Kitty Simon, skin name Napanangka, was born in Yuendumu in 1948, then was moved to Lajamanu at the age of 10. Her family's traditional homeland is around the Lake Mackay area, about 650 kilometres south of Lajamanu. Napanangka draws on her experiences as a desert walker travelling throughout the Tanami desert and her knowledge of Warlpiri culture and ceremony to create her art. Her paintings masterfully combine optic whites with an array of bold pastels that, not only reflect her bright personality, but also define the feeling and colours of desert flowers, blooming after rain, the clear skies, and the salt plains of Mina Mina around Lake Mackay. Working in a variety of mediums, Napanangka has achieved great success, appealing to a widespread audience, for her contemporary abstract art that subscribes to a distinctive, singular aesthetic. Initially, Napanangka's paintings were denounced by senior men in the Lajamanu community for appearing to digress too far from her traditional Jukurrpa (Dreaming). But it is the uniqueness of her work that has won many admirers amongst critics, gallerists, and art lovers. Over time, her paintings have also become accepted and admired within the local Warlpiri community. Napanangka has been exhibited extensively around both Australia and internat This dreaming tells about a women’s ceremony. Only the women know this dreaming. It talks about travelling from north to south, east and west teaching all the young kids. They all teach people from different skin groups, so that the dreamings are passed along to the young children.ionally. She has been well represented by Cooee Leven Art Gallery in Sydney, featuring in solo exhibitions since 2013.