{"title":"NEW","description":"","products":[{"product_id":"mandjabu-fish-trap","title":"Mandjabu (Fish Trap)","description":"\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eWater-based woodblock print\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003ePaper size: 59.5cm x 43.25cm\u003c\/li\u003e\n\u003cli\u003eEdition 4\/10 is framed. \u003c\/li\u003e\n\u003cli\u003eCat No 1420-22\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eARTIST \u003c\/h2\u003e\n\u003cp dir=\"ltr\"\u003eNgarridjdjan Raylene Bonson is a talented textile artist, specialising in linocut technique. She has been working with Bábbarra Designs since 2012 and now has a permanent role as an arts worker. Raylene was mentored by her late mother, Nancy Gununwanga, a senior textile artist at Bábbarra Designs and a founding member of Bábbarra Women’s Centre.\u003cbr\u003e\u003cbr\u003eRaylene is well known for her designs depicting ancestral stories and ceremonial objects, in particular lorrkon (hollow log for burial ceremony), kunmadj (dillybag) and mandjabu (conical fishtrap).\u003c\/p\u003e\n\u003ch2\u003eART CENTRES\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eBábbarra Women’s Centre\u003c\/strong\u003e works with women who from more than 12 language groups in the Maningrida region who come together to share knowledge and ideas. The group's main social enterprise, Bábbarra Designs, has been going strong since 1989, designing and hand-printed exquisite textiles that are sold around the world. Each length of fabric is unique and tells the ancestral stories of Arnhem Land country and cultures.\u003c\/p\u003e\n\u003cp\u003e\"People tell us our designs are bold and elegant, but for us they are more than designs: these designs tell the stories of our lives. They bring a lot of joy to everyone – to us, our families and our customers alike. Working creatively with Bábbarra Designs is a way for us to achieve financial independence, for our community and the next generations.\"\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eManingrida Arts \u0026amp; Culture\u003c\/strong\u003e is a pre-eminent site of contemporary cultural expression and art-making, abundant with highly collectable art and emerging talent.\u003c\/p\u003e\n\u003cp\u003eThrough their homelands resource organisation, Bawinanga Aboriginal Corporation, artists turned an art trade that began just over 50 years ago into a multi-million dollar arts and cultural enterprise. Maningrida Arts \u0026amp; Culture supported hundreds of artists on their homelands, more than 20 artworkers, held 20 exhibitions annually, won prestigious awards, and enjoyed the international fame and success that the boom in the Aboriginal art market of the 1990s and 2000s enabled.\u003c\/p\u003e","brand":"Ngarridjdjan Raylene Bonson","offers":[{"title":"1\/10","offer_id":43682207793395,"sku":"BABA-1420-22-1\/10","price":510.0,"currency_code":"AUD","in_stock":false},{"title":"2\/10","offer_id":43682191376627,"sku":"BABA-1420-22-2\/10","price":510.0,"currency_code":"AUD","in_stock":false},{"title":"3\/10","offer_id":43682191409395,"sku":"BABA-1420-22-3\/10","price":510.0,"currency_code":"AUD","in_stock":false},{"title":"4\/10 (framed)","offer_id":43682191442163,"sku":"BABA-1420-22-4\/10","price":780.0,"currency_code":"AUD","in_stock":true},{"title":"6\/10","offer_id":43682191474931,"sku":"BABA-1420-22-6\/10","price":510.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/2513\/2531\/files\/20241114_untitled_untitled-shoot_260copy.png?v=1774839167"},{"product_id":"buku-larrnggay-spc-mulka-spc-centre-col1-11540-col2-4231-23-21-slash-60-col3-nogirra-spc-marawili-spc-bopen-dec-bclose-spc-col4-10-spc-baratjala-spc-2023-spc-bopen-21-slash-60-bclose","title":"Baratjala, 2023 (21\/60)","description":"\u003cp\u003eBaratjala is a Madarrpa clan estate adjacent to Cape Shield where the artist camped with her father and his many wives as a young girl. It is of the essence of Madarrpa but does not hold the high order sites that Yathikpa does. The artist lived nomadically as part of a clan group with a flotilla of canoes between Groote Eyelandt and the mainland.\u003c\/p\u003e\n\u003cp\u003eHer father’s name was Mundukul (Lightning Snake) and this is also the name of the serpent (also known as Water Python, Burrut’tji or Liasis Fuscus), which lives deep beneath the sea here. These are cyclonic, crocodile infested waters with huge tides and ripping currents and she is part of them.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eThis print shows the rocks set in deep water between the electric ‘curse’ that the snake spits into the sky in the form of lightning, and the spray of the sea trying to shift the immovable rock foundation of the Madarrpa. Also depicted are duŋgurŋaniny, barnacles that grow on the rock. Yurr’yunna is the word used to describe the rough waves overtopping the rock and the spray flying into the sky.\u003c\/p\u003e\n\u003cp\u003eShe has reduced the Law to its elements unclothed in sacred design. Her identity cannot be separated from her art and so although she disavows any sacred intent the echo of miny’tji persists.\u003c\/p\u003e\n\u003cp\u003e~ text provided by Buku-Larrnggay Mulka Centre\u003c\/p\u003e\n\u003ch2\u003eDETAILS\u003c\/h2\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eCollagraph, mounted on foam core, ready for framing\u003c\/li\u003e\n\u003cli\u003eDimensions: 86.7 x 58cm\u003c\/li\u003e\n\u003cli\u003eCat No. 4231-23-21\/60\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eARTIST\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eHomeland: Bäniyala\u003c\/li\u003e\n\u003cli\u003eClan: Madarrpa, Yithuwa group\u003c\/li\u003e\n\u003cli\u003eMoiety: Yirritja\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-mce-fragment=\"1\"\u003eMrs N. Marawili (dec) is the daughter of the Maḏarrpa warrior Mundukuḻ (lightning snake) and a Gälpu woman Buḻuŋguwuy. She was a wife of Djapu statesman Djutjadjutja Munuŋgurr (deceased) who won best bark painting at the National Aboriginal Art Awards 1997, in which she ably assisted.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eShe was the mother of four sons before birthing her two daughters, Marrnyula and Rerrkirrwaŋa (both artists – Rerrkirrwaŋa won best bark in Telstra 2009). She\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eis a highly respected senior in her community, knowledgeable in two educational systems and practitioner in the bush and also institutions. She is a prolific producer of art, her work includes bark paintings, ḻarrakitj, carvings, and limited edition prints. Many of the works attributed to her husband Djutadjuta were crosshatched herself as part of teaching her family the required skills. She most often paints her husband’s Djapu clan designs, the Gälpu clan designs of her mother, or that of her own clan the Maḏarrpa.\u003c\/p\u003e\n\u003ch2\u003eART CENTRE\u003c\/h2\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBuku-Larrŋgay Mulka Centre is the Indigenous community controlled art centre of Northeast Arnhem Land. Located in Yirrkala, a small Aboriginal community on the northeastern tip of the Top End of the Northern Territory, approximately 700km east of Darwin. The primarily Yolŋu (Aboriginal) staff of around twenty services Yirrkala and the approximately twenty-five homeland centres in the radius of 200km.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn the 1960’s, Narritjin Maymuru set up his own beachfront gallery from which he sold art that now graces many major museums and private collections. He is counted among the art centre’s main inspirations and founders, and his picture hangs in the museum. His vision of Yolŋu-owned business to sell Yolŋu art that started with a shelter on a beach has now grown into a thriving business that exhibits and sells globally.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eToday Buku-Larrŋgay Mulka Centre consists of two divisions; the Yirrkala Art Centre which represents Yolŋu artists exhibiting and selling contemporary art and The Mulka Project which acts as a digital production studio and archiving centre incorporating the museum.\u003cbr\u003e\u003c\/p\u003e","brand":"Mrs N. Marawili (dec)","offers":[{"title":"Default Title","offer_id":44012483346675,"sku":"BUKU-4231-23-21\/60","price":1070.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/2513\/2531\/files\/4231-23_multipleeditions_a54cb6b1-6189-42b3-905d-34bdf1e31959.jpg?v=1699498039"},{"product_id":"durrmu-spc-arts-spc-col1-1350-col2-71-21-col3-matthew-spc-wilson-spc-chicken-spc-col4-moonlight-spc-on-spc-cobwebs","title":"Moonlight on Cobwebs","description":"\u003ch2\u003eDETAILS\u003c\/h2\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eAcrylic on Canvas\u003c\/li\u003e\n\u003cli\u003eDimensions: 33 x 43 cm (framed)\u003c\/li\u003e\n\u003cli\u003eCat No. 71-21\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch2\u003eARTIST\u003c\/h2\u003e\n\u003cp\u003eMatthew Wilson Chicken is an artist working at \u003cspan data-mce-fragment=\"1\"\u003eDurrmu Arts in \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003ePeppimenarti, located 300km south west of Darwin, on the road from Daly River to Wadeye.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003eART CENTRE\u003c\/h2\u003e\n\u003cp\u003eDurrmu Arts is renowned for its fine, contemporary art production, particularly acrylic paintings and fibre work. The women of Peppimenarti are traditionally weavers and have transposed their knowledge of fibre and textiles onto the canvas. The men’s art lies in the production of body paint designs and cultural articles. Many of the male artists paint their inherited didgeridu designs. Durrmu Arts is a member of the Indigenous Art Code and ANKA (Arnhem, Northern and Kimberley Artists).\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Matthew Wilson Chicken","offers":[{"title":"Default Title","offer_id":44125747413235,"sku":"DURR-71-21","price":1310.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/2513\/2531\/files\/Durrmusmallcanvas-14.jpg?v=1702015832"},{"product_id":"durrmu-spc-arts-spc-col1-1350-col2-94-22-col3-rachel-spc-luckan-spc-col4-durrmu-spc-bopen-body-spc-painting-spc-design-bclose","title":"Durrmu (Body Painting Design)","description":"\u003ch2\u003eDETAILS\u003c\/h2\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eAcrylic on Canvas\u003c\/li\u003e\n\u003cli\u003eDimensions: 30cm x 40cm\u003c\/li\u003e\n\u003cli\u003eCat No. 94-22\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch2\u003eARTIST\u003c\/h2\u003e\n\u003cp\u003eRachel Luckan is an artist working with \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDurrmu Arts in Peppimenarti, located 300km south west of Darwin, on the road from Daly River to Wadeye.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003eART CENTRE\u003c\/h2\u003e\n\u003cp\u003eDurrmu Arts is renowned for its fine, contemporary art production, particularly acrylic paintings and fibre work. The women of Peppimenarti are traditionally weavers and have transposed their knowledge of fibre and textiles onto the canvas. The men’s art lies in the production of body paint designs and cultural articles. Many of the male artists paint their inherited didgeridu designs. Durrmu Arts is a member of the Indigenous Art Code and ANKA (Arnhem, Northern and Kimberley Artists).\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Rachel Luckan","offers":[{"title":"Default Title","offer_id":44125747708147,"sku":"DURR- 94-22","price":1220.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/2513\/2531\/files\/Durrmusmallcanvas-15.jpg?v=1702015349"},{"product_id":"jilamara-spc-arts-spc-spc-crafts-col1-8100-col2-289r-14-8-slash-10-col3-jimmy-spc-mungatopi-col4-purukapali-spc-wai-ai-spc-spc-jinani","title":"Purukapali, Wai-ai \u0026 Jinani","description":"\u003ch2\u003eDETAILS\u003c\/h2\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003eEtching, framed\u003c\/li\u003e\n\u003cli\u003eDimensions: 39.5 x 30cm (image) \u003c\/li\u003e\n\u003cli\u003eCat No. 289r-14-8\/10\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eARTIST\u003c\/h2\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSkin: Miyartuwi (Pandanus)\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eJimmy Mungatopi has spent most of his life at the art centre. The old people said, \u003cem data-mce-fragment=\"1\"\u003e“Join in – we want to pass this place on to young people like yourself,”\u003c\/em\u003e and when he was told this he thought, \u003cem data-mce-fragment=\"1\"\u003e“I’m not going doing anything else and I had to think how do I want to move on?”\u003c\/em\u003e Jimmy decided he would come to Jilamara to build a life for himself and his kids.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eJimmy is an alumnus of the ANKAAA 2014 Arts Worker Extension Program. He is recognised for his traditional dancing and singing. He has exhibited in the ‘Emerging Artists’ exhibition at Outstation in 2014 and in several of the Tiwi exhibitions held at Double Tree Hilton during the Darwin Festival.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch2\u003eART CENTRE\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eIn Tiwi language, the term Jilamara refers to body paint design. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEstablished in 1989, Jilamara Arts and Crafts Association is owned and governed by Tiwi artists from Milikapiti community on Melville Island. The Tiwi Islands, Bathurst Island \u0026amp; Melville Island, are north of Darwin and have been home to Tiwi people since parlingarri (a long time ago). Milikapiti community is on the coast over overlooking the Arafura Sea. It’s a happy place, with strong families and strong culture. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThrough workshops, training, support and representation, Jilamara artists are supported to build careers as internationally renowned artists. \u003c\/span\u003e\u003cspan\u003eIn the community, the art centre is an important place for children to learn culture through culture classes and for young people to learn from their elders to build bright futures. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe Muluwurri Museum is an important keeping place for Tiwi culture and stories, important for remembering old ways and the old people who started Jilamara. For artists and community members, the art centre is a supportive workplace to learn new skills and earn money to support family. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eJilamara Arts is a place for everybody.\u003c\/span\u003e\u003c\/p\u003e","brand":"Jimmy Mungatopi","offers":[{"title":"Default Title","offer_id":44854067396851,"sku":"JILL-268-17-8\/20","price":1105.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/2513\/2531\/files\/006.jpg?v=1731671434"},{"product_id":"numbulwar-spc-numburindi-spc-arts-col1-550-col2-489-23-col3-jocelyn-spc-wilfred-col4-yir-spc-bopen-dilly-spc-bag-bclose","title":"Yir (Dilly Bag)","description":"Nunggayinbala people have used dilly bags for thousands of years for practical and ceremonial purposes, but not untill recently were they made from repurposed ghost nets and shade cloth fabric. Dilly bags, or 'yir' in Nunggubuyu language, were traditionally made from pandanus or bark, and painted using different shades of ochre. Numbulwar artists have taken tradition to the next level by replicating the forms using found, contemporary materials that speak to the environmental deterioration of their homelands. Brightly coloured acrylics replace ochre stripes for clan identification and individual expression.\u003ch2\u003eDETAILS\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003ePainted shadecloth\u003c\/li\u003e\n\u003cli\u003eDimensions: 81 x 45.5 cm\u003c\/li\u003e\n\u003cli\u003eCat No. 489-23\u003c\/li\u003e\n\u003cbr\u003e\u003cbr\u003e\n\u003c\/ul\u003e\u003ch2\u003eARTIST\u003c\/h2\u003eJocelyn Wilfred is a Ritharrngu artist who lives and works with her sisters and niece in Numbulwar. Over four decades she has honed her own individual style, predominantly working with naturally-dyed pandanus. \u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2\u003eART CENTRE\u003c\/h2\u003eBuilt on self-determination, Numbulwar Numburindi Arts (NNA) is a colletive or artists whose mission is to keep culture strong.\n\nEstablished in 2019, Numbulwar’s first art centre is 100 per cent owned and controlled by the community. Born from the community’s desire to practice and engage with traditional culture, NNA is a space for artistic and cultural expression.\n\nChampions of fibre art, NNA artists marry naturally-dyed and locally-harvested pandanus with bright and bold ghost nets, abandoned fishing line retrieved from Numbulwar’s shoreline. Our Wulbung (baskets) and Yir (dillybags) fit as naturally in traditional applications as they do in contemporary, urban environments.\n\nNumbulwar sits on the Rose River and belongs to the Nunggayinbala clan, one of the Wubuy or Nunggubuyu speaking clans from the region. Ceremonial activities are still very important within the region and occur regularly.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e","brand":"Jocelyn Wilfred","offers":[{"title":"Default Title","offer_id":45775996879091,"sku":"NUM-489-23","price":310.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/2513\/2531\/files\/a20fb9ea5d57fa31a8888de7a1729b57.jpg?v=1717112766"},{"product_id":"numbulwar-spc-numburindi-spc-arts-col1-550-col2-497-23-col3-jocelyn-spc-wilfred-col4-yir-spc-bopen-dilly-spc-bag-bclose","title":"Yir (Dilly Bag)","description":"Nunggayinbala people have used dilly bags for thousands of years for practical and ceremonial purposes, but not untill recently were they made from repurposed ghost nets and shade cloth fabric. Dilly bags, or 'yir' in Nunggubuyu language, were traditionally made from pandanus or bark, and painted using different shades of ochre. Numbulwar artists have taken tradition to the next level by replicating the forms using found, contemporary materials that speak to the environmental deterioration of their homelands. Brightly coloured acrylics replace ochre stripes for clan identification and individual expression.\u003ch2\u003eDETAILS\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003ePainted shadecloth\u003c\/li\u003e\n\u003cli\u003eDimensions: 95 x 47 cm\u003c\/li\u003e\n\u003cli\u003eCat No. 497-23\u003c\/li\u003e\n\u003cbr\u003e\u003cbr\u003e\n\u003c\/ul\u003e\u003ch2\u003eARTIST\u003c\/h2\u003eJocelyn Wilfred is a Ritharrngu artist who lives and works with her sisters and niece in Numbulwar. Over four decades she has honed her own individual style, predominantly working with naturally-dyed pandanus. \u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2\u003eART CENTRE\u003c\/h2\u003eBuilt on self-determination, Numbulwar Numburindi Arts (NNA) is a colletive or artists whose mission is to keep culture strong.\n\nEstablished in 2019, Numbulwar’s first art centre is 100 per cent owned and controlled by the community. Born from the community’s desire to practice and engage with traditional culture, NNA is a space for artistic and cultural expression.\n\nChampions of fibre art, NNA artists marry naturally-dyed and locally-harvested pandanus with bright and bold ghost nets, abandoned fishing line retrieved from Numbulwar’s shoreline. Our Wulbung (baskets) and Yir (dillybags) fit as naturally in traditional applications as they do in contemporary, urban environments.\n\nNumbulwar sits on the Rose River and belongs to the Nunggayinbala clan, one of the Wubuy or Nunggubuyu speaking clans from the region. Ceremonial activities are still very important within the region and occur regularly.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e","brand":"Jocelyn Wilfred","offers":[{"title":"Default Title","offer_id":45775997174003,"sku":"NUM-497-23","price":380.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/2513\/2531\/files\/4620730516c9f7db35b42eca8441f21c.png?v=1772500379"},{"product_id":"numbulwar-spc-numburindi-spc-arts-col1-550-col2-474-23-col3-joy-spc-wilfred-spc-bundoola-col4-yir-spc-bopen-dilly-spc-bag-bclose","title":"Yir (Dilly Bag)","description":"Nunggayinbala people have used dilly bags for thousands of years for practical and ceremonial purposes, but not untill recently were they made from repurposed ghost nets and shade cloth fabric. Dilly bags, or 'yir' in Nunggubuyu language, were traditionally made from pandanus or bark, and painted using different shades of ochre. Numbulwar artists have taken tradition to the next level by replicating the forms using found, contemporary materials that speak to the environmental deterioration of their homelands. Brightly coloured acrylics replace ochre stripes for clan identification and individual expression.\u003ch2\u003eDETAILS\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003ePainted shadecloth\u003c\/li\u003e\n\u003cli\u003eDimensions: 49 x 26 cm\u003c\/li\u003e\n\u003cli\u003eCat No. 474-23\u003c\/li\u003e\n\u003cbr\u003e\u003cbr\u003e\n\u003c\/ul\u003e\u003ch2\u003eARTIST\u003c\/h2\u003eBorn on her homelands of Walker River in 1960, Joy is a quietly-spoken artist who taught herself how to weave at the age of 20. She has two children and one grandson. She spends her time with family in Numbulwar community and regularly teaches weaving at the local school.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2\u003eART CENTRE\u003c\/h2\u003eBuilt on self-determination, Numbulwar Numburindi Arts (NNA) is a colletive or artists whose mission is to keep culture strong.\n\nEstablished in 2019, Numbulwar’s first art centre is 100 per cent owned and controlled by the community. Born from the community’s desire to practice and engage with traditional culture, NNA is a space for artistic and cultural expression.\n\nChampions of fibre art, NNA artists marry naturally-dyed and locally-harvested pandanus with bright and bold ghost nets, abandoned fishing line retrieved from Numbulwar’s shoreline. Our Wulbung (baskets) and Yir (dillybags) fit as naturally in traditional applications as they do in contemporary, urban environments.\n\nNumbulwar sits on the Rose River and belongs to the Nunggayinbala clan, one of the Wubuy or Nunggubuyu speaking clans from the region. Ceremonial activities are still very important within the region and occur regularly.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e","brand":"Joy Wilfred Bundoola","offers":[{"title":"Default Title","offer_id":45775997862131,"sku":"NUM-474-23","price":155.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/2513\/2531\/files\/df30041801e2d334d28059919bb7d4cf.jpg?v=1717112798"},{"product_id":"maningrida-spc-arts-spc-spc-culture-spc-col1-3970-col2-207-23-col3-jaylene-spc-campion-col4-bark-spc-painting","title":"Bark Painting","description":"\u003ch2\u003eDETAILS\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eStringybark ( Eucalyptus Tetradonta ) with Ochre Pigment and PVA Fixative\u003c\/li\u003e\n\u003cli\u003eDimensions: 50 x 35cm\u003c\/li\u003e\n\u003cli\u003eCat No. 207-23\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch2\u003eARTIST\u003c\/h2\u003e\n\u003cp\u003eJaylene \u003cspan\u003eCampion works through Marrawuddi and Maningrida Arts\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003eART CENTRE\u003c\/h2\u003e\n\u003cp\u003eManingrida Arts \u0026amp; Culture is a pre-eminent site of contemporary cultural expression and art-making, abundant with highly collectable art and emerging talent. Through their homelands resource organisation, Bawinanga Aboriginal Corporation, artists turned an art trade that began just over 50 years ago into a multi-million dollar arts and cultural enterprise.\u003c\/p\u003e\n\u003cp\u003eManingrida Arts \u0026amp; Culture supported hundreds of artists on their homelands, more than 20 artworkers, held 20 exhibitions annually, won prestigious awards, and enjoyed the international fame and success that the boom in the Aboriginal art market of the 1990s and 2000s enabled. Acclaimed senior artists including John Mawurndjul, brothers Owen Yalandja and Crusoe Kurddal, Bob Burruwal, Lena Yarinkura and Laurie Marbaduk continue to expand their mediums and narratives.\u003c\/p\u003e\n\u003cp\u003eArtists such as Paul Nabulumo, Samson Bonson, Anniebelle Marrngamarrnga, Samuel Namundja, Kay Lindjuwanga and Fiona Jin-majinggal have emerged to become a formidable force in the national and international landscape. They sit alongside the leading proponents of a fibre sculpture movement. Frewa Bardaluna, Helen Stewart, Vera Cameron, Lorna Jin-gubarrangunyja, Freda Wayartja Ali, Bonnie Burarn.garra and Doreen Jinggarrabarra are a group of mostly female artists who reinterpret functional forms using natural fibres to create highly sought-after pieces across the fine art and interior design sectors.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Jaylene Campion","offers":[{"title":"Default Title","offer_id":45965915586803,"sku":"MAN-207-23","price":405.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/2513\/2531\/files\/643191d2a20e408cfd516d96cbbd5dff.jpg?v=1720568817"},{"product_id":"maningrida-spc-arts-spc-spc-culture-spc-col1-3970-col2-235-24-col3-kenan-spc-namunjdja-col4-lorrkon-spc-bopen-hollow-spc-log-bclose","title":"Lorrkon (Hollow Log)","description":"\u003ch2\u003eDETAILS\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eStringybark (Eucalyptus Tetradonta with Ochre Pigament and PVA Fixative\u003c\/li\u003e\n\u003cli\u003eDimensions: 50 x 9 x 9cm\u003c\/li\u003e\n\u003cli\u003eCat No. 235-24\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch2\u003eARTIST\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eKenan Namunjdja is the eldest son of artists Bulanj (1965-2018) and Deborah Yulidjirri. Trained by his father who was nationally and internationally recognised for his particularly fine rarrk and depiction of the kunkurra (spiralling wind).  His grandfather, Peter Marralwanga (1916-1987), was also a much celebrated bark painter and a leader in the 1970’s Outstation movement. Kenan continues this strong legacy, through his exceptionally fine mark-making in depicting the djang of his country, Mankorlod.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003eART CENTRE\u003c\/h2\u003e\n\u003cp\u003eManingrida Arts \u0026amp; Culture is a pre-eminent site of contemporary cultural expression and art-making, abundant with highly collectable art and emerging talent. Through their homelands resource organisation, Bawinanga Aboriginal Corporation, artists turned an art trade that began just over 50 years ago into a multi-million dollar arts and cultural enterprise.\u003c\/p\u003e\n\u003cp\u003eManingrida Arts \u0026amp; Culture supported hundreds of artists on their homelands, more than 20 artworkers, held 20 exhibitions annually, won prestigious awards, and enjoyed the international fame and success that the boom in the Aboriginal art market of the 1990s and 2000s enabled. Acclaimed senior artists including John Mawurndjul, brothers Owen Yalandja and Crusoe Kurddal, Bob Burruwal, Lena Yarinkura and Laurie Marbaduk continue to expand their mediums and narratives.\u003c\/p\u003e\n\u003cp\u003eArtists such as Paul Nabulumo, Samson Bonson, Anniebelle Marrngamarrnga, Samuel Namundja, Kay Lindjuwanga and Fiona Jin-majinggal have emerged to become a formidable force in the national and international landscape. They sit alongside the leading proponents of a fibre sculpture movement. Frewa Bardaluna, Helen Stewart, Vera Cameron, Lorna Jin-gubarrangunyja, Freda Wayartja Ali, Bonnie Burarn.garra and Doreen Jinggarrabarra are a group of mostly female artists who reinterpret functional forms using natural fibres to create highly sought-after pieces across the fine art and interior design sectors.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Kenan Namunjdja","offers":[{"title":"Default Title","offer_id":45965919027443,"sku":"MAN-235-24","price":730.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/2513\/2531\/files\/20241113_untitled_untitled-shoot_037_dfa14022-7344-4a57-95e7-5770797a4ba8.jpg?v=1732864512"},{"product_id":"maningrida-spc-arts-spc-spc-culture-spc-col1-3970-col2-236-24-col3-kenan-spc-namunjdja-col4-lorrkon-spc-bopen-hollow-spc-log-bclose","title":"Lorrkon (Hollow Log)","description":"\u003ch2\u003eDETAILS\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eStringybark (Eucalyptus Tetradonta with Ochre Pigament and PVA Fixative\u003c\/li\u003e\n\u003cli\u003eDimensions: 49 x 9 x 9cm\u003c\/li\u003e\n\u003cli\u003eCat No. 236-24\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch2\u003eARTIST\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eKenan Namunjdja is the eldest son of artists Bulanj (1965-2018) and Deborah Yulidjirri. Trained by his father who was nationally and internationally recognised for his particularly fine rarrk and depiction of the kunkurra (spiralling wind).  His grandfather, Peter Marralwanga (1916-1987), was also a much celebrated bark painter and a leader in the 1970’s Outstation movement. Kenan continues this strong legacy, through his exceptionally fine mark-making in depicting the djang of his country, Mankorlod.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003eART CENTRE\u003c\/h2\u003e\n\u003cp\u003eManingrida Arts \u0026amp; Culture is a pre-eminent site of contemporary cultural expression and art-making, abundant with highly collectable art and emerging talent. Through their homelands resource organisation, Bawinanga Aboriginal Corporation, artists turned an art trade that began just over 50 years ago into a multi-million dollar arts and cultural enterprise.\u003c\/p\u003e\n\u003cp\u003eManingrida Arts \u0026amp; Culture supported hundreds of artists on their homelands, more than 20 artworkers, held 20 exhibitions annually, won prestigious awards, and enjoyed the international fame and success that the boom in the Aboriginal art market of the 1990s and 2000s enabled. Acclaimed senior artists including John Mawurndjul, brothers Owen Yalandja and Crusoe Kurddal, Bob Burruwal, Lena Yarinkura and Laurie Marbaduk continue to expand their mediums and narratives.\u003c\/p\u003e\n\u003cp\u003eArtists such as Paul Nabulumo, Samson Bonson, Anniebelle Marrngamarrnga, Samuel Namundja, Kay Lindjuwanga and Fiona Jin-majinggal have emerged to become a formidable force in the national and international landscape. They sit alongside the leading proponents of a fibre sculpture movement. Frewa Bardaluna, Helen Stewart, Vera Cameron, Lorna Jin-gubarrangunyja, Freda Wayartja Ali, Bonnie Burarn.garra and Doreen Jinggarrabarra are a group of mostly female artists who reinterpret functional forms using natural fibres to create highly sought-after pieces across the fine art and interior design sectors.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Kenan Namunjdja","offers":[{"title":"Default Title","offer_id":45965919092979,"sku":"MAN-236-24","price":715.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/2513\/2531\/files\/20241113_untitled_untitled-shoot_027.jpg?v=1732864589"},{"product_id":"maningrida-spc-arts-spc-spc-culture-spc-col1-3970-col2-132-24-col3-pam-spc-wurrkidj-col4-wak-spc-wak","title":"Wak Wak","description":"\u003ch2\u003eDETAILS\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eStringybark (Eucalyptus Tetradonta with Ochre Pigament and PVA Fixative\u003c\/li\u003e\n\u003cli\u003eDimensions: 51 x 12 x 12cm\u003c\/li\u003e\n\u003cli\u003eCat No. 132-24\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch2\u003eARTIST\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003ePam Wurrkidj is a young woman who has worked under the guidance of her mother Deborah Wurrkidj to learn how to paint the stories of her country. \u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003eART CENTRE\u003c\/h2\u003e\n\u003cp\u003eManingrida Arts \u0026amp; Culture is a pre-eminent site of contemporary cultural expression and art-making, abundant with highly collectable art and emerging talent. Through their homelands resource organisation, Bawinanga Aboriginal Corporation, artists turned an art trade that began just over 50 years ago into a multi-million dollar arts and cultural enterprise.\u003c\/p\u003e\n\u003cp\u003eManingrida Arts \u0026amp; Culture supported hundreds of artists on their homelands, more than 20 artworkers, held 20 exhibitions annually, won prestigious awards, and enjoyed the international fame and success that the boom in the Aboriginal art market of the 1990s and 2000s enabled. Acclaimed senior artists including John Mawurndjul, brothers Owen Yalandja and Crusoe Kurddal, Bob Burruwal, Lena Yarinkura and Laurie Marbaduk continue to expand their mediums and narratives.\u003c\/p\u003e\n\u003cp\u003eArtists such as Paul Nabulumo, Samson Bonson, Anniebelle Marrngamarrnga, Samuel Namundja, Kay Lindjuwanga and Fiona Jin-majinggal have emerged to become a formidable force in the national and international landscape. They sit alongside the leading proponents of a fibre sculpture movement. Frewa Bardaluna, Helen Stewart, Vera Cameron, Lorna Jin-gubarrangunyja, Freda Wayartja Ali, Bonnie Burarn.garra and Doreen Jinggarrabarra are a group of mostly female artists who reinterpret functional forms using natural fibres to create highly sought-after pieces across the fine art and interior design sectors.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Pam Wurrkidj","offers":[{"title":"Default Title","offer_id":45965920043251,"sku":"MAN-132-24","price":505.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/2513\/2531\/files\/20241113_untitled_untitled-shoot_029.jpg?v=1732864699"},{"product_id":"tangentyere-spc-artists-spc-col1-6450-col2-12932-23-14-slash-15-col3-stella-spc-mcmillan-spc-spc-thea-spc-anamara-spc-perkins-col4-no-spc-mining","title":"No Mining","description":"Reprising the bold visual language of iconic 80s protest posters to speak to issues that face us today, this work is one from a series of five screenprints, protesting climate change and its impact on the desert. \n\n‘First Nations people are the first and will be the worst effected with fracking and the mismanagement of precious water resources - just two of many impending catastrophes. Made using artwork generated in Mparntwe in a series of workshops, all proceeds from sales will go directly to collaborating Town Camp Artists.’ Thea Anamara Perkins\u003ch2\u003eDETAILS\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eScreenprint on 310gsm Magnani paper\u003c\/li\u003e\n\u003cli\u003eDimensions: 68cm x 87cm (framed)\u003c\/li\u003e\n\u003cli\u003eCat No. 12932-23-14\/15\u003c\/li\u003e\n\u003cbr\u003e\u003cbr\u003e\n\u003c\/ul\u003e\u003ch2\u003eARTIST\u003c\/h2\u003eStella McMillan is an artist from the Santa Teresa Community in the Northern Territory. \n\nThea Anamara Perkins is an Arrernte and Kalkadoon artist whose practice incorporates portraiture and landscape to question representations of First Nations peoples and Country. With a delicate hand, Thea answers heavy questions about what it means to be First Nations and interrogates contemporary portrayal. \u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2\u003eART CENTRE\u003c\/h2\u003eEstablished in 2005, Tangentyere Artists is an Aboriginal owned, not-for-profit enterprise for Town Camp Artists. When Tangentyere Artists began, Jukurrpa Artists, Warumpi and Sandover Arts (all art centres previously operating in Alice Springs) had closed. Irrkerlanyte Arts and Ngurratjuta Iltja Ntjarra were servicing a limited number of Town Camp families. Tangentyere Artists was established with the express aims of combatting the prevalence of carpetbaggers, providing professional and career development opportunities to artists and operating an industry best practice enterprise. \n\nToday, Tangentyere Artists is the central hub for arts activities across the Town Camps. This includes the internationally renowned Yarrenyty Arltere Artists, located at Larapinta Town Camp. We work to a studio, gallery and outreach program, supporting emerging and established artists.  Tangentyere Artists also welcome Aboriginal artists visiting town from remote communities, offering an open and safe environment where people from across Central Australia can sit down together to create artworks and share artistic skills as well as stories. Tangentyere Artists is committed to innovative, sustainable, fine art outcomes for Town Camp Artists. We are renowned for figurative paintings, diversity of mark making, rich colour palettes and embracing traditional and contemporary Aboriginal art making. Our practice includes short animations.\n\nThrough their art, Town Camp artists communicate stories about their families, identity and everyday lives. Their contemporary art practice aims to show the everyday experience of Aboriginal people in Central Australia and through this work Tangentyere Artists have become part of the national conversation on reconciliation. \u003cbr\u003e\u003cbr\u003e\u003cbr\u003e","brand":"Stella McMillan \u0026 Thea Anamara Perkins","offers":[{"title":"Default Title","offer_id":46206066131187,"sku":"","price":1070.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/2513\/2531\/files\/0098909df32d2e933970ccb22910d064.jpg?v=1726715219"},{"product_id":"numbulwar-spc-numburindi-spc-arts-col1-630-col2-292-24-col3-camsha-spc-ngalmi-col4-marrn-spc-bopen-snakes-bclose-spc-in-spc-the-spc-flowers","title":"Marrn (Snakes) in the Flowers","description":"\u003ch2\u003eDETAILS\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eAcrylic on Cardboard\u003c\/li\u003e\n\u003cli\u003eDimensions: 17 x 33.5 cm\u003c\/li\u003e\n\u003cli\u003eCat No. 292-24\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv dir=\"ltr\" gmail_original=\"1\"\u003eNumbulwar Numburindi artists have long reused and recycled found waste materials in their artworks whether it's painting on scrap metal or cardboard, like this artwork, or weaving with ghost net and abandoned fishing line retrieved from the shoreline. Embracing their unique imperfections and surfaces, the artists marry these found materials with traditional practice and natural materials to make vibrant contemporary artworks that simultaneously pose questions about waste and sustainability. \u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv dir=\"ltr\" gmail_original=\"1\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"yj6qo ajU\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003ch2\u003eARTIST\u003c\/h2\u003e\n\u003cp\u003eCamsha Ngalmi is an artist working with Numbulwar Numbarindi Arts.\u003c\/p\u003e\n\u003ch2\u003eART CENTRE\u003c\/h2\u003e\n\u003cp\u003eBuilt on self-determination, Numbulwar Numburindi Arts (NNA) is a colletive or artists whose mission is to keep culture strong. Established in 2019, Numbulwar’s first art centre is 100 per cent owned and controlled by the community. Born from the community’s desire to practice and engage with traditional culture, NNA is a space for artistic and cultural expression. Champions of fibre art, NNA artists marry naturally-dyed and locally-harvested pandanus with bright and bold ghost nets, abandoned fishing line retrieved from Numbulwar’s shoreline. Our Wulbung (baskets) and Yir (dillybags) fit as naturally in traditional applications as they do in contemporary, urban environments. Numbulwar sits on the Rose River and belongs to the Nunggayinbala clan, one of the Wubuy or Nunggubuyu speaking clans from the region. Ceremonial activities are still very important within the region and occur regularly.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Camsha Ngalmi","offers":[{"title":"Default Title","offer_id":46230347415795,"sku":"NUM-292-24","price":285.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/2513\/2531\/files\/Numbulwar_Cardboard-34.jpg?v=1727409547"},{"product_id":"numbulwar-spc-numburindi-spc-arts-col1-630-col2-224-24-col3-mawungumain-spc-nundhirribala-col4-spc-minyarr-spc-bopen-wattle-spc-tree-bclose","title":"Minyarr (Wattle Tree)","description":"\u003ch2\u003eDETAILS\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eAcrylic on Cardboard\u003c\/li\u003e\n\u003cli\u003eDimensions: 50 x 42cm (framed)\u003c\/li\u003e\n\u003cli\u003eCat No. 224-24\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv dir=\"ltr\" gmail_original=\"1\"\u003eNumbulwar Numburindi artists have long reused and recycled found waste materials in their artworks whether it's painting on scrap metal or cardboard, like this artwork, or weaving with ghost net and abandoned fishing line retrieved from the shoreline. Embracing their unique imperfections and surfaces, the artists marry these found materials with traditional practice and natural materials to make vibrant contemporary artworks that simultaneously pose questions about waste and sustainability. \u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv dir=\"ltr\" gmail_original=\"1\"\u003e\u003c\/div\u003e\n\u003ch2\u003eARTIST\u003c\/h2\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMawungumain Nundhirribala is a Nunggayinbala woman who has lived her whole life in the Numbulwar area, since before the mission was established. Her fibre art is identifiable by its vibrant colour blocking and immaculate technicality.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003eART CENTRE\u003c\/h2\u003e\n\u003cp\u003eBuilt on self-determination, Numbulwar Numburindi Arts (NNA) is a colletive or artists whose mission is to keep culture strong. Established in 2019, Numbulwar’s first art centre is 100 per cent owned and controlled by the community. Born from the community’s desire to practice and engage with traditional culture, NNA is a space for artistic and cultural expression. Champions of fibre art, NNA artists marry naturally-dyed and locally-harvested pandanus with bright and bold ghost nets, abandoned fishing line retrieved from Numbulwar’s shoreline. Our Wulbung (baskets) and Yir (dillybags) fit as naturally in traditional applications as they do in contemporary, urban environments. Numbulwar sits on the Rose River and belongs to the Nunggayinbala clan, one of the Wubuy or Nunggubuyu speaking clans from the region. Ceremonial activities are still very important within the region and occur regularly.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Mawungumain Nundhirribala","offers":[{"title":"Default Title","offer_id":46230347612403,"sku":"NUM-224-24","price":780.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/2513\/2531\/files\/Numbulwar_Cardboard-25.jpg?v=1727409489"},{"product_id":"numbulwar-spc-numburindi-spc-arts-col1-630-col2-212-24-col3-yulki-spc-nunggumajbarr-col4-wulbung-spc-bopen-baskets-bclose","title":"Wulbung (Baskets)","description":"\u003ch2\u003eDETAILS\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eAcrylic on Cardboard\u003c\/li\u003e\n\u003cli\u003eDimensions: 52cm x 17cm\u003c\/li\u003e\n\u003cli\u003eCat No. 212-24\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv dir=\"ltr\" gmail_original=\"1\"\u003eNumbulwar Numburindi artists have long reused and recycled found waste materials in their artworks whether it's painting on scrap metal or cardboard, like this artwork, or weaving with ghost net and abandoned fishing line retrieved from the shoreline. Embracing their unique imperfections and surfaces, the artists marry these found materials with traditional practice and natural materials to make vibrant contemporary artworks that simultaneously pose questions about waste and sustainability. \u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv dir=\"ltr\" gmail_original=\"1\"\u003e\u003c\/div\u003e\n\u003ch2\u003eARTIST\u003c\/h2\u003e\n\u003cp\u003eSenior weaver Yulki Nunggumajbarr shares her extraordinary life growing up in Wuyagiba, moving on to the missions and eventually becoming the first female Aboriginal priest in Australia.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch2\u003eART CENTRE\u003c\/h2\u003e\n\u003cp\u003eBuilt on self-determination, Numbulwar Numburindi Arts (NNA) is a colletive or artists whose mission is to keep culture strong. Established in 2019, Numbulwar’s first art centre is 100 per cent owned and controlled by the community. Born from the community’s desire to practice and engage with traditional culture, NNA is a space for artistic and cultural expression. Champions of fibre art, NNA artists marry naturally-dyed and locally-harvested pandanus with bright and bold ghost nets, abandoned fishing line retrieved from Numbulwar’s shoreline. Our Wulbung (baskets) and Yir (dillybags) fit as naturally in traditional applications as they do in contemporary, urban environments. Numbulwar sits on the Rose River and belongs to the Nunggayinbala clan, one of the Wubuy or Nunggubuyu speaking clans from the region. Ceremonial activities are still very important within the region and occur regularly.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Yulki Nunggumajbarr","offers":[{"title":"Default Title","offer_id":46230348398835,"sku":"NUM-212-24","price":470.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/2513\/2531\/files\/Numbulwar_Cardboard-31.png?v=1772501194"},{"product_id":"numbulwar-spc-numburindi-spc-arts-col1-630-col2-221-24-col3-yulki-spc-nunggumajbarr-col4-whutharangung-spc-bopen-storm-bclose-spc-over-spc-the-spc-minyarr-spc-bopen-acacia-bclose-spc-trees","title":"Whutharangung (Storm) over the Minyarr (Acacia) Trees","description":"\u003ch2\u003eDETAILS\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eAcrylic on Cardboard\u003c\/li\u003e\n\u003cli\u003eDimensions: 50 x 42cm (framed)\u003c\/li\u003e\n\u003cli\u003eCat No. 221-24\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv dir=\"ltr\" gmail_original=\"1\"\u003eNumbulwar Numburindi artists have long reused and recycled found waste materials in their artworks whether it's painting on scrap metal or cardboard, like this artwork, or weaving with ghost net and abandoned fishing line retrieved from the shoreline. Embracing their unique imperfections and surfaces, the artists marry these found materials with traditional practice and natural materials to make vibrant contemporary artworks that simultaneously pose questions about waste and sustainability. \u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv dir=\"ltr\" gmail_original=\"1\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003ch2\u003eARTIST\u003c\/h2\u003e\n\u003cdiv class=\"row sqs-row\"\u003e\n\u003cdiv class=\"col sqs-col-8 span-8\"\u003e\n\u003cdiv class=\"sqs-block html-block sqs-block-html\" data-block-type=\"2\" id=\"block-80f3883b8b7ee7656210\"\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cdiv class=\"sqs-html-content\"\u003e\n\u003cp class=\"preFade fadeIn\"\u003eSenior weaver Yulki Nunggumajbarr shares her extraordinary life growing up in Wuyagiba, moving on to the missions and eventually becoming the first female Aboriginal priest in Australia.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col sqs-col-2 span-2\"\u003e\n\u003cdiv class=\"sqs-block spacer-block sqs-block-spacer sized vsize-1\" data-block-type=\"21\" id=\"block-5635bcf7260780d60983\"\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch2\u003eART CENTRE\u003c\/h2\u003e\n\u003cp\u003eBuilt on self-determination, Numbulwar Numburindi Arts (NNA) is a colletive or artists whose mission is to keep culture strong. Established in 2019, Numbulwar’s first art centre is 100 per cent owned and controlled by the community. Born from the community’s desire to practice and engage with traditional culture, NNA is a space for artistic and cultural expression. Champions of fibre art, NNA artists marry naturally-dyed and locally-harvested pandanus with bright and bold ghost nets, abandoned fishing line retrieved from Numbulwar’s shoreline. Our Wulbung (baskets) and Yir (dillybags) fit as naturally in traditional applications as they do in contemporary, urban environments. Numbulwar sits on the Rose River and belongs to the Nunggayinbala clan, one of the Wubuy or Nunggubuyu speaking clans from the region. Ceremonial activities are still very important within the region and occur regularly.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Yulki Nunggumajbarr","offers":[{"title":"Default Title","offer_id":46230348529907,"sku":"NUM-221-24","price":780.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/2513\/2531\/files\/Numbulwar_Cardboard-16.jpg?v=1727409185"},{"product_id":"numbulwar-spc-numburindi-spc-arts-col1-630-col2-222-24-col3-yulki-spc-nunggumajbarr-col4-lhabara-spc-bopen-coolamon-bclose","title":"Lhabara (Coolamon)","description":"\u003ch2\u003eDETAILS\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eAcrylic on Cardboard\u003c\/li\u003e\n\u003cli\u003eDimensions: 31 x 67cm (framed)\u003c\/li\u003e\n\u003cli\u003eCat No. 222-24\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv dir=\"ltr\" gmail_original=\"1\"\u003eNumbulwar Numburindi artists have long reused and recycled found waste materials in their artworks whether it's painting on scrap metal or cardboard, like this artwork, or weaving with ghost net and abandoned fishing line retrieved from the shoreline. Embracing their unique imperfections and surfaces, the artists marry these found materials with traditional practice and natural materials to make vibrant contemporary artworks that simultaneously pose questions about waste and sustainability. \u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv dir=\"ltr\" gmail_original=\"1\"\u003e\u003c\/div\u003e\n\u003ch2\u003eARTIST\u003c\/h2\u003e\n\u003cdiv class=\"row sqs-row\"\u003e\n\u003cdiv class=\"col sqs-col-8 span-8\"\u003e\n\u003cdiv class=\"sqs-block html-block sqs-block-html\" data-block-type=\"2\" id=\"block-80f3883b8b7ee7656210\"\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cdiv class=\"sqs-html-content\"\u003e\n\u003cp class=\"preFade fadeIn\"\u003eSenior weaver Yulki Nunggumajbarr shares her extraordinary life growing up in Wuyagiba, moving on to the missions and eventually becoming the first female Aboriginal priest in Australia.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col sqs-col-2 span-2\"\u003e\n\u003cdiv class=\"sqs-block spacer-block sqs-block-spacer sized vsize-1\" data-block-type=\"21\" id=\"block-5635bcf7260780d60983\"\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch2\u003eART CENTRE\u003c\/h2\u003e\n\u003cp\u003eBuilt on self-determination, Numbulwar Numburindi Arts (NNA) is a colletive or artists whose mission is to keep culture strong. Established in 2019, Numbulwar’s first art centre is 100 per cent owned and controlled by the community. Born from the community’s desire to practice and engage with traditional culture, NNA is a space for artistic and cultural expression. Champions of fibre art, NNA artists marry naturally-dyed and locally-harvested pandanus with bright and bold ghost nets, abandoned fishing line retrieved from Numbulwar’s shoreline. Our Wulbung (baskets) and Yir (dillybags) fit as naturally in traditional applications as they do in contemporary, urban environments. Numbulwar sits on the Rose River and belongs to the Nunggayinbala clan, one of the Wubuy or Nunggubuyu speaking clans from the region. Ceremonial activities are still very important within the region and occur regularly.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Yulki Nunggumajbarr","offers":[{"title":"Default Title","offer_id":46230348628211,"sku":"NUM-222-24","price":780.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/2513\/2531\/files\/Numbulwar_Cardboard-22.jpg?v=1727409887"},{"product_id":"ngaruwanajirri-spc-incorporated-col1-500-col2-801-21-6-slash-30-col3-ken-spc-wayne-spc-kantilla-col4-tutini-spc","title":"Tutini","description":"\u003ch2\u003eDETAILS\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eEtching on Saunders Waterford paper \u003c\/li\u003e\n\u003cli\u003eDimensions: 29 x 20.5cm\u003c\/li\u003e\n\u003cli\u003eCat No. 801-21-6\/30\u003c\/li\u003e\n\u003cbr\u003e\u003cbr\u003e\n\u003c\/ul\u003e\u003ch2\u003eARTIST\u003c\/h2\u003e Ken Wayne Kantilla works at Ngaruwanajirri Art Centre and is the current Chairman. He produces delicately executed works on paper with painstaking skill as well as paintings on canvas, ironwood carvings, and natural ochres on shells. In the 1980s Ken Wayne lived for two years in Victoria, attending St Bede`s College, Mentone. Ken has been included in major Ngaruwanajirri exhibitions since 1996, including Pupini Yinkiti Arimuwu Kapi Winga, Good Food, Sea Food, an ArtBack Nets Travelling Exhibition, 2000 - 2004.\n\nKen Wayne has a keen interest in Australian rules football, due to the success of his father David Kantilla, a South Australian player in the 1960s. His extreme patience is reflected in the painstakingly careful geometry of his paintings. He is regularly shown in the annual Darwin Ngaruwanajirri Exhibition at the time of the Darwin Festival and in Tarnathi Festival of Contemporary Aboriginal and Torres Strait Islander Art, Art Gallery of South Australia.\n\nKen Wayne's artwork is characterized by his exceptional skill of painting straight lines by hand. These lines create a rippled rhythm within his paintings often accentuated by depictions of daily Tiwi life including animals and cultural objects. Although his lines are robotically precise, the slight irregularity in his initial drawing reveals the unaided touch of his work.\n\nKen's unique style is enhanced by his exclusive use of natural Tiwi ochres. His meticulous attention to detail and unwavering dedication to his craft has earned him a well-deserved reputation as a skilled and respected artist in the community. Ken's artwork has been showcased in galleries and exhibitions across Australia\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2\u003eART CENTRE\u003c\/h2\u003eNgaruwanajirri Incorporated is an arts centre at Wurrumiyanga on Bathurst Island. Ngaruwanajirri, which means ‘helping one another’ in Tiwi, was established in 1994. It was originally set up for disabled Tiwi residents but now includes all artists, with the original artists working with traditional wood carvers. Art created includes natural ochre paintings on paper and canvas, batik on silk, lino prints on paper and fabric and ironwood carvings. Many paintings and carvings from Ngaruwanajirri, including tutini poles for Pukumani ceremonies, have been exhibited in Darwin, interstate and overseas. Works reside in private collections and art galleries both nationally and internationally. \u003cbr\u003e\u003cbr\u003e\u003cbr\u003e","brand":"Ken Wayne Kantilla","offers":[{"title":"Default Title","offer_id":46254405026035,"sku":"NWJ-801-21-6\/30","price":375.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/2513\/2531\/files\/20241114_untitled_untitledshoot_187.jpg?v=1732868408"},{"product_id":"ngaruwanajirri-spc-incorporated-col1-500-col2-797-21-9-slash-30-col3-alfonso-spc-puautjimi-col4-still-spc-life-spc-with-spc-bottles-spc-spc-carving","title":"Still Life with Bottles \u0026 Carving","description":"\u003ch2\u003eDETAILS\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eEtching on Saunders Waterford paper, framed\u003c\/li\u003e\n\u003cli\u003eDimensions: 20 x 29cm\u003c\/li\u003e\n\u003cli\u003eCat No. 797-21-9\/30\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch2\u003eARTIST\u003c\/h2\u003e\n\u003cp\u003eAlfonso has been painting with the Ngaruwanajirri group since 1997. Subject matter of his paintings is drawn from his environment: Tutini (pukumani poles), carved heads, figures and birds as still life groupings, local landscape including trees, boats, planes and cars and patterns. Alfonso uses bold brush strokes, generous paint application and applies black lines over broad areas of colour, finishing with dots and lines in colour. His paintwork has a strong textural effect. - Ngaruwanajirri Inc. 2022\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch2\u003eART CENTRE\u003c\/h2\u003e\n\u003cp\u003eNgaruwanajirri Incorporated is an arts centre at Wurrumiyanga on Bathurst Island. Ngaruwanajirri, which means ‘helping one another’ in Tiwi, was established in 1994. It was originally set up for disabled Tiwi residents but now includes all artists, with the original artists working with traditional wood carvers. Art created includes natural ochre paintings on paper and canvas, batik on silk, lino prints on paper and fabric and ironwood carvings. Many paintings and carvings from Ngaruwanajirri, including tutini poles for Pukumani ceremonies, have been exhibited in Darwin, interstate and overseas. Works reside in private collections and art galleries both nationally and internationally. \u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Alfonso Puautjimi","offers":[{"title":"Default Title","offer_id":46417457250547,"sku":"NWJ-797-21-9\/30","price":715.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/2513\/2531\/files\/20241114_untitled_untitled-shoot_246.png?v=1772500670"},{"product_id":"ngaruwanajirri-spc-incorporated-col1-500-col2-809-21-9-slash-30-col3-jane-spc-margaret-spc-tipuamantumirri-col4-jilamara-spc","title":"Jilamara","description":"\u003ch2\u003eDETAILS\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eEtching on Saunders Waterford paper, framed\u003c\/li\u003e\n\u003cli\u003eDimensions: 20 x 29cm (artwork)\u003c\/li\u003e\n\u003cli\u003eCat No. 809-21-9\/30\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch2\u003eARTIST\u003c\/h2\u003e\n\u003cp\u003eJane Margaret Tipuamantumirri moved to Pirlangimpi in 2014 to live with her two sisters Simplicia and Pamela who take care of her. Jane was working as an artist on Bathurst Island at the Ngaruwanajirri Inc before she moved to Munupi Arts. She is always thinking about her paintings before she does them. Painting has is her therapy, good for her hands and her mind. She also loves music and dancing.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch2\u003eART CENTRE\u003c\/h2\u003e\n\u003cp\u003eNgaruwanajirri Incorporated is an arts centre at Wurrumiyanga on Bathurst Island. Ngaruwanajirri, which means ‘helping one another’ in Tiwi, was established in 1994. It was originally set up for disabled Tiwi residents but now includes all artists, with the original artists working with traditional wood carvers. Art created includes natural ochre paintings on paper and canvas, batik on silk, lino prints on paper and fabric and ironwood carvings. Many paintings and carvings from Ngaruwanajirri, including tutini poles for Pukumani ceremonies, have been exhibited in Darwin, interstate and overseas. Works reside in private collections and art galleries both nationally and internationally. \u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Jane Margaret Tipuamantumirri","offers":[{"title":"Default Title","offer_id":46417457545459,"sku":"NWJ-809-21-9\/30","price":715.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/2513\/2531\/files\/2024.png?v=1772499734"},{"product_id":"landscape-1","title":"Landscape","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eI am a sewer, same way as my father made paintings I make soft sculptures. My wool is like my fathers paints. All those bright colours. Sometimes I do these landscapes too like my father when I think about him sitting in the Todd River selling his paintings to all the tourists to buy us food. Sometimes I do these landscapes but I keep sewing too.\u003c\/em\u003e\u003c\/p\u003e\n\u003ch2\u003eDETAILS\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWatercolor on paper, framed\u003c\/li\u003e\n\u003cli\u003e55x75cm (paper)\u003c\/li\u003e\n\u003cli\u003eCat No: 53-21\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eARTIST\u003c\/h2\u003e\n\u003cp\u003eMy name is Marlene Panankga Rubuntja. I was born in Alice Springs. At that time people were living in different different places, all over the place. But I grew up and went to school at Amoonguna. My father and mother were living sometimes down at the river but then my father was fighting to find a place for everyone to live in Alice Springs. He was a spokesman for his people- he even went to Canberra. Now I'm living at Larapinta, its my home, this town camp my father made.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch2\u003eART CENTRE\u003c\/h2\u003e\n\u003cp\u003eYarrenyty Arltere Artists is about family and community. Is it about celebrating the innovation, creativity and diversity of Yarrenyty Arltere Town Camp artists. It is about having a localised art program that is open to all Yarrenyty Arltere Town Camp community members.\u003c\/p\u003e\n\u003cp\u003eIt is about creating a safe and non judgemental environment in which people can work, access services, plan for the future. It is about working together to create a successful and healthy enterprise. An enterprise that is strong because of the people that work there, that is strong because of the social, emotional and cultural capital that is shared daily.  \u003c\/p\u003e\n\u003cp\u003eThis vibrant dynamic art centre located in the heart of Alice Springs in the Larapinta Valley Town Camp is all about the people that work there daily, their families, their community, their culture. It is about a great future in which the Yarrenyty Arltere Artists are directing for themselves! \u003c\/p\u003e","brand":"Marlene Rubuntja","offers":[{"title":"Default Title","offer_id":46427086323955,"sku":null,"price":1410.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/2513\/2531\/files\/20241114_untitled_untitled-shoot_262.jpg?v=1731910022"},{"product_id":"buku-larrnggay-spc-mulka-spc-centre-col1-12850-col2-5817-22-47-slash-50-col3-bulthirrirri-spc-wunumurra-col4-waupini-spc-framed","title":"Waŋupini","description":"\u003cp\u003eWaŋupini (clouds) is the same story as my father taught me about the sunset. The sun is going down. The sunset on the clouds is like the red sails of the Makassan's ships leaving at the end of the season. We cry because the Makassans are leaving.\u003c\/p\u003e\n\u003cp\u003eThe mokuy (spirit) is dancing and leaving - the body is dead and the sprit is going to Balambala.  This is Yirritja bäpurru (ceremony), the same as my Grandfather, Yaŋgarriny - this is his manikay (song):\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe sun will rise again. \u003c\/em\u003e\u003cem\u003eThe Makassans will come back. And the spirit will return. My father, who passed away, taught me this story. He taught me how to paint the story of Waŋupini.\u003c\/em\u003e\u003c\/p\u003e\n\u003ch2\u003eDETAILS\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eFramed print\u003c\/li\u003e\n\u003cli\u003e91cm x 71cm (framed size)\u003c\/li\u003e\n\u003cli\u003eCat No. 5817-22-47\/50\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eARTIST\u003c\/h2\u003e\n\u003cp\u003eBulthirrirri (b. 1981) is an emerging artist and the daughter (by Yolngu law) of great painter and sculpter Nawurapu Wunuŋmurra (dec). Under the guidance of her father (recently deceased) Bulthirrirri is following and maintaining her families rich artistic heritage through her own hand. Bulthirrirri is also the granddaughter of Yaŋgarriny, great Dhaḻwaŋu clan artist and leader who was a painter of the Yirrkala Church Panels and winner of the best bark prize in the Telstra National Aboriginal and Torres Strait islander art awards in 1997. Balthirrirri has assisted other artists at the Dhaḻwaŋu homeland of Gåṉgaṉ and began making artworks on her own in late 2007. Since then she has explored numerous innovative styles of her own devise. In 208-9 she was elected to the management committee of the art centre. Following the death of her father Nawurapu she assumed responsibility for the creation of art in his themes.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch2\u003eART CENTRE\u003c\/h2\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBuku-Larrŋgay Mulka Centre is the Indigenous community controlled art centre of Northeast Arnhem Land. Located in Yirrkala, a small Aboriginal community on the northeastern tip of the Top End of the Northern Territory, approximately 700km east of Darwin. The primarily Yolŋu (Aboriginal) staff of around twenty services Yirrkala and the approximately twenty-five homeland centres in the radius of 200km.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn the 1960’s, Narritjin Maymuru set up his own beachfront gallery from which he sold art that now graces many major museums and private collections. He is counted among the art centre’s main inspirations and founders, and his picture hangs in the museum. His vision of Yolŋu-owned business to sell Yolŋu art that started with a shelter on a beach has now grown into a thriving business that exhibits and sells globally.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eToday Buku-Larrŋgay Mulka Centre consists of two divisions; the Yirrkala Art Centre which represents Yolŋu artists exhibiting and selling contemporary art and The Mulka Project which acts as a digital production studio and archiving centre incorporating the museum.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Bulthirrirri Wunuŋmurra","offers":[{"title":"Default Title","offer_id":46455250813171,"sku":"BUKU-5817-22-47\/50","price":990.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/2513\/2531\/files\/DSF7926_CycloneFramed_bc6ddea8-520e-4a37-866a-838edcc85309.png?v=1733717329"},{"product_id":"buku-larrnggay-spc-mulka-spc-centre-col1-12850-col2-9175-22-20-slash-50-col3-bulthirrirri-spc-wunumurra-col4-waupini-spc-framed","title":"Waŋupini","description":"\u003cp\u003eWaŋupini (clouds) is the same story as my father taught me about the sunset. The sun is going down. The sunset on the clouds is like the red sails of the Makassan's ships leaving at the end of the season. We cry because the Makassans are leaving. The mokuy (spirit) is dancing and leaving - the body is dead and the sprit is going to Balambala.\u003c\/p\u003e\n\u003cp\u003eThis is Yirritja bäpurru (ceremony), the same as my Grandfather, Yaŋgarriny - this is his manikay (song): \u003cem\u003eThe sun will rise again. The Makassans will come back. And the spirit will return. My father, who passed away, taught me this story. He taught me how to paint the story of Waŋupini.\u003c\/em\u003e\u003c\/p\u003e\n\u003ch2\u003eDETAILS\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003ePaper: Hahnemuhle\u003c\/li\u003e\n\u003cli\u003eFramed by Don Whyte\u003c\/li\u003e\n\u003cli\u003e75cm x 57.5cm (framed) \u003c\/li\u003e\n\u003cli\u003eCat No. 9175-22-20\/50\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch2\u003eARTIST\u003c\/h2\u003e\n\u003cp\u003eBulthirrirri (b. 1981) is an emerging artist and the daughter (by Yolngu law) of great painter and sculpter Nawurapu Wunuŋmurra (dec). Under the guidance of her father (recently deceased) Bulthirrirri is following and maintaining her families rich artistic heritage through her own hand.\u003c\/p\u003e\n\u003cp\u003eBulthirrirri is also the granddaughter of Yaŋgarriny, great Dhaḻwaŋu clan artist and leader who was a painter of the Yirrkala Church Panels and winner of the best bark prize in the Telstra National Aboriginal and Torres Strait islander art awards in 1997. Balthirrirri has assisted other artists at the Dhaḻwaŋu homeland of Gåṉgaṉ and began making artworks on her own in late 2007. Since then she has explored numerous innovative styles of her own devise. In 2008-9 she was elected to the management committee of the art centre. Following the death of her father Nawurapu she assumed responsibility for the creation of art in his themes.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch2\u003eART CENTRE\u003c\/h2\u003e\n\u003cp\u003eBuku-Larrŋgay Mulka Centre is the Indigenous community controlled art centre of Northeast Arnhem Land. Located in Yirrkala, a small Aboriginal community on the northeastern tip of the Top End of the Northern Territory, approximately 700km east of Darwin. The primarily Yolŋu (Aboriginal) staff of around twenty services Yirrkala and the approximately twenty-five homeland centres in the radius of 200km.\u003c\/p\u003e\n\u003cp\u003eToday Buku-Larrŋgay Mulka Centre now consists of two divisions; the Yirrkala Art Centre which represents Yolŋu artists exhibiting and selling contemporary art and The Mulka Project which acts as a digital production studio and archiving centre incorporating the museum.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Bulthirrirri Wunuŋmurra","offers":[{"title":"Default Title","offer_id":46455250845939,"sku":"BUKU-9175-22-20\/50","price":965.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/2513\/2531\/files\/20241208_untitled_untitledshoot_004.png?v=1733724878"},{"product_id":"maningrida-spc-arts-spc-spc-culture-spc-col1-4130-col2-364-24-col3-kenan-spc-namunjdja-col4-kunkurra-spc-bopen-the-spc-spiralling-spc-wind-bclose","title":"Kunkurra (The Spiralling Wind)","description":"\u003cp\u003eKunkurra' (the spiralling wind) is associated with several sites in the Kardbam clan estate. On one level, this painting can be interpreted as a depiction of the kinds of mini-cyclones common during the wet season in Arnhem Land, where the artist lives.\u003c\/p\u003e\n\u003ch2\u003eDETAILS\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eStringybark (Eucalyptus Tetradonta) with Ochre Pigment and PVA Fixative\u003c\/li\u003e\n\u003cli\u003eDimensions: 130 x 15 x 15cm\u003c\/li\u003e\n\u003cli\u003eCat No. 364-24\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eARTIST\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eManingrida Arts \u0026amp; Culture is a pre-eminent site of contemporary cultural expression and art-making, abundant with highly collectable art and emerging talent. \u003c\/span\u003e\u003cspan\u003eThrough their homelands resource organisation, Bawinanga Aboriginal Corporation, artists turned an art trade that began just over 50 years ago into a multi-million dollar arts and cultural enterprise. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eManingrida Arts \u0026amp; Culture supported hundreds of artists on their homelands, more than 20 artworkers, held 20 exhibitions annually, won prestigious awards, and enjoyed the international fame and success that the boom in the Aboriginal art market of the 1990s and 2000s enabled. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAcclaimed senior artists including John Mawurndjul, brothers Owen Yalandja and Crusoe Kurddal, Bob Burruwal, Lena Yarinkura and Laurie Marbaduk continue to expand their mediums and narratives. Artists such as Paul Nabulumo, Samson Bonson, Anniebelle Marrngamarrnga, Samuel Namundja, Kay Lindjuwanga and Fiona Jin-majinggal have emerged to become a formidable force in the national and international landscape. They sit alongside the leading proponents of a fibre sculpture movement. Frewa Bardaluna, Helen Stewart, Vera Cameron, Lorna Jin-gubarrangunyja, Freda Wayartja Ali, Bonnie Burarn.garra and Doreen Jinggarrabarra are a group of mostly female artists who reinterpret functional forms using natural fibres to create highly sought-after pieces across the fine art and interior design sectors.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eKenan Namunjdja is the eldest son of artists Bulanj (1965-2018) and Deborah Yulidjirri. Trained by his father who was nationally and internationally recognised for his particularly fine rarrk and depiction of the kunkurra (spiralling wind). His grandfather, Peter Marralwanga (1916-1987), was also a much celebrated bark painter and a leader in the 1970’s Outstation movement. Kenan continues this strong legacy, through his exceptionally fine mark-making in depicting the djang of his country, Mankorlod.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch2\u003eART CENTRE\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eManingrida Arts \u0026amp; Culture is a pre-eminent site of contemporary cultural expression and art-making, abundant with highly collectable art and emerging talent. \u003c\/span\u003e\u003cspan\u003eThrough their homelands resource organisation, Bawinanga Aboriginal Corporation, artists turned an art trade that began just over 50 years ago into a multi-million dollar arts and cultural enterprise. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eManingrida Arts \u0026amp; Culture supported hundreds of artists on their homelands, more than 20 artworkers, held 20 exhibitions annually, won prestigious awards, and enjoyed the international fame and success that the boom in the Aboriginal art market of the 1990s and 2000s enabled. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAcclaimed senior artists including John Mawurndjul, brothers Owen Yalandja and Crusoe Kurddal, Bob Burruwal, Lena Yarinkura and Laurie Marbaduk continue to expand their mediums and narratives. Artists such as Paul Nabulumo, Samson Bonson, Anniebelle Marrngamarrnga, Samuel Namundja, Kay Lindjuwanga and Fiona Jin-majinggal have emerged to become a formidable force in the national and international landscape. They sit alongside the leading proponents of a fibre sculpture movement. Frewa Bardaluna, Helen Stewart, Vera Cameron, Lorna Jin-gubarrangunyja, Freda Wayartja Ali, Bonnie Burarn.garra and Doreen Jinggarrabarra are a group of mostly female artists who reinterpret functional forms using natural fibres to create highly sought-after pieces across the fine art and interior design sectors.\u003c\/span\u003e\u003c\/p\u003e","brand":"Kenan Namunjdja","offers":[{"title":"Default Title","offer_id":46455251435763,"sku":"MAN-364-24","price":1515.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/2513\/2531\/files\/20241114_untitled_untitledshoot_150.png?v=1733721658"},{"product_id":"maningrida-spc-arts-spc-spc-culture-spc-col1-4130-col2-1429-24-col3-kenan-spc-namunjdja-spc-col4-kunkurra-spc-bopen-the-spc-spiralling-spc-wind-bclose","title":"Kunkurra (The Spiralling Wind)","description":"\u003cp\u003eKunkurra' (the spiralling wind) is associated with several sites in the Kardbam clan estate. On one level, this painting can be interpreted as a depiction of the kinds of mini-cyclones common during the wet season in Arnhem Land, where the artist lives.\u003c\/p\u003e\n\u003ch2\u003eDETAILS\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eStringybark (Eucalyptus Tetradonta) with Ochre Pigment and PVA Fixative\u003c\/li\u003e\n\u003cli\u003eDimensions: 100 x 33cm\u003c\/li\u003e\n\u003cli\u003eCat No. 1429-24\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch2\u003eARTIST\u003c\/h2\u003e\n\u003cp\u003eKenan Namunjdja is the eldest son of artists Bulanj (1965-2018) and Deborah Yulidjirri. Trained by his father who was nationally and internationally recognised for his particularly fine rarrk and depiction of the kunkurra (spiralling wind). His grandfather, Peter Marralwanga (1916-1987), was also a much celebrated bark painter and a leader in the 1970’s Outstation movement. Kenan continues this strong legacy, through his exceptionally fine mark-making in depicting the djang of his country, Mankorlod.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch2\u003eART CENTRE\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eManingrida Arts \u0026amp; Culture is a pre-eminent site of contemporary cultural expression and art-making, abundant with highly collectable art and emerging talent. \u003c\/span\u003e\u003cspan\u003eThrough their homelands resource organisation, Bawinanga Aboriginal Corporation, artists turned an art trade that began just over 50 years ago into a multi-million dollar arts and cultural enterprise. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eManingrida Arts \u0026amp; Culture supported hundreds of artists on their homelands, more than 20 artworkers, held 20 exhibitions annually, won prestigious awards, and enjoyed the international fame and success that the boom in the Aboriginal art market of the 1990s and 2000s enabled. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAcclaimed senior artists including John Mawurndjul, brothers Owen Yalandja and Crusoe Kurddal, Bob Burruwal, Lena Yarinkura and Laurie Marbaduk continue to expand their mediums and narratives. Artists such as Paul Nabulumo, Samson Bonson, Anniebelle Marrngamarrnga, Samuel Namundja, Kay Lindjuwanga and Fiona Jin-majinggal have emerged to become a formidable force in the national and international landscape. They sit alongside the leading proponents of a fibre sculpture movement. Frewa Bardaluna, Helen Stewart, Vera Cameron, Lorna Jin-gubarrangunyja, Freda Wayartja Ali, Bonnie Burarn.garra and Doreen Jinggarrabarra are a group of mostly female artists who reinterpret functional forms using natural fibres to create highly sought-after pieces across the fine art and interior design sectors.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Kenan Namunjdja","offers":[{"title":"Default Title","offer_id":46455251501299,"sku":"MAN-1429-24","price":1875.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/2513\/2531\/files\/20241114_untitled_untitledshoot_142.png?v=1733725621"},{"product_id":"maningrida-spc-arts-spc-spc-culture-spc-col1-4130-col2-1431-24-col3-kenan-spc-namunjdja-spc-col4-kunkurra-spc-bopen-the-spc-spiralling-spc-wind-bclose","title":"Kunkurra (The Spiralling Wind)","description":"\u003cp\u003eKunkurra' (the spiralling wind) is associated with several sites in the Kardbam clan estate. On one level, this painting can be interpreted as a depiction of the kinds of mini-cyclones common during the wet season in Arnhem Land, where the artist lives. \u003c\/p\u003e\n\u003ch2\u003eDETAILS\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eStringybark (Eucalyptus Tetradonta) with Ochre Pigment and PVA Fixative\u003c\/li\u003e\n\u003cli\u003eDimensions: 88 x 38cm\u003c\/li\u003e\n\u003cli\u003eCat No. 1431-24\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch2\u003eARTIST\u003c\/h2\u003e\n\u003cp\u003eKenan Namunjdja is the eldest son of artists Bulanj (1965-2018) and Deborah Yulidjirri. Trained by his father who was nationally and internationally recognised for his particularly fine rarrk and depiction of the kunkurra (spiralling wind). His grandfather, Peter Marralwanga (1916-1987), was also a much celebrated bark painter and a leader in the 1970’s Outstation movement. Kenan continues this strong legacy, through his exceptionally fine mark-making in depicting the djang of his country, Mankorlod.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch2\u003eART CENTRE\u003c\/h2\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eManingrida Arts \u0026amp; Culture is a pre-eminent site of contemporary cultural expression and art-making, abundant with highly collectable art and emerging talent. \u003c\/span\u003e\u003cspan\u003eThrough their homelands resource organisation, Bawinanga Aboriginal Corporation, artists turned an art trade that began just over 50 years ago into a multi-million dollar arts and cultural enterprise. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eManingrida Arts \u0026amp; Culture supported hundreds of artists on their homelands, more than 20 artworkers, held 20 exhibitions annually, won prestigious awards, and enjoyed the international fame and success that the boom in the Aboriginal art market of the 1990s and 2000s enabled. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAcclaimed senior artists including John Mawurndjul, brothers Owen Yalandja and Crusoe Kurddal, Bob Burruwal, Lena Yarinkura and Laurie Marbaduk continue to expand their mediums and narratives. Artists such as Paul Nabulumo, Samson Bonson, Anniebelle Marrngamarrnga, Samuel Namundja, Kay Lindjuwanga and Fiona Jin-majinggal have emerged to become a formidable force in the national and international landscape. They sit alongside the leading proponents of a fibre sculpture movement. Frewa Bardaluna, Helen Stewart, Vera Cameron, Lorna Jin-gubarrangunyja, Freda Wayartja Ali, Bonnie Burarn.garra and Doreen Jinggarrabarra are a group of mostly female artists who reinterpret functional forms using natural fibres to create highly sought-after pieces across the fine art and interior design sectors.\u003c\/span\u003e\u003c\/p\u003e","brand":"Kenan Namunjdja","offers":[{"title":"Default Title","offer_id":46455253401843,"sku":"MAN-1431-24","price":1875.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/2513\/2531\/files\/20241114_untitled_untitledshoot_140.png?v=1733725336"},{"product_id":"mowanjum-spc-arts-col1-2790-col2-23-0095-10-slash-30-col3-gordon-spc-barunga-col4-wandjina-spc-spc-ungud-spc-bopen-cloud-spc-and-spc-rain-spc-spirits-spc-totem-bclose-spc-framed","title":"Wandjina \u0026 Ungud","description":"\u003cp\u003eThe Wandjina is the creator spirit that belongs to us (the Wororra, Ngarinyin and Wunumbul people). He is the one that created everything, he also gave us our culture, law and songs and even the dreaming of each child before they are born.\u003c\/p\u003e\n\u003cp\u003eThe Ungud Snake was the chosen animal in helping with the creation of mother earth, creating rivers, gorges, stream's and helped with the formation of the earth. Still today it lives in these dark deep water hole's in our country which doesn't want to be disturbed.\u003c\/p\u003e\n\u003ch2\u003eDETAILS\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eEtching, framed by Don Whyte \u003c\/li\u003e\n\u003cli\u003eDimensions: 50 x 32cm (unframed), 74.5cm x 54.4cm (framed)\u003c\/li\u003e\n\u003cli\u003eCat No. 23-0095-10\/30\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch2\u003eARTIST\u003c\/h2\u003e\n\u003cp\u003eGordon Barunga is a senior cultural advisor and the last remaining Woddorddaa man painting the Wandjina. He was born in Derby in 1961, and grew up at Mowanjum Community, 10kms south of Derby in the West Kimberley of Western Australia. He is the youngest son of well-known and very respected Kimberley leader Albert Barunga [dec] and painter Pudja Barunga [dec].\u003c\/p\u003e\n\u003cp\u003eGordon has worked at a number of Kimberley stations, including Pantijan, and Christmas Creek, and worked at One Arm Point, before starting to paint. Gordon’s mother was from the Wunumbul people, and he was very close to her, being the youngest boy. His father passed away when he was young, so Pudja raised him. His strong connection to his parent’s countries is reflected in his painting.\u003c\/p\u003e\n\u003cp\u003eGordon paints the sites he visited as a child, and the stories he was told as a young boy. He loves to paint Pantijan country, as he lived there for some time, and it was special to his mother. Gordon remembers the old people painting on boards and bark, and telling the children all of the Wandjina stories. This was very important as the Worrorra had been moved off their traditional lands in the 1950s and located at two separate sites prior to sellling at Mowanjum.\u003c\/p\u003e\n\u003cp\u003eGordon primarily paints with acrylic but also uses ochre. His work is typified by fine brushstrokes, indicating the rain falling as a result of the power of the Wandjina, and is equally sensitive and strong, reflecting the deep beliefs inherited from his family.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch2\u003eART CENTRE\u003c\/h2\u003e\n\u003cp\u003eThe Mowanjum Aboriginal Art and Culture Centre is a creative hub for the Worrorra, Ngarinyin and Wunumbal tribes, who make up the Mowanjum community outside Derby, Western Australia. These three language groups are united by their belief in the Wandjina as a sacred spiritual force and the creators of the land. They are the custodians of Wandjina law and iconography. The centre hosts exhibitions, workshops and community projects, as well as the annual Mowanjum Festival, one of Australia's longest running indigenous cultural festivals.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Gordon Barunga","offers":[{"title":"Default Title","offer_id":46455254614259,"sku":"MOW-23-0095-10\/30","price":1155.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/2513\/2531\/files\/DSF7917_CycloneFramed.png?v=1733713103"},{"product_id":"mowanjum-spc-arts-col1-2790-col2-24-0212-25-slash-50-col3-petrina-spc-bedford-col4-wandjina-spc-bopen-cloud-spc-and-spc-rain-spc-spirits-bclose-spc-framed","title":"Wandjina (Cloud \u0026 Rain Spirit)","description":"\u003cp\u003eThe Wandjina spirits are highly respected by the Worrora, Ngarinyin and Wanumbul people who live at Mowanjum and up the Gibb River Road to Kalumburru in the Northwest Kimberley of Australia.\u003c\/p\u003e\n\u003cp\u003eThe Wandjina gave the law and the culture to the people to abide by, these customs are still carried on today. The Ungud helped the Wandjina in creation of the land, creating rivers, lakes, gorges, waterholes \u0026amp; billabongs. The Wali are our food source that our ancestors have hunted for thousands of years.\u003c\/p\u003e\n\u003ch2\u003eDETAILS\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eEtching, framed by Don Whyte\u003c\/li\u003e\n\u003cli\u003e74.5cm x 54.5cm (framed size)\u003c\/li\u003e\n\u003cli\u003eCat No. 24-0212-25\/50\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch2\u003eARTIST\u003c\/h2\u003e\n\u003cp\u003eAs well as having two major Kimberley painters (now deceased) as grandparents – Nyunkuny Paddy Bedford on her father’s side and Jack Dale Mengenen on her mother’s - Petrina has established herself as a dedicated artist in her own right. \u003c\/p\u003e\n\u003cp\u003e The oldest of seven girls, Petrina has Gija affiliations on her father’s side and Ngarinyin on her mother’s and lives at Imintji community, 230 km east of Derby along the Gibb River Road. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003ePetrina first exhibited paintings at a commercial gallery in Perth at age twelve, when three of her canvases were hung alongside the work of her maternal grandfather, who she was exceptionally close to. Petrina uses her own style when painting, but the subjects she turns to are similar to her grandfather’s; Wandjina and classical stories relevant to her family.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eText from, 'Mowanjum Daytrip,' August 2015, by Philippa Jahn, Desert River Sea, Art Gallery of WA\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch2\u003eART CENTRE\u003c\/h2\u003e\n\u003cp\u003eThe Mowanjum Aboriginal Art and Culture Centre is a creative hub for the Worrorra, Ngarinyin and Wunumbal tribes, who make up the Mowanjum community outside Derby, Western Australia. These three language groups are united by their belief in the Wandjina as a sacred spiritual force and the creators of the land. They are the custodians of Wandjina law and iconography. The centre hosts exhibitions, workshops and community projects, as well as the annual Mowanjum Festival, one of Australia's longest running indigenous cultural festivals.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Petrina Bedford","offers":[{"title":"Default Title","offer_id":46455255498995,"sku":"MOW-24-0212-25\/50","price":1715.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/2513\/2531\/files\/DSF7914_CycloneFramed.png?v=1733713068"},{"product_id":"tangentyere-spc-artists-col1-6470-col2-13507-24-col3-grace-spc-kemarre-spc-robinya-col4-big-spc-rain-spc-coming-spc-framed","title":"Big Rain Coming","description":"\u003cp\u003eBig rain coming. All the pink galahs in the tree. Stopping to get out of the rain. Dogs on the hill looking at the rain coming.\u003c\/p\u003e\n\u003ch2\u003eDETAILS\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003ePainting on paper, framed by Don Whyte\u003c\/li\u003e\n\u003cli\u003eDimensions: 25.5cm x 33.7cm (unframed), \u003cmeta charset=\"utf-8\"\u003e44cm x 36.5cm (framed)\u003c\/li\u003e\n\u003cli\u003eCat No. 13507-24\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch2\u003eARTIST\u003c\/h2\u003e\n\u003cp\u003eGrace Kemarre Robinya is a celebrated artists from Tangentyere Artists, based in Mparntwe\/Alice Springs. Robinya was born and raised in Ntaria (Hermannsburg), her father was a Rubuntja from Mt Hay (Urre), and her mother was an Ungkwanaka from Running Water (Irremangkere). \u003c\/p\u003e\n\u003cp\u003eAn artist and seed jeweller of many years standing, Robinya hot-wires and paints traditional patterns onto gum nuts, which she threads together with the Innernte (Batwing Coral) and other seeds she collects during winter. Robinya’s paintings have always been highly considered and labour intensive, and generally distinguished by very neat multi-layered dot work, balanced colour schemes and symmetrical compositions.\u003c\/p\u003e\n\u003cp\u003eMore recently, Robinya’s figurative paintings, often near miniatures, detail important locations and events in her life: her childhood at Hermannsburg Mission and surrounding Ntaria region, or visits to her beloved Irremangkere. 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Irrkerlanyte Arts and Ngurratjuta Iltja Ntjarra were servicing a limited number of Town Camp families. Tangentyere Artists was established with the express aims of combatting the prevalence of carpetbaggers, providing professional and career development opportunities to artists and operating an industry best practice enterprise. \u003c\/p\u003e\n\u003cp\u003eToday, Tangentyere Artists is the central hub for arts activities across the Town Camps. This includes the internationally renowned Yarrenyty Arltere Artists, located at Larapinta Town Camp. We work to a studio, gallery and outreach program, supporting emerging and established artists. Tangentyere Artists also welcome Aboriginal artists visiting town from remote communities, offering an open and safe environment where people from across Central Australia can sit down together to create artworks and share artistic skills as well as stories.\u003c\/p\u003e\n\u003cp\u003eTangentyere Artists is committed to innovative, sustainable, fine art outcomes for Town Camp Artists. We are renowned for figurative paintings, diversity of mark making, rich colour palettes and embracing traditional and contemporary Aboriginal art making. Our practice includes short animations. Through their art, Town Camp artists communicate stories about their families, identity and everyday lives. Their contemporary art practice aims to show the everyday experience of Aboriginal people in Central Australia and through this work Tangentyere Artists have become part of the national conversation on reconciliation. \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Grace Kemarre Robinya","offers":[{"title":"Default Title","offer_id":46455255892211,"sku":"TANG-13507-24","price":540.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/2513\/2531\/files\/DSF7936_CycloneFramed.png?v=1733724444"},{"product_id":"tangentyere-spc-artists-col1-6470-col2-13508-24-col3-grace-spc-kemarre-spc-robinya-col4-rain-spc-time","title":"Rain time","description":"\u003cp\u003e\u003cem\u003eAll the birds flying and enjoying the water after the big rain. Cloudy day.\u003c\/em\u003e\u003c\/p\u003e\n\u003ch2\u003eDETAILS\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003ePainting on paper, framed by Don Whyte\u003c\/li\u003e\n\u003cli\u003e44cm x 36.5cm (framed)\u003c\/li\u003e\n\u003cli\u003eCat No. 13508-24\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eARTIST\u003c\/h2\u003e\n\u003cp\u003eGrace Kemarre Robinya is a celebrated artists from Tangentyere Artists, based in Mparntwe\/Alice Springs. Robinya was born and raised in Ntaria (Hermannsburg), her father was a Rubuntja from Mt Hay (Urre), and her mother was an Ungkwanaka from Running Water (Irremangkere). \u003c\/p\u003e\n\u003cp\u003eAn artist and seed jeweller of many years standing, Robinya hot-wires and paints traditional patterns onto gum nuts, which she threads together with the Innernte (Batwing Coral) and other seeds she collects during winter. Robinya’s paintings have always been highly considered and labour intensive, and generally distinguished by very neat multi-layered dot work, balanced colour schemes and symmetrical compositions.\u003c\/p\u003e\n\u003cp\u003eMore recently, Robinya’s figurative paintings, often near miniatures, detail important locations and events in her life: her childhood at Hermannsburg Mission and surrounding Ntaria region, or visits to her beloved Irremangkere. She also records details of station life at Coniston and Napperby Stations, where she and her husband worked as a domestic, and ringer respectively, while raising their family.\u003c\/p\u003e\n\u003cp\u003eA frequent return visitor to Laramba Aboriginal Community now established on Napperby Station, Robinya also documents exciting football and softball carnivals in which her grandsons and granddaughters feature, playing for the winning Anmatyerr teams. These and other works detail life in the remote Aboriginal communities in which Robinya has lived throughout her life. \u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch2\u003eART CENTRE\u003c\/h2\u003e\n\u003cp\u003eEstablished in 2005, Tangentyere Artists is an Aboriginal owned, not-for-profit enterprise for Town Camp Artists. When Tangentyere Artists began, Jukurrpa Artists, Warumpi and Sandover Arts (all art centres previously operating in Alice Springs) had closed. 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Their contemporary art practice aims to show the everyday experience of Aboriginal people in Central Australia and through this work Tangentyere Artists have become part of the national conversation on reconciliation. \u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Grace Kemarre Robinya","offers":[{"title":"Default Title","offer_id":46455255990515,"sku":"TANG-13508-24","price":540.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/2513\/2531\/files\/DSF7938_CycloneFramed.png?v=1733724405"},{"product_id":"maningrida-spc-arts-spc-spc-culture-col1-4190-col2-1212-24-col3-christophina-spc-nanguwerr-spc-col4-mimih","title":"Mimih","description":"\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch2\u003eDETAILS\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eKurrajong (Brachychiton Diversifolius) with Ochre Pigment and PVA\u003c\/li\u003e\n\u003cli\u003eDimensions: 78 x 3 x 3cm\u003c\/li\u003e\n\u003cli\u003eCat No. 1212-24\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch2\u003eARTIST\u003c\/h2\u003e\n\u003cp\u003eChristophina Nanguwerr is an artist at Maningrida Arts and Culture. \u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch2\u003eART CENTRE\u003c\/h2\u003e\n\u003cp\u003eManingrida Arts \u0026amp; Culture is a pre-eminent site of contemporary cultural expression and art-making, abundant with highly collectable art and emerging talent. Through their homelands resource organisation, Bawinanga Aboriginal Corporation, artists turned an art trade that began just over 50 years ago into a multi-million dollar arts and cultural enterprise.\u003c\/p\u003e\n\u003cp\u003eManingrida Arts \u0026amp; Culture supported hundreds of artists on their homelands, more than 20 artworkers, held 20 exhibitions annually, won prestigious awards, and enjoyed the international fame and success that the boom in the Aboriginal art market of the 1990s and 2000s enabled. Acclaimed senior artists including John Mawurndjul, brothers Owen Yalandja and Crusoe Kurddal, Bob Burruwal, Lena Yarinkura and Laurie Marbaduk continue to expand their mediums and narratives.\u003c\/p\u003e\n\u003cp\u003eArtists such as Paul Nabulumo, Samson Bonson, Anniebelle Marrngamarrnga, Samuel Namundja, Kay Lindjuwanga and Fiona Jin-majinggal have emerged to become a formidable force in the national and international landscape. They sit alongside the leading proponents of a fibre sculpture movement. Frewa Bardaluna, Helen Stewart, Vera Cameron, Lorna Jin-gubarrangunyja, Freda Wayartja Ali, Bonnie Burarn.garra and Doreen Jinggarrabarra are a group of mostly female artists who reinterpret functional forms using natural fibres to create highly sought-after pieces across the fine art and interior design sectors.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Christophina Nanguwerr","offers":[{"title":"Default Title","offer_id":46458361118963,"sku":"MAN-\n1212-24","price":340.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/2513\/2531\/files\/20241114_untitled_untitled-shoot_131.jpg?v=1732863311"},{"product_id":"maningrida-spc-arts-spc-spc-culture-col1-4190-col2-2419-22-col3-zipporah-spc-nanguwerr-col4-wak-spc-wak","title":"Wak Wak","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\"Kunkurra', the spiralling wind is associated with several sites in the Kardbam clan estate. On one level, this painting can be interpreted as a depiction of the kinds of mini-cyclones common during the wet season in Arnhem Land, where the artist lives.\u003c\/p\u003e\n\u003ch2\u003eDETAILS\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eStringybark (Eucalyptus Tetradonta) with Ochre Pigment and PVA Fixative\u003c\/li\u003e\n\u003cli\u003eDimensions: 86 x 16 x 16cm\u003c\/li\u003e\n\u003cli\u003eCat No. 2419-22\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch2\u003eARTIST\u003c\/h2\u003e\n\u003cp\u003eZipporah is the young daughter of artists and educators Charlie Nanguwerr and Margot Gurawiliwili. She painting the same rarrk in the iconic and striking white, yellow and red palette, same as her father and siblings.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch2\u003eART CENTRE\u003c\/h2\u003e\n\u003cp\u003eManingrida Arts \u0026amp; Culture is a pre-eminent site of contemporary cultural expression and art-making, abundant with highly collectable art and emerging talent. 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Through their homelands resource organisation, Bawinanga Aboriginal Corporation, artists turned an art trade that began just over 50 years ago into a multi-million dollar arts and cultural enterprise.\u003c\/p\u003e\n\u003cp\u003eManingrida Arts \u0026amp; Culture supported hundreds of artists on their homelands, more than 20 artworkers, held 20 exhibitions annually, won prestigious awards, and enjoyed the international fame and success that the boom in the Aboriginal art market of the 1990s and 2000s enabled.\u003c\/p\u003e","brand":"Marshella Nanguwerr","offers":[{"title":"Default Title","offer_id":46458361381107,"sku":"MAN-1188-24","price":315.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/2513\/2531\/files\/20241114_untitled_untitled-shoot_129_8270012b-ea6b-4520-94df-56deff9b438e.jpg?v=1732865220"},{"product_id":"maningrida-spc-arts-spc-spc-culture-col1-4190-col2-711-24-col3-obed-spc-namirrkki-spc-col4-wak-spc-wak","title":"Wak Wak","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\"Kunkurra', the spiralling wind is associated with several sites in the Kardbam clan estate. On one level, this painting can be interpreted as a depiction of the kinds of mini-cyclones common during the wet season in Arnhem Land, where the artist lives.\u003c\/p\u003e\n\u003ch2\u003eDETAILS\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eStringybark (Eucalyptus Tetradonta) with Ochre Pigment and PVA Fixative\u003c\/li\u003e\n\u003cli\u003eDimensions: 97 x 27cm\u003c\/li\u003e\n\u003cli\u003eCat No. 711-24\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch2\u003eARTIST\u003c\/h2\u003e\n\u003cp\u003eObed is an emerging artist at Maningrida Arts and Culture. He has learnt to paint under the tutelage of his father, the acclaimed senior artist Ivan Namirrkki. In 2023 he was runner up in the National Emerging Artist Prize, with his bark painting Wak Wak, 2023. In 2024 Obed entered the Telstra National Aboriginal and Torres Strait Islander Art Awards (NATSIAA) for the first time for his Lorrkkon, Kunkurra. He was a finaliast and took home the Wandjuk Marika Memorial 3D Sculpture Award for the Lorrkkon.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch2\u003eART CENTRE\u003c\/h2\u003e\n\u003cp\u003eManingrida Arts \u0026amp; Culture is a pre-eminent site of contemporary cultural expression and art-making, abundant with highly collectable art and emerging talent. 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On one level, this painting can be interpreted as a depiction of the kinds of mini-cyclones common during the wet season in Arnhem Land, where the artist lives.\u003c\/p\u003e\n\u003ch2\u003eDETAILS\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eStringybark (Eucalyptus Tetradonta) with Ochre Pigment and PVA Fixative\u003c\/li\u003e\n\u003cli\u003eDimensions: 90 x 40cm\u003c\/li\u003e\n\u003cli\u003eCat No. 1491-24\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch2\u003eARTIST\u003c\/h2\u003e\n\u003cp\u003eObed is an emerging artist at Maningrida Arts and Culture. He has learnt to paint under the tutelage of his father, the acclaimed senior artist Ivan Namirrkki. In 2023 he was runner up in the National Emerging Artist Prize, with his bark painting Wak Wak, 2023. In 2024 Obed entered the Telstra National Aboriginal and Torres Strait Islander Art Awards (NATSIAA) for the first time for his Lorrkkon, Kunkurra. He was a finaliast and took home the Wandjuk Marika Memorial 3D Sculpture Award for the Lorrkkon.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch2\u003eART CENTRE\u003c\/h2\u003e\n\u003cp\u003eManingrida Arts \u0026amp; Culture is a pre-eminent site of contemporary cultural expression and art-making, abundant with highly collectable art and emerging talent. 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Sometimes compared to the European notion of mermaids, they exist as spiritual beings living in freshwater streams, particularly those in the stone country.\u003c\/p\u003e\n\u003cp\u003eThese water spirits are perhaps the most enigmatic, and are usually described and depicted with the tails of fish. Thus the Kuninjku people sometime call them ngalberddjenj which literally means 'the woman who has a tail like a fish'. They have long hair which is associated with trailing blooms of green algae (man-bak in Kuninjku) found in freshwater streams and rock pools. A\u003c\/p\u003e\n\u003cp\u003et times they leave their aquatic homes to walk about on dry land, particularly at night. Aboriginal people believe that at one time all animals were humans. During\u003c\/p\u003e\n\u003ch2\u003eDETAILS\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eStringybark (Eucalyptus Tetradonta) with Ochre Pigment and PVA Fixative\u003c\/li\u003e\n\u003cli\u003eDimensions: 108 x 22cm\u003c\/li\u003e\n\u003cli\u003eCat No. 809-24\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch2\u003eARTIST\u003c\/h2\u003e\n\u003cp\u003e\u003cem\u003e“We have been all around the world to exhibitions. I am the voice of this artists group and a strong man; a proud traditional owner who is happy to inform my peoples of our future in telling stories around the world. We are thinking about our history, always thinking as we are creating and learning, and my family put their stories on some bark and some rocks here in this country. For my kids and grandkids to learn and teach their kids and grandkids, I think this is really wonderful. This is really important to me and the people of this community, so that this story can keep me strong story, one that is passed on for future generations.” – Ivan Namirrkki.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eKuninjku artist Ivan Namirrkki was born in 1961. Namirrkki was taught to paint by his father Peter Marralwanga (1917–1987) – a renowned bark painter and political proponent of the maintenance of ‘country’.\u003c\/p\u003e\n\u003cp\u003eCommon themes in his work include the ngalyod (rainbow serpent), birmlu and djarlahdjarlah (barramundi), kalawan (goanna), komorlo (little egret), komrdawh (freshwater turtle), nadjinem (black wallarroo), nakidikidi (a harmful and nasty spirit), namorrorddo (a profane spirit), nayuhyungki bininj (ancient people), ngaldjalarrk (snake), ngalyod (rainbow serpent), ngurrurdu (emu), and yawkyawk (a female water spirit). He is also known for painting leech djang located at Yibalaydjyigod and maggot djang located at Yirolk.\u003c\/p\u003e\n\u003cp\u003eNamirrkki began exhibiting his work in the early nineteen eighties and has been presented in numerous group and solo shows over the years, both in Australia and overseas. In 2006 he was a finalist in the National Gallery of Victoria’s Clemenger Contemporary Art Prize. Namarrkki’s art can be found in many collections including that of the Art Gallery of New South Wales, National Gallery of Victoria and the Art Gallery of South Australia.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch2\u003eART CENTRE\u003c\/h2\u003e\n\u003cp\u003eManingrida Arts \u0026amp; Culture is a pre-eminent site of contemporary cultural expression and art-making, abundant with highly collectable art and emerging talent. 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Bonson is known for the refined carvings and the minute nature of his pointillist decoration on the main body of his mimih carvings. This quality sees his work in high demand. Bonson’s work has been selected for the 25th, 26th and 29th National Aboriginal and Torres Strait Islander Awards. \u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch2\u003eART CENTRE\u003c\/h2\u003e\n\u003cp\u003eManingrida Arts \u0026amp; Culture is a pre-eminent site of contemporary cultural expression and art-making, abundant with highly collectable art and emerging talent. 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The spirit Yawkyawk is usually described and depicted with the tail of a fish. Thus the Kuninjku people sometimes call them ngalberddjenj which literally means 'the young woman who has a tail like a fish'. They have long hair, which is associated with trailing blooms of green algae (called man-bak in Kuninjku). At times they leave their aquatic homes to walk about on dry land, particularly at night.\u003c\/em\u003e\u003c\/p\u003e\n\u003ch2\u003eDETAILS\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003ePandanus (Pandanus Spiralis) and Bush Cane (Flagellaria Indica) with Natural Dyes\u003c\/li\u003e\n\u003cli\u003eDimensions: 102 x 32cm\u003c\/li\u003e\n\u003cli\u003eCat No. 16-23\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch2\u003eARTIST\u003c\/h2\u003e\n\u003cp\u003eDorothy Bunibuni is an artist working with Maningrida Arts \u0026amp; Culture. \u003c\/p\u003e\n\u003ch2\u003eART CENTRE\u003c\/h2\u003e\n\u003cp\u003eManingrida Arts \u0026amp; Culture is a pre-eminent site of contemporary cultural expression and art-making, abundant with highly collectable art and emerging talent. 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Edna combines the image of the Bell Gorge Wandjina with that of Djalala (the dotted circles inside the body of the\u003cbr\u003eWandjina).\u003c\/p\u003e\n\u003ch2\u003eDETAILS\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eWoodblock print\u003c\/li\u003e\n\u003cli\u003eDimensions: 76 x 36.5cm\u003c\/li\u003e\n\u003cli\u003eCat No. 23-0042-29\/50\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eARTIST\u003c\/h2\u003e\n\u003cp\u003eAs well as having two major Kimberley painters (now deceased) as grandparents – Nyunkuny Paddy Bedford on her father’s side and Jack Dale Mengenen on her mother’s - Petrina has established herself as a dedicated artist in her own right. \u003c\/p\u003e\n\u003cp\u003e The oldest of seven girls, Petrina has Gija affiliations on her father’s side and Ngarinyin on her mother’s and lives at Imintji community, 230 km east of Derby along the Gibb River Road. \u003c\/p\u003e\n\u003cp\u003ePetrina first exhibited paintings at a commercial gallery in Perth at age twelve, when three of her canvases were hung alongside the work of her maternal grandfather, who she was exceptionally close to. Petrina uses her own style when painting, but the subjects she turns to are similar to her grandfather’s; Wandjina and classical stories relevant to her family.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eText from, 'Mowanjum Daytrip,' August 2015, by Philippa Jahn, Desert River Sea, Art Gallery of WA\u003c\/em\u003e\u003c\/p\u003e\n\u003ch2\u003eART CENTRE\u003c\/h2\u003e\n\u003cp\u003eThe Mowanjum Aboriginal Art and Culture Centre is a creative hub for the Worrorra, Ngarinyin and Wunumbal tribes, who make up the Mowanjum community outside Derby, Western Australia. These three language groups are united by their belief in the Wandjina as a sacred spiritual force and the creators of the land. They are the custodians of Wandjina law and iconography. 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Born in Derby, she was grown-up by elder and lawman Donny Woolagoodja and Mildred Mungulu, both renowned artists.\u003c\/p\u003e\n\u003cp\u003eShontae paints the traditional Wandjina stories learnt in her childhood but fills her work with a youthful boldness and simplicity. In addition to her painting, Shontae works at the Mowanjum Art and Culture Centre, and enjoys educating visitors about her country and Wandjina culture.\u003c\/p\u003e\n\u003ch2\u003eART CENTRE\u003c\/h2\u003e\n\u003cp\u003eThe Mowanjum Aboriginal Art and Culture Centre is a creative hub for the Worrorra, Ngarinyin and Wunumbal tribes, who make up the Mowanjum community outside Derby, Western Australia. These three language groups are united by their belief in the Wandjina as a sacred spiritual force and the creators of the land. They are the custodians of Wandjina law and iconography. 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The skirts we all wear everyday for work are always bright and colourful long skirts, with different design and patterns. We put the skirt designs with our faces through the screenprinting process as an exploration of identity. The design of my yapa skirt looks like it is fruit orange or lemon. The skirt itself is black and white, but for the print I converted these colours to shades of blue . I chose the blue colours for the water that is all around us.\u003c\/em\u003e\u003c\/p\u003e\n\u003ch2\u003eDETAILS\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eScreenprint on BFK Rives\u003c\/li\u003e\n\u003cli\u003eDimensions: Print size: 21 x 27cm Paper size: 34 x 47cm\u003c\/li\u003e\n\u003cli\u003eCat No. 4485-18-17\/20\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch2\u003eARTIST\u003c\/h2\u003e\n\u003cp\u003eBitharr is a senior printmaker and arts worker at Buku Larrnggay as well as an artist. She started working at Buku-Larrnggay Mulka in early 2016 and has since developed her skills as a print maker, through participating in several workshops, both in the Yirrkala studio and abroad. In June 2016 Bitharr participated in Sean Smith's printmaking workshop where she produced her first linocut work.\u003c\/p\u003e\n\u003cp\u003e Other workshops with Sean Smith have included etching techniques and screen prinƟng. In early 2017, Bitharr travelled to Castlemaine to assist in opening the Balnhdhurr – A Lasting Impression exhibition and to conduct its associated public programs. Bitharr is a key representative of the art centre at art fairs and events Australia wide and in 2019 completed an arts worker extension training through ANKAAA (Association of Northern, Kimberley and Arnhem Aboriginal Artists). Bitharr continues to grow her skills and knowledge base across many aspects of Buku Larrnggay's operations.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch2\u003eART CENTRE\u003c\/h2\u003e\n\u003cp\u003eBuku-Larrŋgay Mulka Centre is the Indigenous community controlled art centre of Northeast Arnhem Land. Located in Yirrkala, a small Aboriginal community on the northeastern tip of the Top End of the Northern Territory, approximately 700km east of Darwin. The primarily Yolŋu (Aboriginal) staff of around twenty services Yirrkala and the approximately twenty-five homeland centres in the radius of 200km.\u003c\/p\u003e\n\u003cp\u003eToday Buku-Larrŋgay Mulka Centre now consists of two divisions; the Yirrkala Art Centre which represents Yolŋu artists exhibiting and selling contemporary art and The Mulka Project which acts as a digital production studio and archiving centre incorporating the museum.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Bitharr #2 Maymuru","offers":[{"title":"Default Title","offer_id":46503607173363,"sku":"BUKU-4485-18-17\/20","price":365.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/2513\/2531\/files\/c422b10feaf212a4c70be98924ca1185.jpg?v=1733456004"},{"product_id":"buku-larrnggay-spc-mulka-spc-centre-col1-12950-col2-4486-18-20-slash-20-col3-dhalmula-spc-2-spc-burarrwaa-col4-girri-spc-minytji","title":"Girri Miny'tji","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe project is about identity of Yolngu women and this group of print makers. The skirts we all wear everyday for work are always bright and colourful long skirts, with different design and patterns. We put the skirt designs with our faces through the screenprinting process as an exploration of identity. The design of my yapa skirt looks like it is fruit orange or lemon. The skirt itself is black and white, but for the print I converted these colours to shades of blue . I chose the blue colours for the water that is all around us.\u003c\/em\u003e\u003c\/p\u003e\n\u003ch2\u003eDETAILS\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eScreen Print on Somerset Cream paper\u003c\/li\u003e\n\u003cli\u003eDimensions: image: 21 x 29cm paper: 38 x 47cm\u003c\/li\u003e\n\u003cli\u003eCat No. 4486-18-20\/20\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch2\u003eARTIST\u003c\/h2\u003e\n\u003cp\u003e\u003cem\u003eI was born at Nhulunbuy Hospital. My mother is Natjinga Marika. l live in Yirrkala - Recreation Road. I enjoy learning about printmaking and I have a good knowledge of photographic linocut. I would like to learn more about art. My favourite artist was my grandmother Gaymala Yunupingu, she made lots of prints that were very colourful.'\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eDhalmula's mother is the daughter of Roy Marika also known as the Father of Land Rights. Her mother Dhundhuŋa was one of the daughters of Muŋgurrawuy whose other children include Australians of the Year, Galarrwuy and Mandawuy Yunupingu and famous artists, Gaymala, Gulumbu, Barrupu, Nyapanyapa, Djerrkŋu, Djakaŋu and Dhopiya. Dhalmula is a very slight person who is generally very reserved and shy. As a young girl she engaged with the Print Space through some special projects. From her first print it was obvious that she had a unique hand. She eventually worked as a printmaker between 2014 and 2019. After this she moved with her partner to Gapuwiyak and then returned in 2023 when she won the National Aboriginal and Torres Strait Islander Art Award Emerging artist prize. Since then she has been living at Yirrkala and alternating between working as a printmaker and as an artist\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch2\u003eART CENTRE\u003c\/h2\u003e\n\u003cp\u003eBuku-Larrŋgay Mulka Centre is the Indigenous community controlled art centre of Northeast Arnhem Land. Located in Yirrkala, a small Aboriginal community on the northeastern tip of the Top End of the Northern Territory, approximately 700km east of Darwin. The primarily Yolŋu (Aboriginal) staff of around twenty services Yirrkala and the approximately twenty-five homeland centres in the radius of 200km.\u003c\/p\u003e\n\u003cp\u003eToday Buku-Larrŋgay Mulka Centre now consists of two divisions; the Yirrkala Art Centre which represents Yolŋu artists exhibiting and selling contemporary art and The Mulka Project which acts as a digital production studio and archiving centre incorporating the museum.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Dhalmula #2 Burarrwaŋa","offers":[{"title":"Default Title","offer_id":46503607206131,"sku":"BUKU-4486-18-20\/20","price":365.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/2513\/2531\/files\/ec8fc38bbde74468447382049f5bc8c6.jpg?v=1733456009"},{"product_id":"buku-larrnggay-spc-mulka-spc-centre-col1-12850-col2-284-16-3-slash-ap-col3-gunybi-spc-ganambarr-spc-robert-col4-dhuwa-spc-man","title":"Dhuwa Man","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eThis is an idealised portrait of a Ngaymil man. His identity is the ancestral spring waters of that clan as affected by saltwater tidal surge. Gunybi is from this clan and implied that this was a self portrait to match that of his wife. This work was made as a partner to the 'portrait' of the Madarrpa clan woman. He calls women from this clan 'wife'. He says that the intensity of the beauty\/fire causes men to shield their eyes. And if they are drawn in to close they will be consumed by it. His Dhuwa man reflects the strengths of the Barracuda. \u003c\/p\u003e\n\u003ch2\u003eDETAILS\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eDimensions: 40 x 40cm (image)\u003c\/li\u003e\n\u003cli\u003eCat No. 284-16-3\/AP\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eThis work is the result of a workshop conducted with revered Canadian printmaker Paul Machnik which introduced new techniques and materials to the Yirrkala Printspace in 2013.\u003c\/p\u003e\n\u003ch2\u003eARTIST\u003c\/h2\u003e\n\u003cp\u003eGunybi has mainly lived and worked as an artist at Gaṉgaṉ, sometimes based at Dhuruputjpi or Yilpara. His mother Mäpuŋu Gumana originates from here but is now deceased. He came to notice as a ceremonial yiḏaki (didjeridu) player sought after by elders to accompany their sacred song. He accompanied the Yolŋu delegations to the opening of the National Museum in Canberra 2001 and the ḻarrakitj installation at the Sydney Opera House 2002, and played at the opening of Djambawa Marawili’s exhibition in the 2006 Sydney Biennale. Under the tutelage of artists like Gawirrin Gumana and Yumutjin Wunuŋmurra from his mother’s Dhaḻwaŋu clan whilst living on their country he has now assumed ceremonial authority.\u003c\/p\u003e\n\u003cp\u003eHe first came to the notice of the Buku-Larrŋgay staff as an artist with a carved and painted Ironwood sculpture of a Wurraṉ or cormorant (a totemic species of his mother clan) in 2002. The wood’s natural shape suggested itself to him and he commenced to reveal the bird within. He then added pigment to achieve the colouring but both, sculpting Ironwood for sale (rather than ceremony), and painting Ironwood are new actions in North East Arnhem land public art. This began a consistent theme of Gunybi following his own inclinations in expressing his vision. He has combined that with a startling innovative flair to produce groundbreaking sacred art that is at once novel and still entirely consistent with Yolŋu maḏayin (law).\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch2\u003eART CENTRE\u003c\/h2\u003e\n\u003cp\u003eBuku-Larrŋgay Mulka Centre is the Indigenous community controlled art centre of Northeast Arnhem Land. Located in Yirrkala, a small Aboriginal community on the northeastern tip of the Top End of the Northern Territory, approximately 700km east of Darwin. The primarily Yolŋu (Aboriginal) staff of around twenty services Yirrkala and the approximately twenty-five homeland centres in the radius of 200km.\u003c\/p\u003e\n\u003cp\u003eToday Buku-Larrŋgay Mulka Centre now consists of two divisions; the Yirrkala Art Centre which represents Yolŋu artists exhibiting and selling contemporary art and The Mulka Project which acts as a digital production studio and archiving centre incorporating the museum.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Gunybi Ganambarr Robert","offers":[{"title":"Default Title","offer_id":46503607238899,"sku":"BUKU-284-16-3\/AP","price":565.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/2513\/2531\/files\/20241114_untitled_untitledshoot_205.jpg?v=1774339979"},{"product_id":"maningrida-spc-arts-spc-spc-culture-spc-col1-4250-col2-1838-24-col3-lucy-spc-yarawanga-col4-this-spc-old-spc-man-spc-bopen-bawaliba-spc-camp-bclose","title":"16. This old man (bawaliba camp)","description":"Bawáliba is the djang (Dreaming) of my mother and my uncles. They are good spirits, they protect us and they recognise families. They are really tall – just like human beings, like us. They dance late at night and have a lot of hair.\n\nIn olden times, long long long time ago Bawáliba were here, before people were on the land. Bawáliba used to go out hunting and care for country. They hunt carrying fish traps and digging sticks, near the homeland Djinkarr. They go out hunting on the floodplains with dilly bags and digging sticks. They collect a lot of bush foods, and sleep together with one bark shelter. Sometimes now they still come alive when we sleep, they might come to our houses and peep through the window. At night, they cover themselves with white clay and red cloth tied around their waist. If we hear them, we jump out of bed and get up to look – but they have disappeared, they’re just too quick. Bawáliba might knock on the window to remind us they are there looking out for us. If you listen deeply you can hear them whisper, sometimes they talk about us and might say, ‘why are those people making camp here?’ then they realise ‘Oh they are family from here, it’s ok, they are just sleeping here for the night’.\n\nDuring the day they always turn into stone and they sleep. We still know that green rock covered in moss near Djinkarr, that’s Bawáliba sleeping. Some of my ancestors used to speak the same language as the Bawaliba, but all those old people are passed away now. It’s a little bit sad for us, because no one now can speak that Bawaliba language anymore.'\n\u003ch2\u003eDETAILS\u003c\/h2\u003e\u003cul\u003e\n\u003cli\u003eOchre and Ink on Arches Paper \u003c\/li\u003e\n\u003cli\u003eDimensions: 77 x 56cm \u003c\/li\u003e\n\u003cli\u003eCat No. 1838-24\u003c\/li\u003e\n\u003cbr\u003e\u003cbr\u003e\n\u003c\/ul\u003e\u003ch2\u003eARTIST\u003c\/h2\u003eBulanjdjan Lucy Yarawanga is an experienced Gurr-goni textile artist, who predominately works at Bábbarra Women’s Centre. She works with both lino and screen printing techniques, with her textile designs often referencing her ancestral stories, including various depictions of Bawaliba (Djinkarr spirit woman). Lucy’s painting style, like her personality, is bold and to the point. As well as her native Gurr-goni language – one of the least commonly spoken languages in Arnhem Land, Lucy also speaks another eight Maningrida languages.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003ch2\u003eART CENTRE\u003c\/h2\u003e","brand":"Lucy Yarawanga","offers":[{"title":"Default Title","offer_id":47398644023539,"sku":null,"price":1925.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/2513\/2531\/files\/4587765b67e2a0c281c3a0fae3a826b9.jpg?v=1752029589"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0611\/2513\/2531\/collections\/05_LAUNDRY_GALLERY_0120.jpg?v=1677896553","url":"https:\/\/laundrygallery.com.au\/collections\/new.oembed?page=7","provider":"Laundry Gallery Pty Ltd","version":"1.0","type":"link"}