuninjku artist Paul Nabulumo is a painter and sculptor. He is the son of acclaimed artist, Mick Kubarkku (1925 – 2008), who was known for his painting of \u003cem\u003edirdbim \u003c\/em\u003e(moon, sun and stars) and the associated site on his Kulmarru clan estate. Nabulumo learned under his guidance, watching him paint on rock surfaces and bark paintings as a young man. \u003c\/p\u003e\n\u003cp\u003eThe artist continues to paint the iconic imagery handed down from his father, including Ngalyod (Rainbow Serpent), mimih (rock country spirit), yawkyawk (female water spirits), Kubumi (waterholes) and djulng (Ancestral bones).  Nabulumo maintains strong connection to his heritage, living and working at Yikkarrakkal Outstation which sits adjacent to the \u003cem\u003edirdbim \u003c\/em\u003eand \u003cem\u003ekubumi djang \u003c\/em\u003e(Ancestral) sites* .\u003c\/p\u003e\n\u003cp\u003eHowever, he has developed his own distinct aesthetic, characterised by striking combinations of fine and elegant rarrk, figurative elements and bold negative space. \u003c\/p\u003e\n\u003cp\u003eNabulumo began exhibiting in 2000, participating in his first group show at Aboriginal Art \u0026amp; Pacific (Sydney).  His work was included in the historic exhibition \u0026lt;\u0026lt;rark\u0026gt;\u0026gt; at the Bargehouse in London in 2007.\u003c\/p\u003e\n\u003cp\u003eHis work was also selected for the 23rd and 28th Telstra National \u0026amp; Torres Strait Islander Art Award Exhibitions. Nabulumo  has shown both locally and  internationally at highly regarded  commercial spaces such as Josh Lilley Fine Art (UK),  Gallery Gabrielle Pizzi (Melbourne), Annandale Galleries (Sydney), Paul Johnstone Gallery (Darwin), Outstation Gallery (Darwin), Art Kelch (Freiburg) and most recently Michael Reid (Sydney). The artist’s work can be found in various collection including that of the National Gallery of Australia and the Museum of Victoria.\u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eART CENTRE\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003eMarrawuddi Arts and Culture is a beautiful Community Arts Centre located in the repurposed Jabiru Bakery in the heart of the World Heritage Listed Kakadu National Park.\u003c\/p\u003e\n\u003cp\u003eThe stunningly renovated building, which welcomes dozens of visitors daily, features a vibrant working space for artists use as well as a beautiful exhibition area and delicious coffee. Tourists are encouraged to spend time with artists and learn about the beautiful artworks available for purchase. The quality of artworks for sale at Marrawuddi is exceptional and all stock is created by artists living in or around the Kakadu and wider West Arnhem region.\u003c\/p\u003e","brand":"Paul Nabulumo","offers":[{"title":"Default Title","offer_id":43454422515955,"sku":"MARR-3552-21","price":820.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/2513\/2531\/products\/Barks_Website_Small_76.jpg?v=1774334403"},{"product_id":"bark-painting-by-josh-namarnyilk-1","title":"Bark Painting by Josh Namarnyilk","description":"\u003cul\u003e\n\u003cli\u003eArtist: Josh Namarnyilk\u003c\/li\u003e\n\u003cli\u003eBark Painting\u003c\/li\u003e\n\u003cli\u003eSize: 25x27cm\u003c\/li\u003e\n\u003cli\u003eCat: 3019-21\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eART CENTRE\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003eMarrawuddi Arts and Culture is a beautiful Community Arts Centre located in the repurposed Jabiru Bakery in the heart of the World Heritage Listed Kakadu National Park.\u003c\/p\u003e\n\u003cp\u003eThe stunningly renovated building, which welcomes dozens of visitors daily, features a vibrant working space for artists use as well as a beautiful exhibition area and delicious coffee. Tourists are encouraged to spend time with artists and learn about the beautiful artworks available for purchase. The quality of artworks for sale at Marrawuddi is exceptional and all stock is created by artists living in or around the Kakadu and wider West Arnhem region.\u003c\/p\u003e","brand":"Josh Namarnyilk","offers":[{"title":"Default Title","offer_id":43454440964339,"sku":"MARR-3019-21","price":625.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/2513\/2531\/products\/Barks_Website_Small_83.jpg?v=1774334510"},{"product_id":"djulng-bones-of-deceased-ancestors","title":"Djulng (Bones of deceased ancestors)","description":"\u003cul\u003e\n\u003cli\u003eArtist: Eleazer Nangukwirrk\u003c\/li\u003e\n\u003cli\u003eAcrylic on Bark\u003c\/li\u003e\n\u003cli\u003e135 x 25cm\u003c\/li\u003e\n\u003cli\u003eCat: 3048-21\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch2\u003eARTIST\u003c\/h2\u003e\n\u003cp\u003eEleazer is a painter and sculptor. He specialises in bark painting, \u003cem\u003edolobbo bim\u003c\/em\u003e,  and\u003cspan\u003e \u003c\/span\u003e\u003cem\u003elorrkkon \u003c\/em\u003e(hollow log burial poles). He learned the technique of rarrk from his father Charlie Nanguwerr, an accomplished artist and respected cultural leader within the community. He is known for his warm colour palette and white backgrounds that create a lightness to his designs. He primarily depicts \u003cem\u003ewak,\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003ethe design for the Black Crow ancestor which today rests as a rock in Kurdurldul creek. \u003c\/p\u003e\n\u003cp\u003eLike other Kuninjku artists, he maintains the cultural knowledge and practices of working with natural materials: ochres which are mixed with water and PVA fixative and applied with manyilk (sedge grass) to bark (stingybark) in the Wet season and lorrkkon (hollow log burial poles) and spirit carvings in the Dry season. \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch2\u003e\u003cstrong\u003eART CENTRE\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003eMarrawuddi Arts and Culture is a beautiful Community Arts Centre located in the repurposed Jabiru Bakery in the heart of the World Heritage Listed Kakadu National Park.\u003c\/p\u003e\n\u003cp\u003eThe stunningly renovated building, which welcomes dozens of visitors daily, features a vibrant working space for artists use as well as a beautiful exhibition area and delicious coffee. Tourists are encouraged to spend time with artists and learn about the beautiful artworks available for purchase. The quality of artworks for sale at Marrawuddi is exceptional and all stock is created by artists living in or around the Kakadu and wider West Arnhem region.\u003c\/p\u003e","brand":"Eleazer Nangukwirrk","offers":[{"title":"Default Title","offer_id":43459431235827,"sku":"MARR-3048-21","price":1230.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/2513\/2531\/files\/DA734F81-A371-4F52-9A33-0B334C66CF2E.heic?v=1774334589"},{"product_id":"copy-of-yir-dilly-bag","title":"Yir (Dilly Bag) - Painted shade cloth bag","description":"\u003ch2\u003eDetails\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eNunggayinbala people have used dilly bags for thousands of years for practical and ceremonial purposes, but not until recently were they made from repurposed ghost nets and shade cloth fabric. Dilly bags, or “yir” in Nunggubuyu language, were traditionally made from pandanus or bark, and painted using different shades of ochre. The artists have now taken tradition to the next level by replicating the forms using found, contemporary materials that speak to the environmental deterioration of their homelands. These fashion-forward yir fit as naturally in traditional applications as they do in contemporary, urban environments. Equally, hang them on a wall or fill them with your groceries, beach towel or daily necessities as you head out the door.\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCat No. 25-21\u003c\/li\u003e\n\u003cli\u003eDimesions: \u003cspan data-mce-fragment=\"1\"\u003e80 x 46 cm\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eThis bag has painted designs on both sides, as displayed in the photographs.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch2\u003eArtist\u003c\/h2\u003e\n\u003cp\u003eJosaline Wilfred is from Numbulwar Community. Her skin name is Wamunjan and she is a weaver. Josaline likes to sit down and weave with her sisters and cousin-sisters. Her mothers and aunties taught us all how to weave since she was a little girl, using colours from the bush to dye the pandanus. She like to teach the young people so culture can stay strong.\u003c\/p\u003e\n\u003ch2\u003eArt Centre\u003c\/h2\u003e\n\u003cp\u003eBuilt on self-determination, Numbulwar Numburindi Arts (NNA) is a ollective of artists whose mission is to keep culture strong. \u003c\/p\u003e\n\u003cp\u003eEstablished in 2019, Numbulwar’s first art centre is 100 per cent owned and controlled by the community. Born from the community’s desire to practice and engage with traditional culture, NNA is a space for artistic and cultural expression.\u003cbr\u003e\u003cbr\u003eChampions of fibre art, NNA artists marry naturally-dyed and locally-harvested pandanus with bright and bold ghost nets, abandoned fishing line retrieved from Numbulwar’s shoreline. Our Wulbung (baskets) and Yir (dillybags) fit as naturally in traditional applications as they do in contemporary, urban environments.\u003cbr\u003e\u003cbr\u003eNumbulwar sits on the Rose River and belongs to the Nunggayinbala clan, one of the Wubuy or Nunggubuyu speaking clans from the region. Ceremonial activities are still very important within the region and occur regularly.\u003c\/p\u003e\n\u003ch2\u003e\u003cbr\u003e\u003c\/h2\u003e","brand":"Josaline Wilfred","offers":[{"title":"Default Title","offer_id":43501106036979,"sku":"NUMB-25-21","price":375.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/2513\/2531\/products\/bags_42.jpg?v=1774334697"},{"product_id":"coil-basket","title":"Wulbung (basket)","description":"\u003ch2\u003eDetails\u003c\/h2\u003e\n\u003cp class=\"preFade fadeIn\"\u003eSustainability at its best. Locally-harvested pandanus meets repurposed ghost nets. The artists weave together traditional pandanus with abandoned fishing line, known as ghost nets, for colourful pops of colour.\u003c\/p\u003e\n\u003cp class=\"preFade fadeIn\"\u003eLocally-harvested pandanus leaves are woven raw, or dyed naturally using roots, leaves or flowers. Ghost nets account for about 40% of all ocean plastic. Numbulwar fibre art divert this plastic away from the oceans, keeping nets clear of vulnerable sea life.\u003c\/p\u003e\n\u003cp class=\"preFade fadeIn\"\u003eEach basket is a unique piece.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCat No. 63-21\u003c\/li\u003e\n\u003cli\u003eDiametre: 15cm\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eArtist\u003c\/h2\u003e\n\u003cp\u003eMadulu Nundhirribala is an expert weaver from Numbulwar. \u003cbr\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan data-mce-fragment=\"1\"\u003eArt Centre\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eBuilt on self-determination, Numbulwar Numburindi Arts (NNA) is a ollective of artists whose mission is to keep culture strong. \u003c\/p\u003e\n\u003cp\u003eEstablished in 2019, Numbulwar’s first art centre is 100 per cent owned and controlled by the community. Born from the community’s desire to practice and engage with traditional culture, NNA is a space for artistic and cultural expression.\u003cbr\u003e\u003cbr\u003eChampions of fibre art, NNA artists marry naturally-dyed and locally-harvested pandanus with bright and bold ghost nets, abandoned fishing line retrieved from Numbulwar’s shoreline. Our Wulbung (baskets) and Yir (dillybags) fit as naturally in traditional applications as they do in contemporary, urban environments.\u003cbr\u003e\u003cbr\u003eNumbulwar sits on the Rose River and belongs to the Nunggayinbala clan, one of the Wubuy or Nunggubuyu speaking clans from the region. Ceremonial activities are still very important within the region and occur regularly.\u003c\/p\u003e\n\u003ch2\u003e\u003cbr\u003e\u003c\/h2\u003e","brand":"Madulu Nundhirribala","offers":[{"title":"Default Title","offer_id":43502895005939,"sku":"NUMB-63-21","price":160.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/2513\/2531\/products\/baskets_01.jpg?v=1774334766"},{"product_id":"fibre-art-1","title":"Trivet","description":"\u003ch2\u003eDetails\u003c\/h2\u003e\n\u003cp class=\"preFade fadeIn\"\u003e Coil fibre art by J\u003cspan data-mce-fragment=\"1\"\u003eoyce Murrungun.\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCat No. 108-21\u003c\/li\u003e\n\u003cli\u003eDiametre:  20cm x 22cm\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eArtist\u003c\/h2\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\" data-mce-fragment=\"1\"\u003e Joyce Murrungun i\u003c\/span\u003es an expert weaver from Numbulwar. \u003cbr\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan data-mce-fragment=\"1\"\u003eArt Centre\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eBuilt on self-determination, Numbulwar Numburindi Arts (NNA) is a ollective of artists whose mission is to keep culture strong. \u003c\/p\u003e\n\u003cp\u003eEstablished in 2019, Numbulwar’s first art centre is 100 per cent owned and controlled by the community. Born from the community’s desire to practice and engage with traditional culture, NNA is a space for artistic and cultural expression.\u003cbr\u003e\u003cbr\u003eChampions of fibre art, NNA artists marry naturally-dyed and locally-harvested pandanus with bright and bold ghost nets, abandoned fishing line retrieved from Numbulwar’s shoreline. Our Wulbung (baskets) and Yir (dillybags) fit as naturally in traditional applications as they do in contemporary, urban environments.\u003cbr\u003e\u003cbr\u003eNumbulwar sits on the Rose River and belongs to the Nunggayinbala clan, one of the Wubuy or Nunggubuyu speaking clans from the region. Ceremonial activities are still very important within the region and occur regularly.\u003c\/p\u003e\n\u003ch2\u003e\u003c\/h2\u003e","brand":"Joyce Murrungun","offers":[{"title":"Default Title","offer_id":43503183167731,"sku":"","price":150.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/2513\/2531\/products\/baskets_new13.jpg?v=1774334812"},{"product_id":"coil-basket-186-22","title":"Coil Basket","description":"\u003cdiv\u003e\u003cspan\u003eCoiling technique was introduced in the 1920s at Goulburn Island to the Maung people by missionaries and quickly spread to the mainland. Many artists produce coiled baskets of varied shapes, ranging from small round baskets to large oval baby baskets made from dyed pandanus. Artists combine colours and patterns to obtain intricate new graphic patterns.\u003c\/span\u003e\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003eWeaving - Coiled Basket\u003c\/li\u003e\n\u003cli\u003eSize: 34cm x 26cm x 26cm\u003c\/li\u003e\n\u003cli\u003eCat No \u003cmeta charset=\"utf-8\"\u003e186-22\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eARTIST\u003c\/h2\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAnna Yanmuwanga is a senior fibre artist who is well known for her innovative weaving techniques.  Anna spends her time with family between Maningrida and Oenpelli.  She is represented by both Injalak Arts and Maningrida Arts \u0026amp; Culture.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan data-mce-fragment=\"1\"\u003eART CENTRE\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp data-mce-fragment=\"1\"\u003eManingrida Arts \u0026amp; Culture is a pre-eminent site of contemporary cultural expression and art-making, abundant with highly collectable art and emerging talent.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThrough their homelands resource organisation, Bawinanga Aboriginal Corporation, artists turned an art trade that began just over 50 years ago into a multi-million dollar arts and cultural enterprise. Maningrida Arts \u0026amp; Culture supported hundreds of artists on their homelands, more than 20 artworkers, held 20 exhibitions annually, won prestigious awards, and enjoyed the international fame and success that the boom in the Aboriginal art market of the 1990s and 2000s enabled.\u003c\/p\u003e","brand":"Anna Yanmuwanga","offers":[{"title":"Default Title","offer_id":43526788120819,"sku":"63fc1f31608dc","price":675.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/2513\/2531\/products\/image_49456eef-3e7f-4006-b625-c57da599f710.heic?v=1774335033"},{"product_id":"coil-basket-1","title":"Coil Basket","description":"\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eCoiling technique was introduced in the 1920s at Goulburn Island to the Maung people by missionaries and quickly spread to the mainland. Many artists produce coiled baskets of varied shapes, ranging from small round baskets to large oval baby baskets made from dyed pandanus. Artists combine colours and patterns to obtain intricate new graphic patterns.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003eSize: 35cm x 34cm x 21cm\u003c\/li\u003e\n\u003cli\u003eWeaving, Coil Basket\u003c\/li\u003e\n\u003cli\u003ePandanus (Pandanus Spiralis) and Natural Dyes\u003c\/li\u003e\n\u003cli\u003eCatalog No 239-18\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eARTIST \u003c\/h2\u003e\n\u003cp\u003eBorn 1956, Maisie Milingwanga Cameron is a weaver working from Maningrida Arts and Culture. Her clan is \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDangkorl.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan data-mce-fragment=\"1\"\u003eART CENTRE\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp data-mce-fragment=\"1\"\u003eManingrida Arts \u0026amp; Culture is a pre-eminent site of contemporary cultural expression and art-making, abundant with highly collectable art and emerging talent.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThrough their homelands resource organisation, Bawinanga Aboriginal Corporation, artists turned an art trade that began just over 50 years ago into a multi-million dollar arts and cultural enterprise. Maningrida Arts \u0026amp; Culture supported hundreds of artists on their homelands, more than 20 artworkers, held 20 exhibitions annually, won prestigious awards, and enjoyed the international fame and success that the boom in the Aboriginal art market of the 1990s and 2000s enabled.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Maisie Milingwanga Cameron","offers":[{"title":"Default Title","offer_id":43526932726003,"sku":"MANI-239-18","price":560.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/2513\/2531\/products\/image_b636e0f1-5ca7-47ff-aa74-db53cb6b369c.heic?v=1774335171"},{"product_id":"copy-of-flag-ring-silver","title":"Flag Ring","description":"\u003cp class=\"\"\u003e\u003cspan\u003eThis ring is inspired by the Aboriginal Flag. For artist Thomas Coen, it represents the Aboriginal people of Australia and their connection to the land. This ring can be worn by anyone, his vision is for it to spark conversation and show acknowledgement and support for Aboriginal and Torres Strait Islander Peoples.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003eDETAILS\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eAl rings are size N.\u003c\/li\u003e\n\u003cli\u003eRings can be resized upon request, please leave a note in the comments. Resizes take 3-4 weeks.\u003c\/li\u003e\n\u003cli\u003eAvailable in Silver, 9c Gold, Rose Gold\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch2\u003eARTIST\u003cbr\u003e\n\u003c\/h2\u003e\n\u003cp class=\"\" id=\"yui_3_17_2_1_1671166921949_597\"\u003eThomas Coen Bonson's story began long before he found out about his love for jewellery. It started when he was growing up on a small Aboriginal community in the Northern Territory where he was connected with his people through hunting, gathering and painting with his father. \u003c\/p\u003e\n\u003cp class=\"\"\u003eAt nine years old, Thomas' curiosity for jewellery sparked when he would visit his grandparents’ house. She would show him her small collection of jewellery, each piece having a story to go with it, like it held a memory, reminding her of a time and place in her life.\u003c\/p\u003e\n\u003cp class=\"\"\u003eYears later, Thomas completed work experience at a jewellery shop. Eventually he working at the jewellery shop after school or in the school holidays as a part-time job before going on to complete a trade apprenticeship in Manufacturing Jewellery at the Adelaide College of Arts. Since completing his qualifications in 2008, Thomas has worked in the jewellery trade across Adelaide, Darwin and Canberra.\u003c\/p\u003e\n\u003cp class=\"\" id=\"yui_3_17_2_1_1671166921949_593\"\u003eIn 2020, Thomas decided to take a leap of faith during and set up his own jewellery business out of his studio in Canberra, mixing high-end contemporary jewellery with Aboriginal art. His jewellery is inspired by his culture and draws on his Aboriginal and Torres Strait Islander Heritage. He is a proud Jawoyn and Kala Lagaw Ya man and his vision is to express the beauty of his people, family, community and culture through jewellery.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" class=\"\"\u003e \u003c\/p\u003e","brand":"Thomas Coen","offers":[{"title":"Gold","offer_id":43527377518835,"sku":"","price":270.0,"currency_code":"AUD","in_stock":false},{"title":"Silver","offer_id":43527377551603,"sku":"","price":190.0,"currency_code":"AUD","in_stock":true},{"title":"Rose Gold","offer_id":43527377584371,"sku":"","price":270.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/2513\/2531\/files\/2.webp?v=1774335335"},{"product_id":"pandanus-coil-basket","title":"Pandanus Coil Basket","description":"\u003cul\u003e\n\u003cli\u003eArtist: Mary Na-Balangkarra\u003c\/li\u003e\n\u003cli\u003eTitle: Weaving Coil Basket\u003c\/li\u003e\n\u003cli\u003eSize: 40x40.5x45cm\u003c\/li\u003e\n\u003cli\u003eMaterial: Pandanus (Pandanus Spiralis) and Natural Dyes\u003c\/li\u003e\n\u003cli\u003eCat No: 846-19\u003c\/li\u003e\n\u003cli\u003eSkin Name: Bulandjan\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch2\u003eABOUT\u003c\/h2\u003e\n\u003cp\u003eCoiling technique was introduced in the 1920s at Goulburn Island to the Maung people by missionaries and quickly spread to the mainland. Many artists produce coiled baskets of varied shapes, ranging from small round baskets to large oval baby baskets made from dyed pandanus. Artists combine colours and patterns to obtain intricate new graphic patterns.\u003c\/p\u003e\n\u003ch2\u003eART CENTRE\u003c\/h2\u003e\n\u003cp\u003eManingrida community in the central northern Arnhem Land coast is in the traditional homelands of the Kunibidji people and is one of the country’s largest Aboriginal communities, with over 2000 residents. The community is located on the coastal estuary of the Liverpool River and is five-hundred kilometres east of the regional capital of Darwin.\u003c\/p\u003e\n\u003cp\u003eThe name of the community derives from Kunibidji word “Manayingkarirra”, meaning “the place where Dreaming changed shape”. In the late 1940s Maningrida was established as a trading post for local Aboriginal people, with the aim of providing trade income and to give a viable alternative for people considering travelling to Darwin. At this time this was the first contact to be initiated since the original visit of explorer and map-maker Matthew Flinders in the early 1800s.\u003c\/p\u003e\n\u003cp\u003eManingrida is a intensely multilingual community – languages spoken there include Rembarrnga, Dangbon\/Dalabon, Burarra, eastern Kunwinku, Wurlaki, Kune, Djinang, Ndjébbana, Gunnartpa, Nakkara, Ganalbingu, Kunbarlang, Gupapuyngu and Gurrgoni. Many of the people have skills in at least three of these languages. This diversity is reflected in the wide range of religious ceremonies and varying artistic forms found in dance, music and art.\u003c\/p\u003e\n\u003cp\u003eDuring the 1950s the settlement became a mission and in 1957 was officially named Maningrida. An art centre was formed there in 1973 – the Maningrida Arts and Culture centre – which has gone on to become one of Australia’s longest running art centres, focussed on Aboriginal arts and crafts. The art centre presents the work of over 250 artists from the area, supporting artists living in thirty outstations and on their traditional lands. Maningrida Arts and Culture centre has a major role in fostering cultural practice and supporting generations of artists, as well as providing a cultural keeping-place where traditional culture and ideas can be viewed and passed on. Much of the art work is based around traditional materials and practice – ochre paintings on bark, ceremonial carvings and poles, hand woven fish traps and woven fibre baskets and mats.\u003c\/p\u003e","brand":"Mary Na-Balangkarra","offers":[{"title":"Default Title","offer_id":43594665853171,"sku":"MANI-846-19","price":930.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/2513\/2531\/products\/image_51d27a28-c1a6-4bd9-ac64-770375a830e4.heic?v=1774335416"},{"product_id":"copy-of-coil-basket-con-note","title":"Coil Basket","description":"\u003cp\u003e \u003c\/p\u003e\n\u003ch2\u003eDETAILS \u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003ePandanus and natural dies \u003c\/li\u003e\n\u003cli\u003eSize: 57cm x 42cm x 31cm\u003c\/li\u003e\n\u003cli\u003eCat No 137-20\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eARTIST\u003c\/h2\u003e\n\u003cp\u003eMary Na-Balangkarra is a weaver working with Maningrida Arts \u0026amp; Culture in Arnhem Land. \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch2\u003eART CENTRE\u003c\/h2\u003e\n\u003cp\u003eManingrida Arts \u0026amp; Culture is a pre-eminent site of contemporary cultural expression and art-making, abundant with highly collectable art and emerging talent.\u003c\/p\u003e\n\u003cp\u003eThrough their homelands resource organisation, Bawinanga Aboriginal Corporation, artists turned an art trade that began just over 50 years ago into a multi-million dollar arts and cultural enterprise. Maningrida Arts \u0026amp; Culture supported hundreds of artists on their homelands, more than 20 artworkers, held 20 exhibitions annually, won prestigious awards, and enjoyed the international fame and success that the boom in the Aboriginal art market of the 1990s and 2000s enabled.\u003c\/p\u003e","brand":"Mary Na-Balangkarra","offers":[{"title":"Default Title","offer_id":43634484740339,"sku":"MANI-137-20","price":850.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/2513\/2531\/products\/image_659304bf-1444-4d45-a240-8c9b18f29c7b.heic?v=1774335440"},{"product_id":"fibre-art-wall-hanging-48-22","title":"Woven Wall Hanging","description":"\u003cp\u003e \u003c\/p\u003e\n\u003ch2\u003eDETAILS\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eSize: 48cm x 47cm\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003ePandanus and Natural Dyes \u003c\/li\u003e\n\u003cli\u003eCat No 48-22\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch2\u003eARTIST\u003c\/h2\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNickolette Jimarin\u003c\/span\u003e is a fibre artist and weaver working from Durrmu Arts in\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePeppimenarti, Northern Territory. \u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan data-mce-fragment=\"1\"\u003eART CENTRE\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp class=\"p1\"\u003eDurrmu Arts is renowned for its fine, contemporary art production, particularly acrylic paintings and fibre work. The women of Peppimenarti are traditionally weavers and have transposed their knowledge of fibre and textiles onto the canvas. The men’s art lies in the production of body paint designs and cultural articles. Many of the male artists paint their inherited didgeridu designs. Durrmu Arts is a member of the Indigenous Art Code and ANKA (Arnhem, Northern and Kimberley Artists).\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Nickolette Jimarin","offers":[{"title":"Default Title","offer_id":43634567512307,"sku":"DURR-48-22","price":1740.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/2513\/2531\/products\/dillybags_42.jpg?v=1774335789"},{"product_id":"copy-of-fibre-art-wall-hanging-48-22","title":"Large coiled basket","description":"\u003cp\u003eLarge coiled basket made from cottonwood by artist and weaver, May Miorgor. \u003c\/p\u003e\n\u003ch2\u003eDetails\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eSize: 58cm x 58cm x 15cm\u003c\/li\u003e\n\u003cli\u003eCottonwood (Bombas Ceiba) with Ochre Pigment and PVA fixture. \u003c\/li\u003e\n\u003cli\u003eCat No 472-22\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eArtist\u003c\/h2\u003e\n\u003cp\u003eMay Miorgor is an artist working from Maningrida Arts and Culture in West Arnhem Land. Her language group is Gurrgoni, her moiety is Yirritjinga and her Country is Nangak. \u003c\/p\u003e\n\u003ch2\u003eArt Centre \u003c\/h2\u003e\n\u003cp\u003eManingrida Arts \u0026amp; Culture is a pre-eminent site of contemporary cultural expression and art-making, abundant with highly collectable art and emerging talent.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThrough their homelands resource organisation, Bawinanga Aboriginal Corporation, artists turned an art trade that began just over 50 years ago into a multi-million dollar arts and cultural enterprise. Maningrida Arts \u0026amp; Culture supported hundreds of artists on their homelands, more than 20 artworkers, held 20 exhibitions annually, won prestigious awards, and enjoyed the international fame and success that the boom in the Aboriginal art market of the 1990s and 2000s enabled.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"May Miorgor","offers":[{"title":"Default Title","offer_id":43634666995955,"sku":"MANI-472-22","price":840.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/2513\/2531\/products\/image_9978666f-7bee-4c15-b870-24786168c8da.jpg?v=1774335758"},{"product_id":"coil-basket-2","title":"Coil Basket","description":"\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eCoiling technique was introduced in the 1920s at Goulburn Island to the Maung people by missionaries and quickly spread to the mainland. Many artists produce coiled baskets of varied shapes, ranging from small round baskets to large oval baby baskets made from dyed pandanus. Artists combine colours and patterns to obtain intricate new graphic patterns.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003eWeaving - Coiled Basket\u003c\/li\u003e\n\u003cli\u003eSize: \u003cmeta charset=\"utf-8\"\u003e36cm x 26cm x 26cm\u003c\/li\u003e\n\u003cli\u003eCat No \u003cmeta charset=\"utf-8\"\u003e185-22\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eARTIST\u003c\/h2\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAnna Yanmuwanga is a senior fibre artist who is well known for her innovative weaving techniques.  Anna spends her time with family between Maningrida and Oenpelli.  She is represented by both Injalak Arts and Maningrida Arts \u0026amp; Culture.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan data-mce-fragment=\"1\"\u003eART CENTRE\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp data-mce-fragment=\"1\"\u003eManingrida Arts \u0026amp; Culture is a pre-eminent site of contemporary cultural expression and art-making, abundant with highly collectable art and emerging talent.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThrough their homelands resource organisation, Bawinanga Aboriginal Corporation, artists turned an art trade that began just over 50 years ago into a multi-million dollar arts and cultural enterprise. Maningrida Arts \u0026amp; Culture supported hundreds of artists on their homelands, more than 20 artworkers, held 20 exhibitions annually, won prestigious awards, and enjoyed the international fame and success that the boom in the Aboriginal art market of the 1990s and 2000s enabled.\u003c\/p\u003e","brand":"Anna Yanmuwanga","offers":[{"title":"Default Title","offer_id":43655910949107,"sku":"","price":675.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/2513\/2531\/products\/image_4e3d3795-6276-41d8-8967-bc729375cfc0.heic?v=1774335853"},{"product_id":"coil-basket-3","title":"Coil Basket","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eCoiling technique was introduced in the 1920s at Goulburn Island to the Maung people by missionaries and quickly spread to the mainland. Many artists produce coiled baskets of varied shapes, ranging from small round baskets to large oval baby baskets made from dyed pandanus. Artists combine colours and patterns to obtain intricate new graphic patterns.\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSize: 62cm x 31cm\u003c\/li\u003e\n\u003cli\u003ePandanus (Pandanus Spiralis) and Kurrajong (Brachychiton Populneus) with natural dyes\u003c\/li\u003e\n\u003cli\u003eCat No 195-22\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eARTIST\u003c\/h2\u003e\n\u003cp\u003eBorn in 1974, Bronwyn Kelly is a weaver working with Maningrida Arts \u0026amp; Culture in Arnhem Land. Her moiety is Yirridjdja.\u003c\/p\u003e\n\u003ch2\u003eART CENTRE\u003c\/h2\u003e\n\u003cp\u003eManingrida Arts \u0026amp; Culture is a pre-eminent site of contemporary cultural expression and art-making, abundant with highly collectable art and emerging talent.\u003c\/p\u003e\n\u003cp\u003eThrough their homelands resource organisation, Bawinanga Aboriginal Corporation, artists turned an art trade that began just over 50 years ago into a multi-million dollar arts and cultural enterprise. Maningrida Arts \u0026amp; Culture supported hundreds of artists on their homelands, more than 20 artworkers, held 20 exhibitions annually, won prestigious awards, and enjoyed the international fame and success that the boom in the Aboriginal art market of the 1990s and 2000s enabled.\u003c\/p\u003e","brand":"Bronwyn Kelly","offers":[{"title":"Default Title","offer_id":43655923007731,"sku":"MANI-195-22","price":650.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/2513\/2531\/products\/image_e64a6dac-038b-4993-ae55-ebdec7437c84.heic?v=1774335874"},{"product_id":"mandjabu-fish-trap","title":"Mandjabu (Fish Trap)","description":"\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eWater-based woodblock print\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003ePaper size: 59.5cm x 43.25cm\u003c\/li\u003e\n\u003cli\u003eEdition 4\/10 is framed. \u003c\/li\u003e\n\u003cli\u003eCat No 1420-22\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eARTIST \u003c\/h2\u003e\n\u003cp dir=\"ltr\"\u003eNgarridjdjan Raylene Bonson is a talented textile artist, specialising in linocut technique. She has been working with Bábbarra Designs since 2012 and now has a permanent role as an arts worker. Raylene was mentored by her late mother, Nancy Gununwanga, a senior textile artist at Bábbarra Designs and a founding member of Bábbarra Women’s Centre.\u003cbr\u003e\u003cbr\u003eRaylene is well known for her designs depicting ancestral stories and ceremonial objects, in particular lorrkon (hollow log for burial ceremony), kunmadj (dillybag) and mandjabu (conical fishtrap).\u003c\/p\u003e\n\u003ch2\u003eART CENTRES\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eBábbarra Women’s Centre\u003c\/strong\u003e works with women who from more than 12 language groups in the Maningrida region who come together to share knowledge and ideas. The group's main social enterprise, Bábbarra Designs, has been going strong since 1989, designing and hand-printed exquisite textiles that are sold around the world. Each length of fabric is unique and tells the ancestral stories of Arnhem Land country and cultures.\u003c\/p\u003e\n\u003cp\u003e\"People tell us our designs are bold and elegant, but for us they are more than designs: these designs tell the stories of our lives. They bring a lot of joy to everyone – to us, our families and our customers alike. Working creatively with Bábbarra Designs is a way for us to achieve financial independence, for our community and the next generations.\"\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eManingrida Arts \u0026amp; Culture\u003c\/strong\u003e is a pre-eminent site of contemporary cultural expression and art-making, abundant with highly collectable art and emerging talent.\u003c\/p\u003e\n\u003cp\u003eThrough their homelands resource organisation, Bawinanga Aboriginal Corporation, artists turned an art trade that began just over 50 years ago into a multi-million dollar arts and cultural enterprise. Maningrida Arts \u0026amp; Culture supported hundreds of artists on their homelands, more than 20 artworkers, held 20 exhibitions annually, won prestigious awards, and enjoyed the international fame and success that the boom in the Aboriginal art market of the 1990s and 2000s enabled.\u003c\/p\u003e","brand":"Ngarridjdjan Raylene Bonson","offers":[{"title":"1\/10","offer_id":43682207793395,"sku":"BABA-1420-22-1\/10","price":510.0,"currency_code":"AUD","in_stock":false},{"title":"2\/10","offer_id":43682191376627,"sku":"BABA-1420-22-2\/10","price":510.0,"currency_code":"AUD","in_stock":false},{"title":"3\/10","offer_id":43682191409395,"sku":"BABA-1420-22-3\/10","price":510.0,"currency_code":"AUD","in_stock":false},{"title":"4\/10 (framed)","offer_id":43682191442163,"sku":"BABA-1420-22-4\/10","price":780.0,"currency_code":"AUD","in_stock":true},{"title":"6\/10","offer_id":43682191474931,"sku":"BABA-1420-22-6\/10","price":510.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/2513\/2531\/files\/20241114_untitled_untitled-shoot_260copy.png?v=1774839167"},{"product_id":"turkey-dreaming","title":"Turkey Dreaming","description":"\u003cp\u003e \"This dreaming tells about the bush turkey. It is a big bird that flies around from\u003cbr\u003eplace to place searching for food. They eat insects. The men hunt for the turkeys\u003cbr\u003ewith boomerangs. The men hunt together to catch the turkeys.\" ~ Lily Hargraves\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch2\u003eDETAILS \u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cmeta charset=\"utf-8\"\u003eAcrylic on Canvas\u003c\/li\u003e\n\u003cli\u003e850mm x 500mm \u003c\/li\u003e\n\u003cli\u003eCat No. 235-15\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eARTIST \u003c\/h2\u003e\n\u003cp\u003eNungarrayi (b. 1925) loved to paint and loved her culture. She was driven to record and preserve cultural knowledge and traditions, knowing she was fighting against the power of time and the new impeding culture. Nungarrayi loved colour and expression. In her later years her style changed slightly showing more freedom and use of colour, while years of experience with brushes show skilled execution and technique.\u003c\/p\u003e\n\u003cp\u003eNungarrayi produced some truly stunning work with heavy bold confident brush work\u003cbr\u003ewhile manipulating a broad range of colour. This artist’s depth of character and life experience is reflected in her work.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eNungarrayi was also known as Maggie Jurrah\/Hargraves. Towards the end she preferred to be known as Lily Jurrah. Nungarrayi was one of the old desert walkers born in the Tanami Desert in her country near Jilla or Chilla Well. She was a\u003cbr\u003esenior law woman, highly respected in Lajamanu. For many years she taught children Warlpiri language and culture in the school bilingual education program. Nungarrayi had four children, two of whom are still alive. Her sister had seven children and Nungarrayi was mother to these as well.\u003c\/p\u003e\n\u003cp\u003eNungarrayi's art is held in a number of major collections, and she has been widely exhibited both in Australia and overseas, including France, Brazil and the USA. In 2009 and 2014 Nungarrayi was a finalist, highly commended in the Telstra National Aboriginal and Torres Strait Islander Art Awards.\u003c\/p\u003e\n\u003ch2\u003eART CENTRE\u003c\/h2\u003e\n\u003cp\u003eLajamanu Community, formerly named Hooker Creek, is 580kms south west of Katherine, Northern Territory. Lajamanu is half way between Alice Springs and Darwin to the west near the NT\/WA border. The town is very remote, with a population of around 900 Warlpiri people.\u003cbr\u003e\u003cbr\u003eThe art centre is staffed mainly by the children of the older generation of Indigenous Lajamanu residents who remember their first contact with white Australia. They maintain the computerised data base and run the art centre production. Older and younger community members produce Aboriginal dot paintings and make wooden artefacts. The centre is a place for a cup of tea and a song and dance, and then a trip into the Spinifex desert to look for goanna and lizards or to collect bush coconut, bush banana, yams and bush honey from native bees.\u003c\/p\u003e","brand":"Lily Hargraves","offers":[{"title":"Default Title","offer_id":43735821189363,"sku":"","price":1220.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/2513\/2531\/files\/image_b0eeb93f-4f63-4a62-bac2-6cdc2ed8c051.heic?v=1774336016"},{"product_id":"walka","title":"Walka, 2002","description":"\u003cp\u003e \u003c\/p\u003e\n\u003ch2\u003eDETAILS\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eScreenprint on fine art paper \u003c\/li\u003e\n\u003cli\u003e\n\u003cmeta charset=\"utf-8\"\u003e59.4cm x 84.1cm\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eARTIST\u003c\/h2\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eKathy Maringka was born in the bush, near Ernabella on the APY Lands. Her family moved into the mission at Ernabella and she went to school there, before moving to Victory Downs, a cattle station near Ernabella. Kathy worked as a Cultural Tour Guide at Uluru, guiding tourists and cleaning and washing dishes at the tourist camp. Kathy returned to Ernabella to marry her husband Johnny Roberts and together they have five children and numerous grandchildren.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAs a young woman in Ernabella, Kathy started work at the art centre and learnt to sew, spin wool and make rugs. Kathy and her family moved to Fregon in the 1970s, when it was still a mission outstation. At the Fregon craft room Kathy learnt batik techniques and painting with acrylics on canvas. Kathy is a respected member and leader in her community ans iis know for her quiet yet strong leadership skills. She worked for worked for Centrelink and as the Chairperson of Fregon Community Council for many years. She is also a longstanding board member of Kaltjiti Arts and is a renowned artist and known for her depictions of Tjulpun-tjulpunpa - Desert Wildflowers.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eKathy like most artists from Fregon have individual and unique styles. Initially, most artists were younger women or were from traditional Country that was men’s business, and they did not paint Tjukurpa. Instead, the women developed imagery which was based in the landscape and storytelling of everyday life called milpatjunanyi. These intuitive, spontaneous images developed into colourful and complex works. The academic description of “meaningful marks or patterns” became the distinctive style known as walka. Originally used on weavings, these were transferred to all other mediums in particular batik and painting and is still featured in Kaltjiti artworks today.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003eART CENTRE\u003c\/h2\u003e\n\u003cp\u003eKaltjiti Arts and Crafts is a community based, Aboriginal art centre in the remote community of Fregon in the Anangu Pitjantjatjara Yankunytjatjara (APY) Lands of South Australia.  The heart of the small community is the art centre which is a place of inspiration, dynamism and a cultural focal point.\u003c\/p\u003e\n\u003cp\u003eThrough their artworks, elders and senior artists teach younger generations about important cultural traditions and stories, passing on knowledge that has come to them from their ancestors.\u003c\/p\u003e\n\u003cp\u003eKatjiti Arts is known as an art centre with diversity of aesthetic and a depth of talent. Senior male artists Witjiti George and Taylor Copper are joined by senior women,  Manitjanu Lennon, Imitjala Curley, Matjangka Norris and Kathy Maringka, all exploring Tjukurpa of the region. Senior artists enjoy the opportunity of working together on collaborative major works, which are also used to teach younger generations skills in painting technique and story telling. It is this commitment to Tjukurpa and traditional painting technique which has allowed Kaltjiti Arts to establish a reputation as being an art centres of that creates artworks of the highest quality, which are also rich in cultural integrity.\u003c\/p\u003e","brand":"Kathy Maringka","offers":[{"title":"18\/30","offer_id":43764513898739,"sku":"","price":355.0,"currency_code":"AUD","in_stock":true},{"title":"19\/30","offer_id":43764513931507,"sku":"","price":355.0,"currency_code":"AUD","in_stock":true},{"title":"20\/30","offer_id":43764513964275,"sku":"","price":355.0,"currency_code":"AUD","in_stock":true},{"title":"21\/30","offer_id":43764513997043,"sku":"","price":355.0,"currency_code":"AUD","in_stock":true},{"title":"22\/30","offer_id":43764514029811,"sku":"","price":355.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/2513\/2531\/files\/20230509_Kaljiti_ConNote364_073.jpg?v=1774337158"},{"product_id":"untitled-1","title":"Untitled, 2002","description":"\u003cp\u003e \u003c\/p\u003e\n\u003ch2\u003eDETAILS\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eScreenprint on fine art paper \u003c\/li\u003e\n\u003cli\u003e\n\u003cmeta charset=\"utf-8\"\u003e59.4cm x 84.1cm\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eARTIST\u003c\/h2\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eKatie Curley is from Fregon and Pukatja on the APY Lands. Katie paints the wildflowers that flourish on the sand dunes of her country, especially after rain. \u003cmeta charset=\"utf-8\"\u003eKatie is an accomplished painter and well known expert batik artist, with prestigious representation in Australia and overseas.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e \u003c\/p\u003e\n\u003ch2\u003eART CENTRE\u003c\/h2\u003e\n\u003cp\u003eKaltjiti Arts and Crafts is a community based, Aboriginal art centre in the remote community of Fregon in the Anangu Pitjantjatjara Yankunytjatjara (APY) Lands of South Australia.  The heart of the small community is the art centre which is a place of inspiration, dynamism and a cultural focal point.\u003c\/p\u003e\n\u003cp\u003eThrough their artworks, elders and senior artists teach younger generations about important cultural traditions and stories, passing on knowledge that has come to them from their ancestors.\u003c\/p\u003e\n\u003cp\u003eKatjiti Arts is known as an art centre with diversity of aesthetic and a depth of talent. Senior male artists Witjiti George and Taylor Copper are joined by senior women,  Manitjanu Lennon, Imitjala Curley, Matjangka Norris and Kathy Maringka, all exploring Tjukurpa of the region. Senior artists enjoy the opportunity of working together on collaborative major works, which are also used to teach younger generations skills in painting technique and story telling. It is this commitment to Tjukurpa and traditional painting technique which has allowed Kaltjiti Arts to establish a reputation as being an art centres of that creates artworks of the highest quality, which are also rich in cultural integrity.\u003c\/p\u003e","brand":"Katie Curley","offers":[{"title":"AP","offer_id":43764515668211,"sku":null,"price":535.0,"currency_code":"AUD","in_stock":true},{"title":"21\/30","offer_id":43764515864819,"sku":"","price":535.0,"currency_code":"AUD","in_stock":true},{"title":"19\/30","offer_id":43764515897587,"sku":"","price":535.0,"currency_code":"AUD","in_stock":true},{"title":"7\/30","offer_id":43764515930355,"sku":"","price":535.0,"currency_code":"AUD","in_stock":true},{"title":"16\/30","offer_id":43764515963123,"sku":"","price":535.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/2513\/2531\/files\/20230509_Kaljiti_ConNote364_054.jpg?v=1774337055"},{"product_id":"inma-ku-walka-body-design","title":"Inma-ku Walka (Body Design)","description":"\u003cp\u003e \u003c\/p\u003e\n\u003ch2\u003eDETAILS\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cmeta charset=\"utf-8\"\u003eInk on Hahnemuhle Paper\u003c\/li\u003e\n\u003cli\u003e\n\u003cmeta charset=\"utf-8\"\u003e59.4cm x 84.1cm \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e This etching is based on the imagery used for body painting during traditional\u003cspan\u003e \u003c\/span\u003e\u003cem\u003elnma\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(traditional ceremonial dance). It is one of a series of six prints produced as part of the\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eCountry and Culture\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eSeries. For the component representing Culture, six women artists chose body design. These designs are painted across the chest and breasts for \u003cem\u003eInma\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eThe colour palette used is the traditional yellow and red ochres – body painting enhances the appearance of the participant and identifies the particular ceremony. Dance language and song are integral to the life of traditional Aboriginal people.\u003cspan\u003e \u003c\/span\u003e\u003cem\u003elnma\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis carried out for increase ceremonies – to ensure a relationship is secured or the continuation of a plentiful supply of food.\u003c\/p\u003e\n\u003ch2\u003eARTIST\u003c\/h2\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eA collaborative project with several artists from \u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eKaltjiti Arts and Crafts.\u003c\/span\u003e\u003c\/span\u003e \u003c\/p\u003e\n\u003ch2\u003eART CENTRE\u003c\/h2\u003e\n\u003cp\u003eKaltjiti Arts and Crafts is a community based, Aboriginal art centre in the remote community of Fregon in the Anangu Pitjantjatjara Yankunytjatjara (APY) Lands of South Australia.  The heart of the small community is the art centre which is a place of inspiration, dynamism and a cultural focal point.\u003c\/p\u003e\n\u003cp\u003eThrough their artworks, elders and senior artists teach younger generations about important cultural traditions and stories, passing on knowledge that has come to them from their ancestors.\u003c\/p\u003e\n\u003cp\u003eKatjiti Arts is known as an art centre with diversity of aesthetic and a depth of talent. Senior male artists Witjiti George and Taylor Copper are joined by senior women,  Manitjanu Lennon, Imitjala Curley, Matjangka Norris and Kathy Maringka, all exploring Tjukurpa of the region. Senior artists enjoy the opportunity of working together on collaborative major works, which are also used to teach younger generations skills in painting technique and story telling. It is this commitment to Tjukurpa and traditional painting technique which has allowed Kaltjiti Arts to establish a reputation as being an art centres of that creates artworks of the highest quality, which are also rich in cultural integrity.\u003c\/p\u003e","brand":"Kaltjiti Collaborative","offers":[{"title":"Theresa R (AP)","offer_id":43764524253427,"sku":"","price":535.0,"currency_code":"AUD","in_stock":true},{"title":"Brenda W (5\/30)","offer_id":43770410565875,"sku":"","price":535.0,"currency_code":"AUD","in_stock":false},{"title":"Brenda W (28\/30)","offer_id":43770410598643,"sku":"","price":535.0,"currency_code":"AUD","in_stock":true},{"title":"Iwana K (26\/30)","offer_id":43770410631411,"sku":"","price":535.0,"currency_code":"AUD","in_stock":true},{"title":"Iwana K(22\/30)","offer_id":43770410664179,"sku":"","price":535.0,"currency_code":"AUD","in_stock":true},{"title":"Iwana K (11\/30) - FRAMED","offer_id":43770410696947,"sku":"","price":750.0,"currency_code":"AUD","in_stock":true},{"title":"Ingrid T (AP)","offer_id":43770410729715,"sku":"","price":535.0,"currency_code":"AUD","in_stock":true},{"title":"Ingrid T (30\/30)","offer_id":43770410762483,"sku":"","price":535.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/2513\/2531\/files\/20230509_Kaljiti_ConNote364_058.jpg?v=1774338499"},{"product_id":"copy-of-lorrkon","title":"Bumbil (Bush String)","description":"\u003cp\u003e\u003cem\u003eNaw kunyirrk yiman kayime dierrh nayahwurd nawu korroko birrikani dabborrabbolk bu birriwarlbuni. Wanjh kore kunyirrk bedberre kahdahkendi nawu\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eyiman kayime lawk, ngolin, dja kunyarl.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Kunyirrk' is like a small string bag, that our ancestors used to take when they went hunting. In their string bags they would carry things like stone knives\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ebeeswax and string.\" -Jill Nganjmirra\u003c\/em\u003e\u003c\/p\u003e\n\u003ch2\u003eDETAILS\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e75cm × 36cm\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eCat No 1595-22\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eString bags are made from a variety of plants but most commonly from Manbudbud (Red Flowered Kurrajong), a strong pliable plant which grows along the floor and into the canopy of monsoon vine thickets.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003eTraditionally the bags are used to collect a variety of foods such as fish caught in conical fish traps, collections of yams or other Man Me (bush food).\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003eOnce Manbudbud has been collected, the process to create bush string begins. Starting with several fibres, the weaver will begin to roll the strands on\u003cbr data-mce-fragment=\"1\"\u003etheir leg, binding the fibres into string. The fibres may be naturally dyed or have feathers woven into them, creating contemporary, diverse and decorative\u003cbr data-mce-fragment=\"1\"\u003estring bags\u003c\/p\u003e\n\u003ch2\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eARTIST\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cp\u003eSimplicia England is an fibre arist and weaver working with \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMarrawuddi Arts and Culture.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eART CENTRE\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eMarrawuddi Arts and Culture is a beautiful Community Arts Centre located in the repurposed Jabiru Bakery in the heart of the World Heritage Listed Kakadu National Park. The stunningly renovated building, which welcomes dozens of visitors daily, features a vibrant working space for artists use as well as a beautiful exhibition area and delicious coffee. Tourists are encouraged to spend time with artists and learn about the beautiful artworks available for purchase. The quality of artworks for sale at Marrawuddi is exceptional and all stock is created by artists living in or around the Kakadu and wider West Arnhem region.\u003c\/span\u003e\u003c\/p\u003e","brand":"Simplicia England","offers":[{"title":"Default Title","offer_id":43782435373299,"sku":"6470552e0cbcc","price":1160.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/2513\/2531\/files\/20231201_untitled_untitledshoot_006.jpg?v=1774336453"},{"product_id":"bumbil-bush-string","title":"Bumbil (Bush String)","description":"\u003cp\u003e\u003cem\u003eNaw kunyirrk yiman kayime dierrh nayahwurd nawu korroko birrikani dabborrabbolk bu birriwarlbuni. Wanjh kore kunyirrk bedberre kahdahkendi nawu\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eyiman kayime lawk, ngolin, dja kunyarl.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Kunyirrk' is like a small string bag, that our ancestors used to take when they went hunting. In their string bags they would carry things like stone knives\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ebeeswax and string.\" -Jill Nganjmirra\u003c\/em\u003e\u003c\/p\u003e\n\u003ch2\u003eDETAILS\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e95 x 34 cm \u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eCat No 1596-22\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eString bags are made from a variety of plants but most commonly from Manbudbud (Red Flowered Kurrajong), a strong pliable plant which grows along the floor and into the canopy of monsoon vine thickets.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003eTraditionally the bags are used to collect a variety of foods such as fish caught in conical fish traps, collections of yams or other Man Me (bush food).\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003eOnce Manbudbud has been collected, the process to create bush string begins. Starting with several fibres, the weaver will begin to roll the strands on\u003cbr data-mce-fragment=\"1\"\u003etheir leg, binding the fibres into string. The fibres may be naturally dyed or have feathers woven into them, creating contemporary, diverse and decorative\u003cbr data-mce-fragment=\"1\"\u003estring bags.\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eARTIST\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eSimplicia England is an fibre arist and weaver working with \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMarrawuddi Arts and Culture.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003eART CENTRE\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eMarrawuddi Arts and Culture is a beautiful Community Arts Centre located in the repurposed Jabiru Bakery in the heart of the World Heritage Listed Kakadu National Park. The stunningly renovated building, which welcomes dozens of visitors daily, features a vibrant working space for artists use as well as a beautiful exhibition area and delicious coffee. Tourists are encouraged to spend time with artists and learn about the beautiful artworks available for purchase. The quality of artworks for sale at Marrawuddi is exceptional and all stock is created by artists living in or around the Kakadu and wider West Arnhem region.\u003c\/span\u003e\u003c\/p\u003e","brand":"Simplicia England","offers":[{"title":"Default Title","offer_id":43782437404915,"sku":"647055359151e","price":1160.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/2513\/2531\/files\/20231201_untitled_untitledshoot_014.jpg?v=1774336463"},{"product_id":"maningrida-spc-arts-spc-spc-culture-spc-col1-3460-col2-2592-18-col3-carlos-spc-namunjdja-col4-mimih-spc-spirit-spc","title":"Mimih Spirit (181cm)","description":"\u003ch2\u003eDETAILS\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eIronwood (Erythrophleum Chlorostachys)\nwith Ochre Pigment and PVA Fixative\u003c\/li\u003e\n\u003cli\u003eDimensions:  181cm x 8cm x7cm\u003c\/li\u003e\n\u003cli\u003eCat No. 2592-18\u003c\/li\u003e\n\u003cbr\u003e\u003cbr\u003e\n\u003c\/ul\u003e\u003ch2\u003eARTIST\u003c\/h2\u003eCarlos Namunjdja is a painter and sculptor who learned under the guidance of his father Bulanj Samuel Namunjdja (1965-2018), paternal grandfather Peter Marralwanga (1916-1987) and maternal grandfather Godjok Thompson Yulidjirri (1930-2009). Namunjdja continues this strong artistic legacy through his exceptionally fine mark-making, depicting the djang (Dreamings\/ ancestral essence) of his Country. Common motifs in his work include important songlines of the Kardbam clan estate, including kunkurra (spiral wind), kalawan (goanna) and ngalng (yabby). Carlos lives and works between Maningrida Community and his outstation, Mankorlod. He works exclusively with natural materials which he harvests seasonally from his country. \u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2\u003eART CENTRE\u003c\/h2\u003eManingrida Arts \u0026amp; Culture is a pre-eminent site of contemporary cultural expression and art-making, abundant with highly collectable art and emerging talent.\n\nThrough their homelands resource organisation, Bawinanga Aboriginal Corporation, artists turned an art trade that began just over 50 years ago into a multi-million dollar arts and cultural enterprise. Maningrida Arts \u0026amp; Culture supported hundreds of artists on their homelands, more than 20 artworkers, held 20 exhibitions annually, won prestigious awards, and enjoyed the international fame and success that the boom in the Aboriginal art market of the 1990s and 2000s enabled.\n\nAcclaimed senior artists including John Mawurndjul, brothers Owen Yalandja and Crusoe Kurddal, Bob Burruwal, Lena Yarinkura and Laurie Marbaduk continue to expand their mediums and narratives. Artists such as Paul Nabulumo, Samson Bonson, Anniebelle Marrngamarrnga, Samuel Namundja, Kay Lindjuwanga and Fiona Jin-majinggal have emerged to become a formidable force in the national and international landscape. They sit alongside the leading proponents of a fibre sculpture movement. Frewa Bardaluna, Helen Stewart, Vera Cameron, Lorna Jin-gubarrangunyja, Freda Wayartja Ali, Bonnie Burarn.garra and Doreen Jinggarrabarra are a group of mostly female artists who reinterpret functional forms using natural fibres to create highly sought-after pieces across the fine art and interior design sectors.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e","brand":"Carlos Namunjdja","offers":[{"title":"Default Title","offer_id":43825892622579,"sku":"","price":1685.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/2513\/2531\/files\/6C8DCB0D-BCAF-43CC-B22F-7AED8737898D.heic?v=1774336640"},{"product_id":"maningrida-spc-arts-spc-spc-culture-spc-col1-3460-col2-834-18-col3-spc-samson-spc-bonson-col4-yawkyawk","title":"Yawkyawk (105cm)","description":"\u003ch2\u003eDETAILS\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eOchre on Wood\u003c\/li\u003e\n\u003cli\u003eDimensions: 105cm x 13cm x12cm\u003c\/li\u003e\n\u003cli\u003eCat No. 834-18\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch2\u003eARTIST\u003c\/h2\u003e\n\u003cp\u003eSamson Bonson (b.1968), a Gurrgoni sculptor, was taught in the late 1990’s by Crusoe Kurddal a notable maker of mimih spirit carvings. Bonson is known for the refined carvings and the minute nature of his pointillist decoration on the main body of his mimih carvings. This quality sees his work in high demand. Bonson’s work has been selected for the 25th, 26th and 29th National Aboriginal and Torres Strait Islander Awards. Significant exhibitions of his work include Dream Tracks, Aboriginal Art of Arnhem Land (2006) at the La Fontaine Centre of Contemporary Art in the Kingdom of Bahrain and \u0026lt;\u003crarrk\u003e\u0026gt; (2006) at the Bargehouse Gallery in London.  In 2007 a work was acquired by the British Museum. Internationally, the artist has also been represented by Art Kelch, Freiburg (Germany), and Harvey Arts Project, Ketchum (USA).\n\nHis work has also been exhibited by Annandale Galleries (Sydney),  Gallery Gabrielle Pizzi (Melbourne),  Paul Johnstone Gallery (Darwin)  and Vivien Anderson Gallery (Melbourne). Most recently, the artists work is shown at Michael Reid Gallery, Sydney. \u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2\u003eART CENTRE\u003c\/h2\u003eManingrida Arts \u0026amp; Culture is a pre-eminent site of contemporary cultural expression and art-making, abundant with highly collectable art and emerging talent.\n\nThrough their homelands resource organisation, Bawinanga Aboriginal Corporation, artists turned an art trade that began just over 50 years ago into a multi-million dollar arts and cultural enterprise. Maningrida Arts \u0026amp; Culture supported hundreds of artists on their homelands, more than 20 artworkers, held 20 exhibitions annually, won prestigious awards, and enjoyed the international fame and success that the boom in the Aboriginal art market of the 1990s and 2000s enabled.\n\nAcclaimed senior artists including John Mawurndjul, brothers Owen Yalandja and Crusoe Kurddal, Bob Burruwal, Lena Yarinkura and Laurie Marbaduk continue to expand their mediums and narratives. Artists such as Paul Nabulumo, Samson Bonson, Anniebelle Marrngamarrnga, Samuel Namundja, Kay Lindjuwanga and Fiona Jin-majinggal have emerged to become a formidable force in the national and international landscape. They sit alongside the leading proponents of a fibre sculpture movement. Frewa Bardaluna, Helen Stewart, Vera Cameron, Lorna Jin-gubarrangunyja, Freda Wayartja Ali, Bonnie Burarn.garra and Doreen Jinggarrabarra are a group of mostly female artists who reinterpret functional forms using natural fibres to create highly sought-after pieces across the fine art and interior design sectors.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/rarrk\u003e\u003c\/p\u003e","brand":"Samson Bonson","offers":[{"title":"Default Title","offer_id":43825893277939,"sku":"MANI-834-18","price":3200.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/2513\/2531\/files\/231C1A6C-D74E-40B2-AC75-62EC21C172A8.heic?v=1774336693"},{"product_id":"maningrida-spc-arts-spc-spc-culture-spc-col1-3460-col2-970-22-col3-samson-spc-bonson-col4-mimih-spc-spirit-spc","title":"Mimih Spirit (156cm)","description":"\u003ch2\u003eDETAILS\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eLeichhardt Tree (Nauclea Orientalis)\nwith Ochre Pigment and PVA Fixative\u003c\/li\u003e\n\u003cli\u003eDimensions:  156cm x 5cm x 4.5cm\u003c\/li\u003e\n\u003cli\u003eCat No. 970-22\u003c\/li\u003e\n\u003cbr\u003e\u003cbr\u003e\n\u003c\/ul\u003e\u003ch2\u003eARTIST\u003c\/h2\u003eSamson Bonson (b.1968), a Gurrgoni sculptor, was taught in the late 1990’s by Crusoe Kurddal a notable maker of mimih spirit carvings. \n\nBonson is known for the refined carvings and the minute nature of his pointillist decoration on the main body of his mimih carvings.  This quality sees his work in high demand. \n\nBonson’s work has been selected for the 25th, 26th and 29th National Aboriginal and Torres Strait Islander Awards.  Significant exhibitions of his work include Dream Tracks, Aboriginal Art of Arnhem Land (2006) at the La Fontaine Centre of Contemporary Art in the Kingdom of Bahrain and \u0026lt;\u003crarrk\u003e\u0026gt; (2006) at the Bargehouse Gallery in London.  In 2007 a work was acquired by the British Museum. Internationally, the artist has also been represented by Art Kelch, Freiburg (Germany), and Harvey Arts Project, Ketchum (USA).\n\nHis work has also been exhibited by Annandale Galleries (Sydney),  Gallery Gabrielle Pizzi (Melbourne),  Paul Johnstone Gallery (Darwin)  and Vivien Anderson Gallery (Melbourne). Most recently, the artists work is shown at Michael Reid Gallery, Sydney. \u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2\u003eART CENTRE\u003c\/h2\u003eManingrida Arts \u0026amp; Culture is a pre-eminent site of contemporary cultural expression and art-making, abundant with highly collectable art and emerging talent.\n\nThrough their homelands resource organisation, Bawinanga Aboriginal Corporation, artists turned an art trade that began just over 50 years ago into a multi-million dollar arts and cultural enterprise. Maningrida Arts \u0026amp; Culture supported hundreds of artists on their homelands, more than 20 artworkers, held 20 exhibitions annually, won prestigious awards, and enjoyed the international fame and success that the boom in the Aboriginal art market of the 1990s and 2000s enabled.\n\nAcclaimed senior artists including John Mawurndjul, brothers Owen Yalandja and Crusoe Kurddal, Bob Burruwal, Lena Yarinkura and Laurie Marbaduk continue to expand their mediums and narratives. Artists such as Paul Nabulumo, Samson Bonson, Anniebelle Marrngamarrnga, Samuel Namundja, Kay Lindjuwanga and Fiona Jin-majinggal have emerged to become a formidable force in the national and international landscape. They sit alongside the leading proponents of a fibre sculpture movement. Frewa Bardaluna, Helen Stewart, Vera Cameron, Lorna Jin-gubarrangunyja, Freda Wayartja Ali, Bonnie Burarn.garra and Doreen Jinggarrabarra are a group of mostly female artists who reinterpret functional forms using natural fibres to create highly sought-after pieces across the fine art and interior design sectors.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/rarrk\u003e","brand":"Samson Bonson","offers":[{"title":"Default Title","offer_id":43825893343475,"sku":"","price":2780.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/2513\/2531\/files\/F8EB5F78-796A-4DCE-9CC0-CFAC0CE2325D.heic?v=1703134809"},{"product_id":"anindilyakwa-spc-arts-col1-10100-col2-dn02-0059-col3-daniel-spc-ngurruwuthun-col4-5-spc-brolga","title":"5. Brolga","description":"\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e“Gadarku is brolga. Gadarku is part of my father and my mother's tribe. My mum also has her own, different songline, but gadarku we dance to.” ~ Daniel Ngurruwuthun\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003eDETAILS\u003c\/h2\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eManganese, medium and acrylic on wood\u003c\/li\u003e\n\u003cli\u003eDimensions: 201.6 x 15 x 15 cm\u003c\/li\u003e\n\u003cli\u003eCat No. DN02-0059\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch2\u003eARTIST\u003c\/h2\u003e\n\u003cp\u003eDaniel is a Yolŋu man who was was born in Yirrkala and grew up as a young boy at his family’s homeland of Rurrangala in North East Arnhem land. Now living with his Anindilyakwa wife and daughter in Angurugu, Daniel is an Arts and Cultural officer and talented artist in Angurugu. Daniel is best known for his bark paintings depicting traditional stories of sea creatures, and also works on carvings and yiraka (digeridoo). Daniel’s father Dula Ngurruwuthun was an accomplished painter and has works in national institutions such as the NGA. Daniel is inspired to follow in his fathers footsteps and has taken up the skills, imagery and process taught to him by his father.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch2\u003eART CENTRE\u003c\/h2\u003e\n\u003cp\u003eAnindilyakwa Arts is a thriving hub of creativity located on the Groote Eylandt Archipelago in the Gulf of Carpentaria in the Northern Territory. Warnumamalya artists are engaged across the Archipelago, with art centres in Umbakumba, Angurugu and Milyukbura. Diverse art programs focus on traditional and contemporary art practices, as well as, community engagement programs. Artists practices span across weaving, fibre art, carving, printmaking, fashion design and painting. Anindilyakwa Arts is part of the Anindilyakwa Land Council and is as an integral part of the Preserving Culture Department, supporting the economic, cultural and social outcomes of the Warnumamalya people.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Daniel Ngurruwuthun","offers":[{"title":"Default Title","offer_id":43856998465779,"sku":"ANIN-DN02-0059","price":4110.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/2513\/2531\/files\/Artworkpics_Alanareshoot_001.jpg?v=1691205456"},{"product_id":"bininj-binihwokdi-tote","title":"Bininj Binihwokdi tote","description":"\u003cp\u003e “\u003cspan\u003eLong time ago this mob were walking about, sleeping in caves at night, eating sugar-bag and yams. Their hair and smell was different to us bininj (people), but that kunwok (language) was the same” \u003c\/span\u003eGraham Rostron \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan style=\"font-weight: 400;\"\u003eFeaturing Graham Rostron's '\u003cem data-mce-fragment=\"1\"\u003eTwo people were talking to each other' \u003c\/em\u003eartwork, and \u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003ecrafted from premium cotton canvas with a spacious internal pocket. Perfect for all your goodies!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch2\u003eDETAILS\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e\u003cspan class=\"s1\"\u003eMaterial:\u003c\/span\u003e\u003cspan class=\"s2\"\u003e 12oz Cotton (405gsm)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eSize: 38 x 42cm \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"font-size: 0.875rem;\" class=\"s1\"\u003eInternal Pocket:\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\" class=\"s2\"\u003e 20cm x 14cm\u003cspan class=\"Apple-converted-space\"\u003e \u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"font-size: 0.875rem;\" class=\"s1\"\u003eHandles:\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\" class=\"s2\"\u003e 65 x 3.5cm\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003ch2\u003eARTIST\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eGraham Rostron is a cultural teacher, artist, dancer, musician and song man. \"My Father died when I was just crawling. I did not know him. Then we were living at Madginbardi. Then we went to Maningrida to be with family, following my mother. My second dad brought me up at his outstation at Korlorbirrahda. His name is Tom Noytuna- you may have seen a photograph of him on an orange phone with lots of ceremonial paint on his face. Korlorbirrahda is a long way out into the Great Arnhem Plateau. He was keeping me when I was little and he showed me hunting and painting and explaining to me everything. He gave me confidence.\"\u003c\/span\u003e\u003c\/p\u003e","brand":"Graham Rostron","offers":[{"title":"Laundry Gallery Repeat","offer_id":44799690604787,"sku":"","price":50.0,"currency_code":"AUD","in_stock":false},{"title":"Laundry Gallery Outline","offer_id":44799690637555,"sku":"","price":50.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/2513\/2531\/files\/IMG-0528.heic?v=1774340268"},{"product_id":"anindilyakwa-spc-arts-col1-10170-col2-sy01-0005-col3-shirley-spc-yantarrnga-col4-new-spc-ways-spc-dilly-spc-bag-spc-2022","title":"New Ways Dilly Bag, 2022","description":"\u003ch2\u003eDETAILS\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDimensions: 40 x 30 cm\u003c\/li\u003e\n\u003cli\u003eCat No. SY01-0005\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch2\u003eARTIST\u003c\/h2\u003e\n\u003ch2\u003eART CENTRE\u003c\/h2\u003e\n\u003cp\u003eAnindilyakwa Arts is a thriving hub of creativity located on the Groote Eylandt Archipelago in the Gulf of Carpentaria in the Northern Territory. Warnumamalya artists are engaged across the Archipelago, with art centres in Umbakumba, Angurugu and Milyukbura. Diverse art programs focus on traditional and contemporary art practices, as well as, community engagement programs. Artists practices span across weaving, fibre art, carving, printmaking, fashion design and painting. Anindilyakwa Arts is part of the Anindilyakwa Land Council and is as an integral part of the Preserving Culture Department, supporting the economic, cultural and social outcomes of the Warnumamalya people.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Shirley Yantarrnga","offers":[{"title":"Default Title","offer_id":43959186227443,"sku":"ANIN-SY01-0005","price":300.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/2513\/2531\/files\/31AAB8DB-9946-44B3-90D9-7F446B9D08CF.jpg?v=1703139015"},{"product_id":"anindilyakwa-spc-arts-col1-10170-col2-ck01-0113-col3-charmaine-spc-karindun-col4-ghost-spc-net-spc-bag-spc-backpack-spc-2023","title":"Ghost Net Bag backpack, 2023","description":"\u003ch2\u003eDETAILS\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDimensions: 35 x 22 cm\u003c\/li\u003e\n\u003cli\u003eCat No. CK01-0113\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch2\u003eARTIST\u003c\/h2\u003e\n\u003ch2\u003eART CENTRE\u003c\/h2\u003e\n\u003cp\u003eAnindilyakwa Arts is a thriving hub of creativity located on the Groote Eylandt Archipelago in the Gulf of Carpentaria in the Northern Territory. Warnumamalya artists are engaged across the Archipelago, with art centres in Umbakumba, Angurugu and Milyukbura. Diverse art programs focus on traditional and contemporary art practices, as well as, community engagement programs. Artists practices span across weaving, fibre art, carving, printmaking, fashion design and painting. Anindilyakwa Arts is part of the Anindilyakwa Land Council and is as an integral part of the Preserving Culture Department, supporting the economic, cultural and social outcomes of the Warnumamalya people.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Charmaine Karindun","offers":[{"title":"Default Title","offer_id":43959187505395,"sku":"ANIN-CK01-0113","price":290.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/2513\/2531\/files\/CK01-0113.heic?v=1697775787"},{"product_id":"anindilyakwa-spc-arts-col1-10170-col2-aa01-0038-col3-annabell-spc-dingmalmurrangkama-spc-amagula-spc-col4-ghost-spc-net-spc-bag-spc-bopen-bush-spc-fruit-spc-bag-bclose-spc-2023","title":"Ghost Net Bag (bush fruit bag), 2023","description":"\u003ch2\u003eDETAILS\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDimensions: 32 x 59 cm\u003c\/li\u003e\n\u003cli\u003eCat No. AA01-0038\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch2\u003eARTIST\u003c\/h2\u003e\n\u003ch2\u003eART CENTRE\u003c\/h2\u003e\n\u003cp\u003eAnindilyakwa Arts is a thriving hub of creativity located on the Groote Eylandt Archipelago in the Gulf of Carpentaria in the Northern Territory. Warnumamalya artists are engaged across the Archipelago, with art centres in Umbakumba, Angurugu and Milyukbura. Diverse art programs focus on traditional and contemporary art practices, as well as, community engagement programs. Artists practices span across weaving, fibre art, carving, printmaking, fashion design and painting. Anindilyakwa Arts is part of the Anindilyakwa Land Council and is as an integral part of the Preserving Culture Department, supporting the economic, cultural and social outcomes of the Warnumamalya people.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Annabell Dingmalmurrangkama Amagula","offers":[{"title":"Default Title","offer_id":43959187833075,"sku":"ANIN-AA01-0038","price":290.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/2513\/2531\/files\/075FE7F2-B865-49A9-85FF-59077694BFA8.jpg?v=1703138793"},{"product_id":"buku-larrnggay-spc-mulka-spc-centre-col1-11540-col2-372-16-8-slash-10-col3-ruby-spc-djikarra-spc-alderton-col4-9-spc-the-spc-hunter-spc-2016-spc-bopen-8-slash-10-bclose","title":"9. The Hunter, 2016 (8\/10)","description":"\u003cp\u003e\u003cem\u003e\"This print has three photos within it. Each photo is of the same person walking alongside mangroves looking for anything to catch, crabs, stingrays or fish, at low tide. The same three photos also represent different times during a day of hunting. At the bottom of the print is my mother’s clans’ design for water. I didn't want the water to be too obvious so I chose silver as the colour to print the water in.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003ePrinted as part of the Yuta Project 2012 with The Ownership Project, Sean Smith. This is a 2nd edition printed in 2013.\u003c\/p\u003e\n\u003ch2\u003eDETAILS\u003c\/h2\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eScreenprint on FABRIANO paper\u003c\/li\u003e\n\u003cli\u003eDimensions: 30 x 21cm artwork on 50 x 35cm paper\u003c\/li\u003e\n\u003cli\u003eCat No. 372-16-8\/10\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch2\u003eARTIST\u003c\/h2\u003e\n\u003cp\u003eHomeland: Yirrkala\u003cbr data-mce-fragment=\"1\"\u003eClan: Gumatj\u003cbr data-mce-fragment=\"1\"\u003eMoiety: Yirritja\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\"I am the daughter of Banduk Marika and the grand daughter of Mawalan Marika (1). There has always been alot of influence from this side of the family when it comes to art, especially as most of the family are or have been known for their traditional art. I grew up outside of this community in Darwin and in Newcastle so I’ve also had a lot of western influence. I enjoy working with my mother painting and helping her with her prints. It’s only been fairly recent that I started doing my own works.\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRuby Alderton is the youngest daughter of award winning artist Banduk Marika. At just 18 she is developing her strong talent for printmaking and has recently begun painting on bark. She was chosen to curate the exhibition Three in company with Jenny Fraser and Shauna Tilmouth at the Chan Contemporary Art Space in July 2012. In the same year she was chosen as a finalist in both the Telstra NATSIAA and Print Council Awards.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn 2013 she had her daughter Ellen and returned to work as a printmaker at Buku-Larrnggay.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch2\u003eART CENTRE\u003c\/h2\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBuku-Larrŋgay Mulka Centre is the Indigenous community controlled art centre of Northeast Arnhem Land. Located in Yirrkala, a small Aboriginal community on the northeastern tip of the Top End of the Northern Territory, approximately 700km east of Darwin. The primarily Yolŋu (Aboriginal) staff of around twenty services Yirrkala and the approximately twenty-five homeland centres in the radius of 200km.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn the 1960’s, Narritjin Maymuru set up his own beachfront gallery from which he sold art that now graces many major museums and private collections. He is counted among the art centre’s main inspirations and founders, and his picture hangs in the museum. His vision of Yolŋu-owned business to sell Yolŋu art that started with a shelter on a beach has now grown into a thriving business that exhibits and sells globally.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eToday Buku-Larrŋgay Mulka Centre consists of two divisions; the Yirrkala Art Centre which represents Yolŋu artists exhibiting and selling contemporary art and The Mulka Project which acts as a digital production studio and archiving centre incorporating the museum.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Ruby Djikarra Alderton","offers":[{"title":"Default Title","offer_id":44012472336627,"sku":"BUKU- 372-16-8\/10","price":220.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/2513\/2531\/files\/372-16c_317cb591-f7cc-4885-a7db-91354f003738.heic?v=1699932912"},{"product_id":"buku-larrnggay-spc-mulka-spc-centre-col1-11540-col2-372-16-9-slash-10-col3-ruby-spc-djikarra-spc-alderton-col4-9-spc-the-spc-hunter-spc-2016-spc-bopen-9-slash-10-bclose","title":"9. The Hunter, 2016 (9\/10)","description":"\u003cp\u003e\u003cem\u003e\"This print has three photos within it. Each photo is of the same person walking alongside mangroves looking for anything to catch, crabs, stingrays or fish, at low tide. The same three photos also represent different times during a day of hunting. At the bottom of the print is my mother’s clans’ design for water. I didn't want the water to be too obvious so I chose silver as the colour to print the water in.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003ePrinted as part of the Yuta Project 2012 with The Ownership Project, Sean Smith. This is a 2nd edition printed in 2013.\u003c\/p\u003e\n\u003ch2\u003eDETAILS\u003c\/h2\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eScreenprint on FABRIANO paper\u003c\/li\u003e\n\u003cli\u003eDimensions: 31 x 21cm artwork on 50 x 35cm paper\u003c\/li\u003e\n\u003cli\u003eCat No. 372-16-9\/10\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch2\u003eARTIST\u003c\/h2\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eHomeland: Yirrkala\u003cbr data-mce-fragment=\"1\"\u003eClan: Gumatj\u003cbr data-mce-fragment=\"1\"\u003eMoiety: Yirritja\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e\"I am the daughter of Banduk Marika and the grand daughter of Mawalan Marika (1). There has always been alot of influence from this side of the family when it comes to art, especially as most of the family are or have been known for their traditional art. I grew up outside of this community in Darwin and in Newcastle so I’ve also had a lot of western influence. I enjoy working with my mother painting and helping her with her prints. It’s only been fairly recent that I started doing my own works.\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRuby Alderton is the youngest daughter of award winning artist Banduk Marika. At just 18 she is developing her strong talent for printmaking and has recently begun painting on bark. She was chosen to curate the exhibition Three in company with Jenny Fraser and Shauna Tilmouth at the Chan Contemporary Art Space in July 2012. In the same year she was chosen as a finalist in both the Telstra NATSIAA and Print Council Awards.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn 2013 she had her daughter Ellen and returned to work as a printmaker at Buku-Larrnggay.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch2\u003eART CENTRE\u003c\/h2\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBuku-Larrŋgay Mulka Centre is the Indigenous community controlled art centre of Northeast Arnhem Land. Located in Yirrkala, a small Aboriginal community on the northeastern tip of the Top End of the Northern Territory, approximately 700km east of Darwin. The primarily Yolŋu (Aboriginal) staff of around twenty services Yirrkala and the approximately twenty-five homeland centres in the radius of 200km.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn the 1960’s, Narritjin Maymuru set up his own beachfront gallery from which he sold art that now graces many major museums and private collections. He is counted among the art centre’s main inspirations and founders, and his picture hangs in the museum. His vision of Yolŋu-owned business to sell Yolŋu art that started with a shelter on a beach has now grown into a thriving business that exhibits and sells globally.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eToday Buku-Larrŋgay Mulka Centre consists of two divisions; the Yirrkala Art Centre which represents Yolŋu artists exhibiting and selling contemporary art and The Mulka Project which acts as a digital production studio and archiving centre incorporating the museum.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Ruby Djikarra Alderton","offers":[{"title":"Default Title","offer_id":44012473352435,"sku":"BUKU-372-16-9\/10","price":220.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/2513\/2531\/files\/372-16b.heic?v=1699932147"},{"product_id":"buku-larrnggay-spc-mulka-spc-centre-col1-11540-col2-4231-23-21-slash-60-col3-nogirra-spc-marawili-spc-bopen-dec-bclose-spc-col4-10-spc-baratjala-spc-2023-spc-bopen-21-slash-60-bclose","title":"Baratjala, 2023 (21\/60)","description":"\u003cp\u003eBaratjala is a Madarrpa clan estate adjacent to Cape Shield where the artist camped with her father and his many wives as a young girl. It is of the essence of Madarrpa but does not hold the high order sites that Yathikpa does. The artist lived nomadically as part of a clan group with a flotilla of canoes between Groote Eyelandt and the mainland.\u003c\/p\u003e\n\u003cp\u003eHer father’s name was Mundukul (Lightning Snake) and this is also the name of the serpent (also known as Water Python, Burrut’tji or Liasis Fuscus), which lives deep beneath the sea here. These are cyclonic, crocodile infested waters with huge tides and ripping currents and she is part of them.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eThis print shows the rocks set in deep water between the electric ‘curse’ that the snake spits into the sky in the form of lightning, and the spray of the sea trying to shift the immovable rock foundation of the Madarrpa. Also depicted are duŋgurŋaniny, barnacles that grow on the rock. Yurr’yunna is the word used to describe the rough waves overtopping the rock and the spray flying into the sky.\u003c\/p\u003e\n\u003cp\u003eShe has reduced the Law to its elements unclothed in sacred design. Her identity cannot be separated from her art and so although she disavows any sacred intent the echo of miny’tji persists.\u003c\/p\u003e\n\u003cp\u003e~ text provided by Buku-Larrnggay Mulka Centre\u003c\/p\u003e\n\u003ch2\u003eDETAILS\u003c\/h2\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eCollagraph, mounted on foam core, ready for framing\u003c\/li\u003e\n\u003cli\u003eDimensions: 86.7 x 58cm\u003c\/li\u003e\n\u003cli\u003eCat No. 4231-23-21\/60\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eARTIST\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eHomeland: Bäniyala\u003c\/li\u003e\n\u003cli\u003eClan: Madarrpa, Yithuwa group\u003c\/li\u003e\n\u003cli\u003eMoiety: Yirritja\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-mce-fragment=\"1\"\u003eMrs N. Marawili (dec) is the daughter of the Maḏarrpa warrior Mundukuḻ (lightning snake) and a Gälpu woman Buḻuŋguwuy. She was a wife of Djapu statesman Djutjadjutja Munuŋgurr (deceased) who won best bark painting at the National Aboriginal Art Awards 1997, in which she ably assisted.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eShe was the mother of four sons before birthing her two daughters, Marrnyula and Rerrkirrwaŋa (both artists – Rerrkirrwaŋa won best bark in Telstra 2009). She\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eis a highly respected senior in her community, knowledgeable in two educational systems and practitioner in the bush and also institutions. She is a prolific producer of art, her work includes bark paintings, ḻarrakitj, carvings, and limited edition prints. Many of the works attributed to her husband Djutadjuta were crosshatched herself as part of teaching her family the required skills. She most often paints her husband’s Djapu clan designs, the Gälpu clan designs of her mother, or that of her own clan the Maḏarrpa.\u003c\/p\u003e\n\u003ch2\u003eART CENTRE\u003c\/h2\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBuku-Larrŋgay Mulka Centre is the Indigenous community controlled art centre of Northeast Arnhem Land. Located in Yirrkala, a small Aboriginal community on the northeastern tip of the Top End of the Northern Territory, approximately 700km east of Darwin. The primarily Yolŋu (Aboriginal) staff of around twenty services Yirrkala and the approximately twenty-five homeland centres in the radius of 200km.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn the 1960’s, Narritjin Maymuru set up his own beachfront gallery from which he sold art that now graces many major museums and private collections. He is counted among the art centre’s main inspirations and founders, and his picture hangs in the museum. His vision of Yolŋu-owned business to sell Yolŋu art that started with a shelter on a beach has now grown into a thriving business that exhibits and sells globally.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eToday Buku-Larrŋgay Mulka Centre consists of two divisions; the Yirrkala Art Centre which represents Yolŋu artists exhibiting and selling contemporary art and The Mulka Project which acts as a digital production studio and archiving centre incorporating the museum.\u003cbr\u003e\u003c\/p\u003e","brand":"Mrs N. Marawili (dec)","offers":[{"title":"Default Title","offer_id":44012483346675,"sku":"BUKU-4231-23-21\/60","price":1070.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/2513\/2531\/files\/4231-23_multipleeditions_a54cb6b1-6189-42b3-905d-34bdf1e31959.jpg?v=1699498039"},{"product_id":"buku-larrnggay-spc-mulka-spc-centre-col1-11540-col2-4416-17-14-slash-20-spc-col3-munuyu-spc-marika-spc-col4-12-spc-ukaliya-spc-2017-spc-bopen-14-slash-20-bclose","title":"12. Ŋukaliya, 2017","description":"\u003cp\u003e\u003cem\u003e\"This print is about ŋukaliya (hermit crab). We collect them from the beach and we cook them on the fire. It's manymak (good) for people with heart and kidney problems. When I was a little girl we went hunting, we would collect ŋukaliya and my grandmother would tell me the story and knowledge about ŋukaliya while we hunted. When we cook them, inside the shell turns orange when it's cooked, then it's ready to eat.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003ePrinted 2017\u003c\/p\u003e\n\u003ch2\u003eDETAILS\u003c\/h2\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eColour reduction linocut on BFK Rives paper\u003c\/li\u003e\n\u003cli\u003eDimensions: 59 x 49cm\u003c\/li\u003e\n\u003cli\u003eCat No. 4416-17-14\/20\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch2\u003eARTIST\u003c\/h2\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eMunuy’ŋu is a Rirratjiŋu lady who was born and still lives in Yirrkala. In 2010 Munuy’ŋu was part of a printing workshop at Buku Larrnggay Mulka in collaboration with the Yambirrpa Youth Development Unit at Yirrkala School to provide training for young people not attending School. She went on to complete school maintaining a focus on print making within her studies, with a clear ambition to work in the arts, in particular Buku Larrŋgay Mulka centre and also as a TV presenter.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn 2016 Munuy’ŋu Marika became the Print Master for the Yirrkala Print Space and has since managed the studio and delivered some of the most successful Yirrkala Print Space exhibitions to date. She is married to Dimithaya Burarrwaŋa a founding and current member of popular band King Stungray and has two children. Munuy’ŋu leads the printing of etchings, linocuts and screenprints, for all the artists at Buku Larrŋgay Mulka wishing to put work to print.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAs told by Munuy’ŋu upon starting at Buku Larrŋgay Mulka in 2010:\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e“I am a Yirrkala girl and I love printmaking especially mixing colours and looking at the design. I really enjoy talking to people and friends and telling them about Yirrkala. I have good rhythm and enjoy dancing. My mother Djalinda gives me support with my art”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch2\u003eART CENTRE\u003c\/h2\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBuku-Larrŋgay Mulka Centre is the Indigenous community controlled art centre of Northeast Arnhem Land. Located in Yirrkala, a small Aboriginal community on the northeastern tip of the Top End of the Northern Territory, approximately 700km east of Darwin. The primarily Yolŋu (Aboriginal) staff of around twenty services Yirrkala and the approximately twenty-five homeland centres in the radius of 200km.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn the 1960’s, Narritjin Maymuru set up his own beachfront gallery from which he sold art that now graces many major museums and private collections. He is counted among the art centre’s main inspirations and founders, and his picture hangs in the museum. His vision of Yolŋu-owned business to sell Yolŋu art that started with a shelter on a beach has now grown into a thriving business that exhibits and sells globally.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eToday Buku-Larrŋgay Mulka Centre consists of two divisions; the Yirrkala Art Centre which represents Yolŋu artists exhibiting and selling contemporary art and The Mulka Project which acts as a digital production studio and archiving centre incorporating the museum.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Munuy’ŋu Marika","offers":[{"title":"1\/20","offer_id":46759287095539,"sku":"BUKU-4416-17-14\/20","price":285.0,"currency_code":"AUD","in_stock":true},{"title":"4\/20","offer_id":46759287128307,"sku":"BUKU-4416-17-14\/21","price":285.0,"currency_code":"AUD","in_stock":true},{"title":"14\/20","offer_id":46759287161075,"sku":"BUKU-4416-17-14\/22","price":285.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/2513\/2531\/files\/5527781A-288F-49E7-9444-B78E60410E32.heic?v=1709868849"},{"product_id":"buku-larrnggay-spc-mulka-spc-centre-col1-11540-col2-4716-23-11-slash-40-col3-muluymuluy-spc-wirrpanda-col4-15-spc-buwutja-spc-2023-spc-bopen-11-slash-40-bclose","title":"15. Buḻwutja, 2023 (11\/40)","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThis work is made from Mäṯpana (Indian Almond- Terminalia catappa) a common tree along the coastal areas of North East arnhemland.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"These are the Mätpana flowers. This tree is one we always use for its deep dark shade. We can also use the big leaves to press damper between whilst we cook it. The big pods have little sweet nuts inside which we can get once we cut through the outside. The Cockatoos love to eat these nuts too.\" \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eBuḻwutja (Dhuwa, Cycnogeton dubium) is a water yam and described in the artist's words the following:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"This story is from a long time ago. People travelled around from place to place to hunt for ŋatha (food). First we dig in the water for Buḻwutja. Then we make a fire. When the fire burns down we take the coals to one side and put sand on top of them. Then the hot sand cooks the Buḻwutja.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ch2\u003eDETAILS\u003c\/h2\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eScreenprint on Dutch Aquatint paper\u003c\/li\u003e\n\u003cli\u003eDimensions: 60 x 57cm artwork on 72 x 70.5cm paper\u003c\/li\u003e\n\u003cli\u003eCat No. 4716-23-11\/40\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cp\u003eIn February\/March 2020, Buku-Larrŋgay hosted a workshop with the students of Yirrkala Community Education Centre (the local school). Carly Farugia, the art teacher and her partner Liam- a ranger with Yirralka Homelands Rangers accepted the art centre's invitation and assisted in sourcing local trees to create woodblocks using this found timber in native species like Gaḏayka (Stringybark), Ḻanapu (Cypress Pine), Djomula (Casuarina) and Ganiri (Beauty Leaf).\u003c\/p\u003e\n\u003cp\u003eThe thinking was that instead of using woodblocks industrially prepared in pre-cut rectangles would we be able to work directly from the land and allow the shape of the tree to reflect in the composition not just the texture?\u003c\/p\u003e\n\u003cp\u003eThis workshop was facilitated by master printmaker Sean Smith. He arrived just as the worst of the COVID Pandemic struck Australia. Sean chose to stay for the full length of the workshop despite a real question as to whether he would be able to return home to Melbourne.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch2\u003eARTIST\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eHomeland:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eDhuruputjpi\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eClan:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eDhudi-Djapu\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMoiety:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eDhuwa\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eMuluymuluy was born at Ngukurr, her Father is Molulmi. She was the young wife of Wakuthi Marawili. Wakuthi was one of the oldest men in Arnhem land. He was known as Banbay – “Blind one” because of his poor eyesight. He passed away in 2005. His sons Djambawa and Nuwandjali have a large role in the day-to-day management of the large Maḏarrpa clan homeland, Yilpara. Muluymuluy has worked with them in her art as well as under Wakuthi’s direction to produce important Maḏarrpa clan paintings. Her son was Daymathuna Marawili who passed away in Ramingining. Her sister Mulkuṉ Wirrpanda is also a senior artist. Her Mother’s clan is Maŋgalili. \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch2\u003eART CENTRE\u003c\/h2\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBuku-Larrŋgay Mulka Centre is the Indigenous community controlled art centre of Northeast Arnhem Land. Located in Yirrkala, a small Aboriginal community on the northeastern tip of the Top End of the Northern Territory, approximately 700km east of Darwin. The primarily Yolŋu (Aboriginal) staff of around twenty services Yirrkala and the approximately twenty-five homeland centres in the radius of 200km.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn the 1960’s, Narritjin Maymuru set up his own beachfront gallery from which he sold art that now graces many major museums and private collections. He is counted among the art centre’s main inspirations and founders, and his picture hangs in the museum. His vision of Yolŋu-owned business to sell Yolŋu art that started with a shelter on a beach has now grown into a thriving business that exhibits and sells globally.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eToday Buku-Larrŋgay Mulka Centre consists of two divisions; the Yirrkala Art Centre which represents Yolŋu artists exhibiting and selling contemporary art and The Mulka Project which acts as a digital production studio and archiving centre incorporating the museum.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Muluymuluy Wirrpanda","offers":[{"title":"Default Title","offer_id":44035897458931,"sku":"BUKU-4716-23-11\/40","price":395.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/2513\/2531\/files\/IMG_0596.heic?v=1699603841"},{"product_id":"buku-larrnggay-spc-mulka-spc-centre-col1-11540-col2-9181-22-9-slash-50-col3-dhambit-spc-ruypu-spc-munugurr-col4-22-spc-miyapunu-spc-2022-spc-bopen-9-slash-50-bclose","title":"22. Miyapunu, 2022 (9\/50)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eMiyapunu is the generic name for turtle. The artist described the turtle in the print as a baby Guwarrtji (Hawksbill Sea Turtle.) The Charles Darwin University Yolŋu Dictionary provides the following: bundi (sub-adult); wiriyarr (juvenile); A synonym of guwarrtji is: malarrka\u003c\/p\u003e\n\u003ch2\u003eDETAILS\u003c\/h2\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eEtching on Hahnemuhle paper\u003c\/li\u003e\n\u003cli\u003eDimensions: 49.5cm x 29.5cm artwork on 66cm x 46cm paper\u003c\/li\u003e\n\u003cli\u003eCat No. 9181-22-9\/50\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch2\u003eARTIST\u003c\/h2\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eHomeland: Waṉḏaway\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eClan: Djapu\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDhambit is the daughter of two winners of the First Prize in the National Aboriginal and Torres strait Islander Art Award, Mutitjpuy Munuŋgurr and Gulumbu Yunupiŋu. Her grandfathers are Woŋgu and Muŋgurrawuy who themselves are legendary leaders and artists. She was hit by a car in 2007 and suffered serious head injuries which were life threatening. She is currently in a wheelchair with restrictions on movement and speech stemming from those head injuries. Through her husband’s and now deceased mother’s persistence and her own courage she has used art to overcome the deficits caused by the accident.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eShe practised as an artist prior to the accident and was credited as an artist in the film Yolŋu Boy. Her art is powerful and spontaneous and founded in her deep knowledge of Yolŋu Law. Her art is not ‘disabled’ art and finds acceptance within the community and the market as an innovative vision based on real understanding of the spiritual forces of her Yolŋu country and worldview. She is prolific and generous. She paints every day on whatever substrate she can find. She gifts art continuously to any and all people she comes into contact with Indigenous or otherwise. So that a large percentage of homes with North East Arnhem display a Dhambit work.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAs well as being art that does not mimic others and which presents a fresh perspective in Yolŋu designs, this is art made for a higher purpose. She has essentially used the art and her parent’s sacred teachings to overcome physical handicaps and limitations. Her capacity to communicate through and around art with allcomers is truly inspiring. She paints without thought or hope of reward and in turn her work has exhibited in several prestigious shows and galleries.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch2\u003eART CENTRE\u003c\/h2\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBuku-Larrŋgay Mulka Centre is the Indigenous community controlled art centre of Northeast Arnhem Land. Located in Yirrkala, a small Aboriginal community on the northeastern tip of the Top End of the Northern Territory, approximately 700km east of Darwin. The primarily Yolŋu (Aboriginal) staff of around twenty services Yirrkala and the approximately twenty-five homeland centres in the radius of 200km.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn the 1960’s, Narritjin Maymuru set up his own beachfront gallery from which he sold art that now graces many major museums and private collections. He is counted among the art centre’s main inspirations and founders, and his picture hangs in the museum. His vision of Yolŋu-owned business to sell Yolŋu art that started with a shelter on a beach has now grown into a thriving business that exhibits and sells globally.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eToday Buku-Larrŋgay Mulka Centre consists of two divisions; the Yirrkala Art Centre which represents Yolŋu artists exhibiting and selling contemporary art and The Mulka Project which acts as a digital production studio and archiving centre incorporating the museum.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Dhambit Ruypu Munuŋgurr","offers":[{"title":"Default Title","offer_id":44035898245363,"sku":"BUKU-9181-22-9\/50","price":620.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/2513\/2531\/files\/IMG_0602_aa40bb9c-f3c2-4627-bb9a-ba3d0eae5435.heic?v=1699604162"},{"product_id":"anindilyakwa-spc-arts-col1-10140-col2-ah01-0001-slash-2-col3-arthur-spc-herbert-col4-2-spc-spc-spear","title":"2.  Spear","description":"\u003ch2\u003eDETAILS\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eHandcarved wood\u003c\/li\u003e\n\u003cli\u003eDimensions: 191 x 2.5 x 2.5 cm\u003c\/li\u003e\n\u003cli\u003eCat No. AH01-0001\/2\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch2\u003eARTIST\u003c\/h2\u003e\n\u003cp\u003eArthur Herbert is an artist working at Anindilyakwa Arts.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch2\u003eART CENTRE\u003c\/h2\u003e\n\u003cp\u003eAnindilyakwa Arts is a thriving hub of creativity located on the Groote Eylandt Archipelago in the Gulf of Carpentaria in the Northern Territory. Warnumamalya artists are engaged across the Archipelago, with art centres in Umbakumba, Angurugu and Milyukbura. Diverse art programs focus on traditional and contemporary art practices, as well as, community engagement programs. Artists practices span across weaving, fibre art, carving, printmaking, fashion design and painting. Anindilyakwa Arts is part of the Anindilyakwa Land Council and is as an integral part of the Preserving Culture Department, supporting the economic, cultural and social outcomes of the Warnumamalya people.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Arthur Herbert","offers":[{"title":"Default Title","offer_id":44035898540275,"sku":"ANIN-AH01-0001\/2","price":450.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/2513\/2531\/files\/2_b86ac8b1-c4d8-4815-91ff-88757a6a0072.jpg?v=1699493931"},{"product_id":"anindilyakwa-spc-arts-col1-10140-col2-ah01-0007-col3-arthur-spc-herbert-col4-10-spc-spc-spear","title":"10.  Spear","description":"\u003ch2\u003eDETAILS\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eHandcarved wood\u003c\/li\u003e\n\u003cli\u003eDimensions: 190.5 x 12 x 4.5 cm\u003c\/li\u003e\n\u003cli\u003eCat No. AH01-0007\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch2\u003eARTIST\u003c\/h2\u003e\n\u003cp\u003eArthur Herbert is an artist working at Anindilyakwa Arts.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch2\u003eART CENTRE\u003c\/h2\u003e\n\u003cp\u003eAnindilyakwa Arts is a thriving hub of creativity located on the Groote Eylandt Archipelago in the Gulf of Carpentaria in the Northern Territory. Warnumamalya artists are engaged across the Archipelago, with art centres in Umbakumba, Angurugu and Milyukbura. Diverse art programs focus on traditional and contemporary art practices, as well as, community engagement programs. Artists practices span across weaving, fibre art, carving, printmaking, fashion design and painting. Anindilyakwa Arts is part of the Anindilyakwa Land Council and is as an integral part of the Preserving Culture Department, supporting the economic, cultural and social outcomes of the Warnumamalya people.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Arthur Herbert","offers":[{"title":"Default Title","offer_id":44035898835187,"sku":"ANIN-AH01-0007","price":600.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/2513\/2531\/files\/10.jpg?v=1699495019"},{"product_id":"anindilyakwa-spc-arts-col1-10140-col2-ah01-0067-col3-arthur-spc-herbert-col4-13-spc-fighting-spc-stick","title":"13. Fighting Stick","description":"\u003ch2\u003eDETAILS\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eHandcarved wood\u003c\/li\u003e\n\u003cli\u003eDimensions: 70 x 4 cm\u003c\/li\u003e\n\u003cli\u003eCat No. AH01-0067\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch2\u003eARTIST\u003c\/h2\u003e\n\u003cp\u003eArthur Herbert is an artist working at Anindilyakwa Arts.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch2\u003eART CENTRE\u003c\/h2\u003e\n\u003cp\u003eAnindilyakwa Arts is a thriving hub of creativity located on the Groote Eylandt Archipelago in the Gulf of Carpentaria in the Northern Territory. Warnumamalya artists are engaged across the Archipelago, with art centres in Umbakumba, Angurugu and Milyukbura. Diverse art programs focus on traditional and contemporary art practices, as well as, community engagement programs. Artists practices span across weaving, fibre art, carving, printmaking, fashion design and painting. Anindilyakwa Arts is part of the Anindilyakwa Land Council and is as an integral part of the Preserving Culture Department, supporting the economic, cultural and social outcomes of the Warnumamalya people.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Arthur Herbert","offers":[{"title":"Default Title","offer_id":44035899326707,"sku":"ANIN- AH01-0067","price":300.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/2513\/2531\/files\/166A9960-2.jpg?v=1699602925"},{"product_id":"anindilyakwa-spc-arts-col1-10140-col2-ah01-0068-col3-arthur-spc-herbert-col4-14-spc-fighting-spc-stick","title":"14. 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Anindilyakwa Arts is part of the Anindilyakwa Land Council and is as an integral part of the Preserving Culture Department, supporting the economic, cultural and social outcomes of the Warnumamalya people.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Arthur Herbert","offers":[{"title":"Default Title","offer_id":44035899359475,"sku":"ANIN-AH01-0068","price":300.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/2513\/2531\/files\/166A9961-2.jpg?v=1699603002"},{"product_id":"anindilyakwa-spc-arts-col1-10140-col2-ah01-0069-col3-arthur-spc-herbert-col4-15-spc-fighting-spc-stick","title":"15. Fighting Stick","description":"\u003ch2\u003eDETAILS\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eHandcarved wood\u003c\/li\u003e\n\u003cli\u003eDimensions: 95 x 4 cm\u003c\/li\u003e\n\u003cli\u003eCat No. AH01-0069\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch2\u003eARTIST\u003c\/h2\u003e\n\u003cp\u003eArthur Herbert is an artist working at Anindilyakwa Arts.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch2\u003eART CENTRE\u003c\/h2\u003e\n\u003cp\u003eAnindilyakwa Arts is a thriving hub of creativity located on the Groote Eylandt Archipelago in the Gulf of Carpentaria in the Northern Territory. Warnumamalya artists are engaged across the Archipelago, with art centres in Umbakumba, Angurugu and Milyukbura. Diverse art programs focus on traditional and contemporary art practices, as well as, community engagement programs. Artists practices span across weaving, fibre art, carving, printmaking, fashion design and painting. Anindilyakwa Arts is part of the Anindilyakwa Land Council and is as an integral part of the Preserving Culture Department, supporting the economic, cultural and social outcomes of the Warnumamalya people.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Arthur Herbert","offers":[{"title":"Default Title","offer_id":44035899392243,"sku":"ANIN-AH01-0069","price":300.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/2513\/2531\/files\/166A9963-2.jpg?v=1699603102"},{"product_id":"anindilyakwa-spc-arts-col1-10140-col2-ah01-0074-col3-arthur-spc-herbert-col4-20-spc-spear","title":"20. Spear","description":"\u003ch2\u003eDETAILS\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eHandcarved wood\u003c\/li\u003e\n\u003cli\u003eDimensions: 184 x 3 cm\u003c\/li\u003e\n\u003cli\u003eCat No. AH01-0074\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch2\u003eARTIST\u003c\/h2\u003e\n\u003cp\u003eArthur Herbert is an artist working at Anindilyakwa Arts.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch2\u003eART CENTRE\u003c\/h2\u003e\n\u003cp\u003eAnindilyakwa Arts is a thriving hub of creativity located on the Groote Eylandt Archipelago in the Gulf of Carpentaria in the Northern Territory. Warnumamalya artists are engaged across the Archipelago, with art centres in Umbakumba, Angurugu and Milyukbura. Diverse art programs focus on traditional and contemporary art practices, as well as, community engagement programs. Artists practices span across weaving, fibre art, carving, printmaking, fashion design and painting. Anindilyakwa Arts is part of the Anindilyakwa Land Council and is as an integral part of the Preserving Culture Department, supporting the economic, cultural and social outcomes of the Warnumamalya people.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Arthur Herbert","offers":[{"title":"Default Title","offer_id":44035899850995,"sku":"ANIN-AH01-0074","price":470.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/2513\/2531\/files\/20_1906c38b-a59e-474a-a4a6-c1331435c51d.jpg?v=1699496198"},{"product_id":"anindilyakwa-spc-arts-col1-10140-col2-ah01-0106-col3-arthur-spc-herbert-col4-40-spc-spear","title":"40. Spear","description":"\u003ch2\u003eDETAILS\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eHandcarved wood\u003c\/li\u003e\n\u003cli\u003eDimensions: 189 x 6 cm\u003c\/li\u003e\n\u003cli\u003eCat No. AH01-0106\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch2\u003eARTIST\u003c\/h2\u003e\n\u003cp\u003eArthur Herbert is an artist working at Anindilyakwa Arts.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch2\u003eART CENTRE\u003c\/h2\u003e\n\u003cp\u003eAnindilyakwa Arts is a thriving hub of creativity located on the Groote Eylandt Archipelago in the Gulf of Carpentaria in the Northern Territory. Warnumamalya artists are engaged across the Archipelago, with art centres in Umbakumba, Angurugu and Milyukbura. Diverse art programs focus on traditional and contemporary art practices, as well as, community engagement programs. Artists practices span across weaving, fibre art, carving, printmaking, fashion design and painting. Anindilyakwa Arts is part of the Anindilyakwa Land Council and is as an integral part of the Preserving Culture Department, supporting the economic, cultural and social outcomes of the Warnumamalya people.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Arthur Herbert","offers":[{"title":"Default Title","offer_id":44035900866803,"sku":"ANIN-AH01-0106","price":530.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/2513\/2531\/files\/38-40_e2b1c306-8f0b-44a6-8f7e-9c102ab35a7e.jpg?v=1699427987"},{"product_id":"anindilyakwa-spc-arts-col1-10140-col2-dh01-0014-col3-dale-spc-herbert-col4-45-spc-spear","title":"45. Spear","description":"\u003ch2\u003eDETAILS\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eHandcarved wood\u003c\/li\u003e\n\u003cli\u003eDimensions: 181 x 3.5 x 2.5 cm\u003c\/li\u003e\n\u003cli\u003eCat No. DH01-0014\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch2\u003eARTIST\u003c\/h2\u003e\n\u003cp\u003eDale Herbert is an artist working at Anindilyakwa Arts.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch2\u003eART CENTRE\u003c\/h2\u003e\n\u003cp\u003eAnindilyakwa Arts is a thriving hub of creativity located on the Groote Eylandt Archipelago in the Gulf of Carpentaria in the Northern Territory. Warnumamalya artists are engaged across the Archipelago, with art centres in Umbakumba, Angurugu and Milyukbura. Diverse art programs focus on traditional and contemporary art practices, as well as, community engagement programs. Artists practices span across weaving, fibre art, carving, printmaking, fashion design and painting. Anindilyakwa Arts is part of the Anindilyakwa Land Council and is as an integral part of the Preserving Culture Department, supporting the economic, cultural and social outcomes of the Warnumamalya people.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Dale Herbert","offers":[{"title":"Default Title","offer_id":44035901325555,"sku":"ANIN-DH01-0014","price":320.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/2513\/2531\/files\/45.jpg?v=1699428199"},{"product_id":"anindilyakwa-spc-arts-col1-10140-col2-ga01-0027-col3-gabriel-spc-herbert-col4-56-spc-spear","title":"56. Spear","description":"\u003ch2\u003eDETAILS\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eHandcarved wood\u003c\/li\u003e\n\u003cli\u003eDimensions: 141.5 cm\u003c\/li\u003e\n\u003cli\u003eCat No. GA01-0027\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch2\u003eARTIST\u003c\/h2\u003e\n\u003cp\u003eGabriel Herbert is an artist working at Anindilyakwa Arts.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch2\u003eART CENTRE\u003c\/h2\u003e\n\u003cp\u003eAnindilyakwa Arts is a thriving hub of creativity located on the Groote Eylandt Archipelago in the Gulf of Carpentaria in the Northern Territory. Warnumamalya artists are engaged across the Archipelago, with art centres in Umbakumba, Angurugu and Milyukbura. Diverse art programs focus on traditional and contemporary art practices, as well as, community engagement programs. Artists practices span across weaving, fibre art, carving, printmaking, fashion design and painting. Anindilyakwa Arts is part of the Anindilyakwa Land Council and is as an integral part of the Preserving Culture Department, supporting the economic, cultural and social outcomes of the Warnumamalya people.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Gabriel Herbert","offers":[{"title":"Default Title","offer_id":44035902111987,"sku":"ANIN- GA01-0027","price":420.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/2513\/2531\/files\/166A9812.jpg?v=1699500362"},{"product_id":"anindilyakwa-spc-arts-col1-10140-col2-jh01-0028-col3-jarius-spc-herbert-col4-71-spc-fighting-spc-spear-spc","title":"71. 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Artists practices span across weaving, fibre art, carving, printmaking, fashion design and painting.\n\nAnindilyakwa Arts is part of the Anindilyakwa Land Council and is as an integral part of the Preserving Culture Department, supporting the economic, cultural and social outcomes of the Warnumamalya people.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e","brand":"Jarius Herbert","offers":[{"title":"Default Title","offer_id":44035902800115,"sku":"","price":300.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/2513\/2531\/files\/71.jpg?v=1704266966"},{"product_id":"th02-0002-3-trexson-herbert-76-spear","title":"76. Spear","description":"\u003ch2\u003eDETAILS\u003c\/h2\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eHandcarved wood\u003c\/li\u003e\n\u003cli\u003eDimensions: \u003cspan data-mce-fragment=\"1\"\u003e218 x 2 x 2 cm\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eCat No.\u003cspan data-mce-fragment=\"1\"\u003eTH02-0002\/3\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eARTIST\u003c\/h2\u003e\nTrexson Herbert is an artist working at Anindilyakwa Arts.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n\u003ch2\u003eART CENTRE\u003c\/h2\u003e\nAnindilyakwa Arts is a thriving hub of creativity located on the Groote Eylandt Archipelago in the Gulf of Carpentaria in the Northern Territory. Warnumamalya artists are engaged across the Archipelago, with art centres in Umbakumba, Angurugu and Milyukbura. Diverse art programs focus on traditional and contemporary art practices, as well as, community engagement programs. Artists practices span across weaving, fibre art, carving, printmaking, fashion design and painting. Anindilyakwa Arts is part of the Anindilyakwa Land Council and is as an integral part of the Preserving Culture Department, supporting the economic, cultural and social outcomes of the Warnumamalya people.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e","brand":"Trexson Herbert","offers":[{"title":"Default Title","offer_id":44035942416627,"sku":null,"price":340.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/2513\/2531\/files\/166A9872_da56aff9-2348-43e5-976f-502ba8440235.jpg?v=1699501039"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/2513\/2531\/collections\/Screenshot_2023-02-19_114453.jpg?v=1688184510","url":"https:\/\/laundrygallery.com.au\/collections\/all.oembed?page=9","provider":"Laundry Gallery Pty Ltd","version":"1.0","type":"link"}