4. Batjimurruŋu, 2022
This painting carries the miny’tji of Batjimurruŋu a shellfish of the mangroves area which climbs the aerial roots of the mangroves as the tide comes in. It is sung by the Djambarrpuyngu clan with the Guyula / Dhamarrandji surnames and relates to the Buckingham Bay area of Gurula Dhulmuwandany.
It is a design learnt by the artist via her mother’s first husband and is her classificatory sister clan. This place and design, songs and the shellfish itself are related to the songlines of the Djaŋ'kawu sisters of the Dhuwa moiety. Batjimurruŋu is Cassidula angulifera or the Angular Ear Shell. The synonyms are miniminipi and mitjalaŋaniŋ.
- Earth pigments on Wood
- Dimensions: 68 x 49 cm
- Cat No. 4143-22
Homeland: Yilpara
Clan: Djambarrpuyŋu
Munhala Dhamarrandji depicts the Djambarrpuyŋu clan design of Batjimurruŋu.
This design carries the miny’tji of Batjimurruŋu a shellfish of the mangroves area which climbs the aerial roots of the mangroves as the tide comes in. It is sung by the Djambarrpuyngu clan with the Guyula / Dhamarrandji surnames and relates to the Buckingham Bay area of Gurula Dhulmuwandany. It is a design learnt by the artist via her mother’s first husband and is her classificatory sister clan.
This place and design, songs and the shellfish itself are related to the songlines of the Djaŋ’kawu sisters of the Dhuwa moiety.
Batjimurruŋu is Cassidula angulifera or the Angular Ear Shell. The synonyms are miniminipi and mitjalaŋaniŋ.
Buku-Larrŋgay Mulka Centre is the Indigenous community controlled art centre of Northeast Arnhem Land. Located in Yirrkala, a small Aboriginal community on the northeastern tip of the Top End of the Northern Territory, approximately 700km east of Darwin. The primarily Yolŋu (Aboriginal) staff of around twenty services Yirrkala and the approximately twenty-five homeland centres in the radius of 200km.
In the 1960’s, Narritjin Maymuru set up his own beachfront gallery from which he sold art that now graces many major museums and private collections. He is counted among the art centre’s main inspirations and founders, and his picture hangs in the museum. His vision of Yolŋu-owned business to sell Yolŋu art that started with a shelter on a beach has now grown into a thriving business that exhibits and sells globally.
Today Buku-Larrŋgay Mulka Centre consists of two divisions; the Yirrkala Art Centre which represents Yolŋu artists exhibiting and selling contemporary art and The Mulka Project which acts as a digital production studio and archiving centre incorporating the museum.
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