Wak Wak (Crow)
- Artist: Paul Namarinjmak
- Size: 100 x 27cm
- Stringybark (Eucalyptus Tetradonta)
with Ochre Pigment and PVA Fixative - Cat No. 606-22
About the artist:
Kuninjku artist Paul Nabulumo is a painter and sculptor. He is the son of acclaimed artist, Mick Kubarkku (1925 – 2008), who was known for his painting of dirdbim (moon, sun and stars) and the associated site on his Kulmarru clan estate. Nabulumo learned under his guidance, watching him paint on rock surfaces and bark paintings as a young man. The artist continues to paint the iconic imagery handed down from his father, including Ngalyod (Rainbow Serpent), mimih (rock country spirit), yawkyawk (female water spirits), Kubumi (waterholes) and djulng (Ancestral bones). Nabulumo maintains strong connection to his heritage, living and working at Yikkarrakkal Outstation which sits adjacent to the dirdbim and kubumi djang (Ancestral) sites* . However, he has developed his own distinct aesthetic, characterised by striking combinations of fine and elegant rarrk, figurative elements and bold negative space.
Nabulumo began exhibiting in 2000, participating in his first group show at Aboriginal Art & Pacific (Sydney). His work was included in the historic exhibition <<rark>> at the Bargehouse in London in 2007. His work was also selected for the 23rd and 28th Telstra National & Torres Strait Islander Art Award Exhibitions. Nabulumo has shown both locally and internationally at highly regarded commercial spaces such as Josh Lilley Fine Art (UK), Gallery Gabrielle Pizzi (Melbourne), Annandale Galleries (Sydney), Paul Johnstone Gallery (Darwin), Outstation Gallery (Darwin), Art Kelch (Freiburg) and most recently Michael Reid (Sydney). The artist’s work can be found in various collection including that of the National Gallery of Australia and the Museum of Victoria.
About the art centre:
Maningrida Arts & Culture is a pre-eminent site of contemporary cultural expression and art-making, abundant with highly collectable art and emerging talent.
Through their homelands resource organisation, Bawinanga Aboriginal Corporation, artists turned an art trade that began just over 50 years ago into a multi-million dollapaulr arts and cultural enterprise. Maningrida Arts & Culture supported hundreds of artists on their homelands, more than 20 artworkers, held 20 exhibitions annually, won prestigious awards, and enjoyed the international fame and success that the boom in the Aboriginal art market of the 1990s and 2000s enabled.
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