TROPICAL TONGUE Minna Leunig
AN ODE TO THE RESTLESS PULSE OF THE TROPICAL NORTH
24 JAN - 8 FEBRUARY
Tropical Tongue is Minna Leunig’s new solo exhibition, an ode to the restless pulse of the Tropical North, shaped by her lived experience since relocating to Larrakia Country in 2024.
Through close, ferocious observation of people and place, Minna responds to the sensory overload of the tropics - where the air fizzes with humidity and electricity, excess is ordinary, and intensity defines the atmosphere. Her instinctive visual language embraces the wild sensuality of the North, slipping between reverence and absurdity to capture the charged strangeness of everyday life in the region.
Minna invites us away from polished restraint and into the land of the Tropical Tongue: a world that’s unapologetically alive, feral, and a little bit rude.
Field Notes from the Year I Became Feral
DETAILS
- High texture acrylic on French Linen
- Dimensions: 155.5 × 124.5 cm
ARTIST
Minna’s work is an ode to aliveness — the ecstatic, animal pulse that hums in all living things. Living and working on Larrakia Country in Darwin, Minna creates murals and paintings that celebrate the untamed, the interconnected, and the gloriously alive. Her work moves between the urgent and the ridiculous – reverent one moment, absurd the next. Stripping forms back to their bones, she crafts bold silhouettes, organic lines, and instinctive marks to create a world in which animals and humans are equally wild: tangled in a writhing symphony of mischief, sensuality, humour, and resistance. Minna’s work speaks to a fierce love of place, a refusal to let spirit be domesticated, and a political urgency to protect what is living – the earth beneath our feet and the fire within. As her practice evolves, she is increasingly drawn to politically engaged, environmentally and socially grounded work, with a deepening commitment to showing solidarity with First Nations causes and grassroots resistance movements. She believes art should live beyond galleries – accessible, part of daily life, and connected to the people it speaks to.
ART CENTRE
Minna’s work is an ode to aliveness — the ecstatic, animal pulse that hums in all living things. Her work moves between the urgent and the ridiculous – reverent one moment, absurd the next. Stripping forms back to their bones, she crafts bold silhouettes, organic lines, and instinctive marks to create a world in which animals and humans are equally wild: tangled in a writhing symphony of mischief, sensuality, humour, and resistance. Minna’s work speaks to a fierce love of place, a refusal to let spirit be domesticated, and a political urgency to protect what is living – the earth beneath our feet and the fire within. As her practice evolves, she is increasingly drawn to politically engaged, environmentally and socially grounded work, with a deepening commitment to showing solidarity with First Nations causes and grassroots resistance movements. She believes art should live beyond galleries – accessible, part of daily life, and connected to the people it speaks to. Originally from Victoria, she now calls Larrakia Country in Darwin home.
Ancient Beasts and Buffet Breakfasts
DETAILS
- High texture acrylic on French Linen
- Dimensions: 155.5 × 124.5 cm
ARTIST
Minna’s work is an ode to aliveness — the ecstatic, animal pulse that hums in all living things. Living and working on Larrakia Country in Darwin, Minna creates murals and paintings that celebrate the untamed, the interconnected, and the gloriously alive. Her work moves between the urgent and the ridiculous – reverent one moment, absurd the next. Stripping forms back to their bones, she crafts bold silhouettes, organic lines, and instinctive marks to create a world in which animals and humans are equally wild: tangled in a writhing symphony of mischief, sensuality, humour, and resistance. Minna’s work speaks to a fierce love of place, a refusal to let spirit be domesticated, and a political urgency to protect what is living – the earth beneath our feet and the fire within. As her practice evolves, she is increasingly drawn to politically engaged, environmentally and socially grounded work, with a deepening commitment to showing solidarity with First Nations causes and grassroots resistance movements. She believes art should live beyond galleries – accessible, part of daily life, and connected to the people it speaks to.
ART CENTRE
Minna’s work is an ode to aliveness — the ecstatic, animal pulse that hums in all living things. Her work moves between the urgent and the ridiculous – reverent one moment, absurd the next. Stripping forms back to their bones, she crafts bold silhouettes, organic lines, and instinctive marks to create a world in which animals and humans are equally wild: tangled in a writhing symphony of mischief, sensuality, humour, and resistance. Minna’s work speaks to a fierce love of place, a refusal to let spirit be domesticated, and a political urgency to protect what is living – the earth beneath our feet and the fire within. As her practice evolves, she is increasingly drawn to politically engaged, environmentally and socially grounded work, with a deepening commitment to showing solidarity with First Nations causes and grassroots resistance movements. She believes art should live beyond galleries – accessible, part of daily life, and connected to the people it speaks to. Originally from Victoria, she now calls Larrakia Country in Darwin home.
"Stay wild, keep the spirit undomesticated."
Fisherwomen in Theory
DETAILS
- High texture acrylic on French Linen
- Dimensions: 94.5 × 125.5 cm
ARTIST
Minna’s work is an ode to aliveness — the ecstatic, animal pulse that hums in all living things. Living and working on Larrakia Country in Darwin, Minna creates murals and paintings that celebrate the untamed, the interconnected, and the gloriously alive. Her work moves between the urgent and the ridiculous – reverent one moment, absurd the next. Stripping forms back to their bones, she crafts bold silhouettes, organic lines, and instinctive marks to create a world in which animals and humans are equally wild: tangled in a writhing symphony of mischief, sensuality, humour, and resistance. Minna’s work speaks to a fierce love of place, a refusal to let spirit be domesticated, and a political urgency to protect what is living – the earth beneath our feet and the fire within. As her practice evolves, she is increasingly drawn to politically engaged, environmentally and socially grounded work, with a deepening commitment to showing solidarity with First Nations causes and grassroots resistance movements. She believes art should live beyond galleries – accessible, part of daily life, and connected to the people it speaks to.
ART CENTRE
Minna’s work is an ode to aliveness — the ecstatic, animal pulse that hums in all living things. Her work moves between the urgent and the ridiculous – reverent one moment, absurd the next. Stripping forms back to their bones, she crafts bold silhouettes, organic lines, and instinctive marks to create a world in which animals and humans are equally wild: tangled in a writhing symphony of mischief, sensuality, humour, and resistance. Minna’s work speaks to a fierce love of place, a refusal to let spirit be domesticated, and a political urgency to protect what is living – the earth beneath our feet and the fire within. As her practice evolves, she is increasingly drawn to politically engaged, environmentally and socially grounded work, with a deepening commitment to showing solidarity with First Nations causes and grassroots resistance movements. She believes art should live beyond galleries – accessible, part of daily life, and connected to the people it speaks to. Originally from Victoria, she now calls Larrakia Country in Darwin home.
Counterfeit Transendence
DETAILS
- High texture acrylic on French Linen
- Dimensions: 94.5 × 125.5 cm
ARTIST
Minna’s work is an ode to aliveness — the ecstatic, animal pulse that hums in all living things. Living and working on Larrakia Country in Darwin, Minna creates murals and paintings that celebrate the untamed, the interconnected, and the gloriously alive. Her work moves between the urgent and the ridiculous – reverent one moment, absurd the next. Stripping forms back to their bones, she crafts bold silhouettes, organic lines, and instinctive marks to create a world in which animals and humans are equally wild: tangled in a writhing symphony of mischief, sensuality, humour, and resistance. Minna’s work speaks to a fierce love of place, a refusal to let spirit be domesticated, and a political urgency to protect what is living – the earth beneath our feet and the fire within. As her practice evolves, she is increasingly drawn to politically engaged, environmentally and socially grounded work, with a deepening commitment to showing solidarity with First Nations causes and grassroots resistance movements. She believes art should live beyond galleries – accessible, part of daily life, and connected to the people it speaks to.
Electric Realm
DETAILS
- High texture acrylic on French Linen
- Dimensions: 123.5 × 93 cm
ARTIST
Minna’s work is an ode to aliveness — the ecstatic, animal pulse that hums in all living things. Living and working on Larrakia Country in Darwin, Minna creates murals and paintings that celebrate the untamed, the interconnected, and the gloriously alive. Her work moves between the urgent and the ridiculous – reverent one moment, absurd the next. Stripping forms back to their bones, she crafts bold silhouettes, organic lines, and instinctive marks to create a world in which animals and humans are equally wild: tangled in a writhing symphony of mischief, sensuality, humour, and resistance. Minna’s work speaks to a fierce love of place, a refusal to let spirit be domesticated, and a political urgency to protect what is living – the earth beneath our feet and the fire within. As her practice evolves, she is increasingly drawn to politically engaged, environmentally and socially grounded work, with a deepening commitment to showing solidarity with First Nations causes and grassroots resistance movements. She believes art should live beyond galleries – accessible, part of daily life, and connected to the people it speaks to.
ART CENTRE
Minna’s work is an ode to aliveness — the ecstatic, animal pulse that hums in all living things. Her work moves between the urgent and the ridiculous – reverent one moment, absurd the next. Stripping forms back to their bones, she crafts bold silhouettes, organic lines, and instinctive marks to create a world in which animals and humans are equally wild: tangled in a writhing symphony of mischief, sensuality, humour, and resistance. Minna’s work speaks to a fierce love of place, a refusal to let spirit be domesticated, and a political urgency to protect what is living – the earth beneath our feet and the fire within. As her practice evolves, she is increasingly drawn to politically engaged, environmentally and socially grounded work, with a deepening commitment to showing solidarity with First Nations causes and grassroots resistance movements. She believes art should live beyond galleries – accessible, part of daily life, and connected to the people it speaks to. Originally from Victoria, she now calls Larrakia Country in Darwin home.
"Protect what’s alive: the land beneath our feet and the fire within."
Chlorine Drip
DETAILS
- High texture acrylic on canvas
- Dimensions: 64 × 64 cm
ARTIST
Minna’s work is an ode to aliveness — the ecstatic, animal pulse that hums in all living things. Living and working on Larrakia Country in Darwin, Minna creates murals and paintings that celebrate the untamed, the interconnected, and the gloriously alive. Her work moves between the urgent and the ridiculous – reverent one moment, absurd the next. Stripping forms back to their bones, she crafts bold silhouettes, organic lines, and instinctive marks to create a world in which animals and humans are equally wild: tangled in a writhing symphony of mischief, sensuality, humour, and resistance. Minna’s work speaks to a fierce love of place, a refusal to let spirit be domesticated, and a political urgency to protect what is living – the earth beneath our feet and the fire within. As her practice evolves, she is increasingly drawn to politically engaged, environmentally and socially grounded work, with a deepening commitment to showing solidarity with First Nations causes and grassroots resistance movements. She believes art should live beyond galleries – accessible, part of daily life, and connected to the people it speaks to.
ART CENTRE
Minna’s work is an ode to aliveness — the ecstatic, animal pulse that hums in all living things. Her work moves between the urgent and the ridiculous – reverent one moment, absurd the next. Stripping forms back to their bones, she crafts bold silhouettes, organic lines, and instinctive marks to create a world in which animals and humans are equally wild: tangled in a writhing symphony of mischief, sensuality, humour, and resistance. Minna’s work speaks to a fierce love of place, a refusal to let spirit be domesticated, and a political urgency to protect what is living – the earth beneath our feet and the fire within. As her practice evolves, she is increasingly drawn to politically engaged, environmentally and socially grounded work, with a deepening commitment to showing solidarity with First Nations causes and grassroots resistance movements. She believes art should live beyond galleries – accessible, part of daily life, and connected to the people it speaks to. Originally from Victoria, she now calls Larrakia Country in Darwin home.
Self Portrait at the Trough of Life
DETAILS
- Acrylic on canvas
- Dimensions: 94.5 × 94.5 cm
ARTIST
Minna’s work is an ode to aliveness — the ecstatic, animal pulse that hums in all living things. Living and working on Larrakia Country in Darwin, Minna creates murals and paintings that celebrate the untamed, the interconnected, and the gloriously alive. Her work moves between the urgent and the ridiculous – reverent one moment, absurd the next. Stripping forms back to their bones, she crafts bold silhouettes, organic lines, and instinctive marks to create a world in which animals and humans are equally wild: tangled in a writhing symphony of mischief, sensuality, humour, and resistance. Minna’s work speaks to a fierce love of place, a refusal to let spirit be domesticated, and a political urgency to protect what is living – the earth beneath our feet and the fire within. As her practice evolves, she is increasingly drawn to politically engaged, environmentally and socially grounded work, with a deepening commitment to showing solidarity with First Nations causes and grassroots resistance movements. She believes art should live beyond galleries – accessible, part of daily life, and connected to the people it speaks to.
ART CENTRE
Minna’s work is an ode to aliveness — the ecstatic, animal pulse that hums in all living things. Her work moves between the urgent and the ridiculous – reverent one moment, absurd the next. Stripping forms back to their bones, she crafts bold silhouettes, organic lines, and instinctive marks to create a world in which animals and humans are equally wild: tangled in a writhing symphony of mischief, sensuality, humour, and resistance. Minna’s work speaks to a fierce love of place, a refusal to let spirit be domesticated, and a political urgency to protect what is living – the earth beneath our feet and the fire within. As her practice evolves, she is increasingly drawn to politically engaged, environmentally and socially grounded work, with a deepening commitment to showing solidarity with First Nations causes and grassroots resistance movements. She believes art should live beyond galleries – accessible, part of daily life, and connected to the people it speaks to. Originally from Victoria, she now calls Larrakia Country in Darwin home.
No Swimming
DETAILS
- Acrylic on canvas
- Dimensions: 94.5 × 125.5 cm
ARTIST
Minna’s work is an ode to aliveness — the ecstatic, animal pulse that hums in all living things. Living and working on Larrakia Country in Darwin, Minna creates murals and paintings that celebrate the untamed, the interconnected, and the gloriously alive. Her work moves between the urgent and the ridiculous – reverent one moment, absurd the next. Stripping forms back to their bones, she crafts bold silhouettes, organic lines, and instinctive marks to create a world in which animals and humans are equally wild: tangled in a writhing symphony of mischief, sensuality, humour, and resistance. Minna’s work speaks to a fierce love of place, a refusal to let spirit be domesticated, and a political urgency to protect what is living – the earth beneath our feet and the fire within. As her practice evolves, she is increasingly drawn to politically engaged, environmentally and socially grounded work, with a deepening commitment to showing solidarity with First Nations causes and grassroots resistance movements. She believes art should live beyond galleries – accessible, part of daily life, and connected to the people it speaks to.
ART CENTRE
Minna’s work is an ode to aliveness — the ecstatic, animal pulse that hums in all living things. Her work moves between the urgent and the ridiculous – reverent one moment, absurd the next. Stripping forms back to their bones, she crafts bold silhouettes, organic lines, and instinctive marks to create a world in which animals and humans are equally wild: tangled in a writhing symphony of mischief, sensuality, humour, and resistance. Minna’s work speaks to a fierce love of place, a refusal to let spirit be domesticated, and a political urgency to protect what is living – the earth beneath our feet and the fire within. As her practice evolves, she is increasingly drawn to politically engaged, environmentally and socially grounded work, with a deepening commitment to showing solidarity with First Nations causes and grassroots resistance movements. She believes art should live beyond galleries – accessible, part of daily life, and connected to the people it speaks to. Originally from Victoria, she now calls Larrakia Country in Darwin home.
Still No Swimming
DETAILS
- Acrylic on canvas
- Dimensions: 94.5 × 125.5 cm
ARTIST
Minna’s work is an ode to aliveness — the ecstatic, animal pulse that hums in all living things. Living and working on Larrakia Country in Darwin, Minna creates murals and paintings that celebrate the untamed, the interconnected, and the gloriously alive. Her work moves between the urgent and the ridiculous – reverent one moment, absurd the next. Stripping forms back to their bones, she crafts bold silhouettes, organic lines, and instinctive marks to create a world in which animals and humans are equally wild: tangled in a writhing symphony of mischief, sensuality, humour, and resistance. Minna’s work speaks to a fierce love of place, a refusal to let spirit be domesticated, and a political urgency to protect what is living – the earth beneath our feet and the fire within. As her practice evolves, she is increasingly drawn to politically engaged, environmentally and socially grounded work, with a deepening commitment to showing solidarity with First Nations causes and grassroots resistance movements. She believes art should live beyond galleries – accessible, part of daily life, and connected to the people it speaks to.
ART CENTRE
Minna’s work is an ode to aliveness — the ecstatic, animal pulse that hums in all living things. Her work moves between the urgent and the ridiculous – reverent one moment, absurd the next. Stripping forms back to their bones, she crafts bold silhouettes, organic lines, and instinctive marks to create a world in which animals and humans are equally wild: tangled in a writhing symphony of mischief, sensuality, humour, and resistance. Minna’s work speaks to a fierce love of place, a refusal to let spirit be domesticated, and a political urgency to protect what is living – the earth beneath our feet and the fire within. As her practice evolves, she is increasingly drawn to politically engaged, environmentally and socially grounded work, with a deepening commitment to showing solidarity with First Nations causes and grassroots resistance movements. She believes art should live beyond galleries – accessible, part of daily life, and connected to the people it speaks to. Originally from Victoria, she now calls Larrakia Country in Darwin home.
Look At Me Now Bitch
DETAILS
- Acrylic on board
- Dimensions: 89 × 70.5 cm
ARTIST
Minna’s work is an ode to aliveness — the ecstatic, animal pulse that hums in all living things. Living and working on Larrakia Country in Darwin, Minna creates murals and paintings that celebrate the untamed, the interconnected, and the gloriously alive. Her work moves between the urgent and the ridiculous – reverent one moment, absurd the next. Stripping forms back to their bones, she crafts bold silhouettes, organic lines, and instinctive marks to create a world in which animals and humans are equally wild: tangled in a writhing symphony of mischief, sensuality, humour, and resistance. Minna’s work speaks to a fierce love of place, a refusal to let spirit be domesticated, and a political urgency to protect what is living – the earth beneath our feet and the fire within. As her practice evolves, she is increasingly drawn to politically engaged, environmentally and socially grounded work, with a deepening commitment to showing solidarity with First Nations causes and grassroots resistance movements. She believes art should live beyond galleries – accessible, part of daily life, and connected to the people it speaks to
The Wet Has Entered The Room
DETAILS
- Acrylic on canvas
- Dimensions: 49 × 34.5 cm
ARTIST
Minna’s work is an ode to aliveness — the ecstatic, animal pulse that hums in all living things. Living and working on Larrakia Country in Darwin, Minna creates murals and paintings that celebrate the untamed, the interconnected, and the gloriously alive. Her work moves between the urgent and the ridiculous – reverent one moment, absurd the next. Stripping forms back to their bones, she crafts bold silhouettes, organic lines, and instinctive marks to create a world in which animals and humans are equally wild: tangled in a writhing symphony of mischief, sensuality, humour, and resistance. Minna’s work speaks to a fierce love of place, a refusal to let spirit be domesticated, and a political urgency to protect what is living – the earth beneath our feet and the fire within. As her practice evolves, she is increasingly drawn to politically engaged, environmentally and socially grounded work, with a deepening commitment to showing solidarity with First Nations causes and grassroots resistance movements. She believes art should live beyond galleries – accessible, part of daily life, and connected to the people it speaks to.
ART CENTRE
Minna’s work is an ode to aliveness — the ecstatic, animal pulse that hums in all living things. Her work moves between the urgent and the ridiculous – reverent one moment, absurd the next. Stripping forms back to their bones, she crafts bold silhouettes, organic lines, and instinctive marks to create a world in which animals and humans are equally wild: tangled in a writhing symphony of mischief, sensuality, humour, and resistance. Minna’s work speaks to a fierce love of place, a refusal to let spirit be domesticated, and a political urgency to protect what is living – the earth beneath our feet and the fire within. As her practice evolves, she is increasingly drawn to politically engaged, environmentally and socially grounded work, with a deepening commitment to showing solidarity with First Nations causes and grassroots resistance movements. She believes art should live beyond galleries – accessible, part of daily life, and connected to the people it speaks to. Originally from Victoria, she now calls Larrakia Country in Darwin home.
Big Suit, Small Shame
DETAILS
- Acrylic on canvas
- Dimensions: 49 × 34.5 cm
ARTIST
Minna’s work is an ode to aliveness — the ecstatic, animal pulse that hums in all living things. Living and working on Larrakia Country in Darwin, Minna creates murals and paintings that celebrate the untamed, the interconnected, and the gloriously alive. Her work moves between the urgent and the ridiculous – reverent one moment, absurd the next. Stripping forms back to their bones, she crafts bold silhouettes, organic lines, and instinctive marks to create a world in which animals and humans are equally wild: tangled in a writhing symphony of mischief, sensuality, humour, and resistance. Minna’s work speaks to a fierce love of place, a refusal to let spirit be domesticated, and a political urgency to protect what is living – the earth beneath our feet and the fire within. As her practice evolves, she is increasingly drawn to politically engaged, environmentally and socially grounded work, with a deepening commitment to showing solidarity with First Nations causes and grassroots resistance movements. She believes art should live beyond galleries – accessible, part of daily life, and connected to the people it speaks to.
ART CENTRE
Minna’s work is an ode to aliveness — the ecstatic, animal pulse that hums in all living things. Her work moves between the urgent and the ridiculous – reverent one moment, absurd the next. Stripping forms back to their bones, she crafts bold silhouettes, organic lines, and instinctive marks to create a world in which animals and humans are equally wild: tangled in a writhing symphony of mischief, sensuality, humour, and resistance. Minna’s work speaks to a fierce love of place, a refusal to let spirit be domesticated, and a political urgency to protect what is living – the earth beneath our feet and the fire within. As her practice evolves, she is increasingly drawn to politically engaged, environmentally and socially grounded work, with a deepening commitment to showing solidarity with First Nations causes and grassroots resistance movements. She believes art should live beyond galleries – accessible, part of daily life, and connected to the people it speaks to. Originally from Victoria, she now calls Larrakia Country in Darwin home.
Dressed To Disturb
DETAILS
- Acrylic on canvas
- Dimensions: 49 x 34.5 cm
ARTIST
Minna’s work is an ode to aliveness — the ecstatic, animal pulse that hums in all living things. Living and working on Larrakia Country in Darwin, Minna creates murals and paintings that celebrate the untamed, the interconnected, and the gloriously alive. Her work moves between the urgent and the ridiculous – reverent one moment, absurd the next. Stripping forms back to their bones, she crafts bold silhouettes, organic lines, and instinctive marks to create a world in which animals and humans are equally wild: tangled in a writhing symphony of mischief, sensuality, humour, and resistance. Minna’s work speaks to a fierce love of place, a refusal to let spirit be domesticated, and a political urgency to protect what is living – the earth beneath our feet and the fire within. As her practice evolves, she is increasingly drawn to politically engaged, environmentally and socially grounded work, with a deepening commitment to showing solidarity with First Nations causes and grassroots resistance movements. She believes art should live beyond galleries – accessible, part of daily life, and connected to the people it speaks to.
ART CENTRE
Minna’s work is an ode to aliveness — the ecstatic, animal pulse that hums in all living things. Her work moves between the urgent and the ridiculous – reverent one moment, absurd the next. Stripping forms back to their bones, she crafts bold silhouettes, organic lines, and instinctive marks to create a world in which animals and humans are equally wild: tangled in a writhing symphony of mischief, sensuality, humour, and resistance. Minna’s work speaks to a fierce love of place, a refusal to let spirit be domesticated, and a political urgency to protect what is living – the earth beneath our feet and the fire within. As her practice evolves, she is increasingly drawn to politically engaged, environmentally and socially grounded work, with a deepening commitment to showing solidarity with First Nations causes and grassroots resistance movements. She believes art should live beyond galleries – accessible, part of daily life, and connected to the people it speaks to. Originally from Victoria, she now calls Larrakia Country in Darwin home.
Too Much Honk
DETAILS
- Acrylic on canvas
- Dimensions: 49 × 34.5 cm
ARTIST
Minna’s work is an ode to aliveness — the ecstatic, animal pulse that hums in all living things. Living and working on Larrakia Country in Darwin, Minna creates murals and paintings that celebrate the untamed, the interconnected, and the gloriously alive. Her work moves between the urgent and the ridiculous – reverent one moment, absurd the next. Stripping forms back to their bones, she crafts bold silhouettes, organic lines, and instinctive marks to create a world in which animals and humans are equally wild: tangled in a writhing symphony of mischief, sensuality, humour, and resistance. Minna’s work speaks to a fierce love of place, a refusal to let spirit be domesticated, and a political urgency to protect what is living – the earth beneath our feet and the fire within. As her practice evolves, she is increasingly drawn to politically engaged, environmentally and socially grounded work, with a deepening commitment to showing solidarity with First Nations causes and grassroots resistance movements. She believes art should live beyond galleries – accessible, part of daily life, and connected to the people it speaks to.
ART CENTRE
Minna’s work is an ode to aliveness — the ecstatic, animal pulse that hums in all living things. Her work moves between the urgent and the ridiculous – reverent one moment, absurd the next. Stripping forms back to their bones, she crafts bold silhouettes, organic lines, and instinctive marks to create a world in which animals and humans are equally wild: tangled in a writhing symphony of mischief, sensuality, humour, and resistance. Minna’s work speaks to a fierce love of place, a refusal to let spirit be domesticated, and a political urgency to protect what is living – the earth beneath our feet and the fire within. As her practice evolves, she is increasingly drawn to politically engaged, environmentally and socially grounded work, with a deepening commitment to showing solidarity with First Nations causes and grassroots resistance movements. She believes art should live beyond galleries – accessible, part of daily life, and connected to the people it speaks to. Originally from Victoria, she now calls Larrakia Country in Darwin home.
Third in Command
DETAILS
- Acrylic on canvas
- Dimensions: 49 × 34.5 cm
ARTIST
Minna’s work is an ode to aliveness — the ecstatic, animal pulse that hums in all living things. Living and working on Larrakia Country in Darwin, Minna creates murals and paintings that celebrate the untamed, the interconnected, and the gloriously alive. Her work moves between the urgent and the ridiculous – reverent one moment, absurd the next. Stripping forms back to their bones, she crafts bold silhouettes, organic lines, and instinctive marks to create a world in which animals and humans are equally wild: tangled in a writhing symphony of mischief, sensuality, humour, and resistance. Minna’s work speaks to a fierce love of place, a refusal to let spirit be domesticated, and a political urgency to protect what is living – the earth beneath our feet and the fire within. As her practice evolves, she is increasingly drawn to politically engaged, environmentally and socially grounded work, with a deepening commitment to showing solidarity with First Nations causes and grassroots resistance movements. She believes art should live beyond galleries – accessible, part of daily life, and connected to the people it speaks to.
ART CENTRE
Minna’s work is an ode to aliveness — the ecstatic, animal pulse that hums in all living things. Her work moves between the urgent and the ridiculous – reverent one moment, absurd the next. Stripping forms back to their bones, she crafts bold silhouettes, organic lines, and instinctive marks to create a world in which animals and humans are equally wild: tangled in a writhing symphony of mischief, sensuality, humour, and resistance. Minna’s work speaks to a fierce love of place, a refusal to let spirit be domesticated, and a political urgency to protect what is living – the earth beneath our feet and the fire within. As her practice evolves, she is increasingly drawn to politically engaged, environmentally and socially grounded work, with a deepening commitment to showing solidarity with First Nations causes and grassroots resistance movements. She believes art should live beyond galleries – accessible, part of daily life, and connected to the people it speaks to. Originally from Victoria, she now calls Larrakia Country in Darwin home.
The Third Wheel
DETAILS
- Acrylic on canvas
- Dimensions: 49 × 34.5 cm
ARTIST
Minna’s work is an ode to aliveness — the ecstatic, animal pulse that hums in all living things. Living and working on Larrakia Country in Darwin, Minna creates murals and paintings that celebrate the untamed, the interconnected, and the gloriously alive. Her work moves between the urgent and the ridiculous – reverent one moment, absurd the next. Stripping forms back to their bones, she crafts bold silhouettes, organic lines, and instinctive marks to create a world in which animals and humans are equally wild: tangled in a writhing symphony of mischief, sensuality, humour, and resistance. Minna’s work speaks to a fierce love of place, a refusal to let spirit be domesticated, and a political urgency to protect what is living – the earth beneath our feet and the fire within. As her practice evolves, she is increasingly drawn to politically engaged, environmentally and socially grounded work, with a deepening commitment to showing solidarity with First Nations causes and grassroots resistance movements. She believes art should live beyond galleries – accessible, part of daily life, and connected to the people it speaks to.
ART CENTRE
Minna’s work is an ode to aliveness — the ecstatic, animal pulse that hums in all living things. Her work moves between the urgent and the ridiculous – reverent one moment, absurd the next. Stripping forms back to their bones, she crafts bold silhouettes, organic lines, and instinctive marks to create a world in which animals and humans are equally wild: tangled in a writhing symphony of mischief, sensuality, humour, and resistance. Minna’s work speaks to a fierce love of place, a refusal to let spirit be domesticated, and a political urgency to protect what is living – the earth beneath our feet and the fire within. As her practice evolves, she is increasingly drawn to politically engaged, environmentally and socially grounded work, with a deepening commitment to showing solidarity with First Nations causes and grassroots resistance movements. She believes art should live beyond galleries – accessible, part of daily life, and connected to the people it speaks to. Originally from Victoria, she now calls Larrakia Country in Darwin home.
Clown In Residence
DETAILS
- Acrylic on canvas
- Dimensions: 49 × 34.5 cm
ARTIST
Minna’s work is an ode to aliveness — the ecstatic, animal pulse that hums in all living things. Living and working on Larrakia Country in Darwin, Minna creates murals and paintings that celebrate the untamed, the interconnected, and the gloriously alive. Her work moves between the urgent and the ridiculous – reverent one moment, absurd the next. Stripping forms back to their bones, she crafts bold silhouettes, organic lines, and instinctive marks to create a world in which animals and humans are equally wild: tangled in a writhing symphony of mischief, sensuality, humour, and resistance. Minna’s work speaks to a fierce love of place, a refusal to let spirit be domesticated, and a political urgency to protect what is living – the earth beneath our feet and the fire within. As her practice evolves, she is increasingly drawn to politically engaged, environmentally and socially grounded work, with a deepening commitment to showing solidarity with First Nations causes and grassroots resistance movements. She believes art should live beyond galleries – accessible, part of daily life, and connected to the people it speaks to.
ART CENTRE
Minna’s work is an ode to aliveness — the ecstatic, animal pulse that hums in all living things. Her work moves between the urgent and the ridiculous – reverent one moment, absurd the next. Stripping forms back to their bones, she crafts bold silhouettes, organic lines, and instinctive marks to create a world in which animals and humans are equally wild: tangled in a writhing symphony of mischief, sensuality, humour, and resistance. Minna’s work speaks to a fierce love of place, a refusal to let spirit be domesticated, and a political urgency to protect what is living – the earth beneath our feet and the fire within. As her practice evolves, she is increasingly drawn to politically engaged, environmentally and socially grounded work, with a deepening commitment to showing solidarity with First Nations causes and grassroots resistance movements. She believes art should live beyond galleries – accessible, part of daily life, and connected to the people it speaks to. Originally from Victoria, she now calls Larrakia Country in Darwin home.
Well Dressed, Poorly Behaved
DETAILS
- Acrylic on canvas
- Dimensions: 49 x 34.5 cm
ARTIST
Minna’s work is an ode to aliveness — the ecstatic, animal pulse that hums in all living things. Living and working on Larrakia Country in Darwin, Minna creates murals and paintings that celebrate the untamed, the interconnected, and the gloriously alive. Her work moves between the urgent and the ridiculous – reverent one moment, absurd the next. Stripping forms back to their bones, she crafts bold silhouettes, organic lines, and instinctive marks to create a world in which animals and humans are equally wild: tangled in a writhing symphony of mischief, sensuality, humour, and resistance. Minna’s work speaks to a fierce love of place, a refusal to let spirit be domesticated, and a political urgency to protect what is living – the earth beneath our feet and the fire within. As her practice evolves, she is increasingly drawn to politically engaged, environmentally and socially grounded work, with a deepening commitment to showing solidarity with First Nations causes and grassroots resistance movements. She believes art should live beyond galleries – accessible, part of daily life, and connected to the people it speaks to.
ART CENTRE
Minna’s work is an ode to aliveness — the ecstatic, animal pulse that hums in all living things. Her work moves between the urgent and the ridiculous – reverent one moment, absurd the next. Stripping forms back to their bones, she crafts bold silhouettes, organic lines, and instinctive marks to create a world in which animals and humans are equally wild: tangled in a writhing symphony of mischief, sensuality, humour, and resistance. Minna’s work speaks to a fierce love of place, a refusal to let spirit be domesticated, and a political urgency to protect what is living – the earth beneath our feet and the fire within. As her practice evolves, she is increasingly drawn to politically engaged, environmentally and socially grounded work, with a deepening commitment to showing solidarity with First Nations causes and grassroots resistance movements. She believes art should live beyond galleries – accessible, part of daily life, and connected to the people it speaks to. Originally from Victoria, she now calls Larrakia Country in Darwin home.
Knuckey Lagoon
DETAILS
- High texture acrylic on canvas
- Dimensions: 26 × 34 cm
ARTIST
Minna’s work is an ode to aliveness — the ecstatic, animal pulse that hums in all living things. Living and working on Larrakia Country in Darwin, Minna creates murals and paintings that celebrate the untamed, the interconnected, and the gloriously alive. Her work moves between the urgent and the ridiculous – reverent one moment, absurd the next. Stripping forms back to their bones, she crafts bold silhouettes, organic lines, and instinctive marks to create a world in which animals and humans are equally wild: tangled in a writhing symphony of mischief, sensuality, humour, and resistance. Minna’s work speaks to a fierce love of place, a refusal to let spirit be domesticated, and a political urgency to protect what is living – the earth beneath our feet and the fire within. As her practice evolves, she is increasingly drawn to politically engaged, environmentally and socially grounded work, with a deepening commitment to showing solidarity with First Nations causes and grassroots resistance movements. She believes art should live beyond galleries – accessible, part of daily life, and connected to the people it speaks to.
ART CENTRE
Minna’s work is an ode to aliveness — the ecstatic, animal pulse that hums in all living things. Her work moves between the urgent and the ridiculous – reverent one moment, absurd the next. Stripping forms back to their bones, she crafts bold silhouettes, organic lines, and instinctive marks to create a world in which animals and humans are equally wild: tangled in a writhing symphony of mischief, sensuality, humour, and resistance. Minna’s work speaks to a fierce love of place, a refusal to let spirit be domesticated, and a political urgency to protect what is living – the earth beneath our feet and the fire within. As her practice evolves, she is increasingly drawn to politically engaged, environmentally and socially grounded work, with a deepening commitment to showing solidarity with First Nations causes and grassroots resistance movements. She believes art should live beyond galleries – accessible, part of daily life, and connected to the people it speaks to. Originally from Victoria, she now calls Larrakia Country in Darwin home.
Fannie Bay
DETAILS
- High texture acrylic on canvas
- Dimensions: 26 × 34 cm
ARTIST
Minna’s work is an ode to aliveness — the ecstatic, animal pulse that hums in all living things. Living and working on Larrakia Country in Darwin, Minna creates murals and paintings that celebrate the untamed, the interconnected, and the gloriously alive. Her work moves between the urgent and the ridiculous – reverent one moment, absurd the next. Stripping forms back to their bones, she crafts bold silhouettes, organic lines, and instinctive marks to create a world in which animals and humans are equally wild: tangled in a writhing symphony of mischief, sensuality, humour, and resistance. Minna’s work speaks to a fierce love of place, a refusal to let spirit be domesticated, and a political urgency to protect what is living – the earth beneath our feet and the fire within. As her practice evolves, she is increasingly drawn to politically engaged, environmentally and socially grounded work, with a deepening commitment to showing solidarity with First Nations causes and grassroots resistance movements. She believes art should live beyond galleries – accessible, part of daily life, and connected to the people it speaks to.
ART CENTRE
Minna’s work is an ode to aliveness — the ecstatic, animal pulse that hums in all living things. Her work moves between the urgent and the ridiculous – reverent one moment, absurd the next. Stripping forms back to their bones, she crafts bold silhouettes, organic lines, and instinctive marks to create a world in which animals and humans are equally wild: tangled in a writhing symphony of mischief, sensuality, humour, and resistance. Minna’s work speaks to a fierce love of place, a refusal to let spirit be domesticated, and a political urgency to protect what is living – the earth beneath our feet and the fire within. As her practice evolves, she is increasingly drawn to politically engaged, environmentally and socially grounded work, with a deepening commitment to showing solidarity with First Nations causes and grassroots resistance movements. She believes art should live beyond galleries – accessible, part of daily life, and connected to the people it speaks to. Originally from Victoria, she now calls Larrakia Country in Darwin home.
Howard Springs
DETAILS
- High texture acrylic on canvas
- Dimensions: 26 × 34 cm
ARTIST
Minna’s work is an ode to aliveness — the ecstatic, animal pulse that hums in all living things. Living and working on Larrakia Country in Darwin, Minna creates murals and paintings that celebrate the untamed, the interconnected, and the gloriously alive. Her work moves between the urgent and the ridiculous – reverent one moment, absurd the next. Stripping forms back to their bones, she crafts bold silhouettes, organic lines, and instinctive marks to create a world in which animals and humans are equally wild: tangled in a writhing symphony of mischief, sensuality, humour, and resistance. Minna’s work speaks to a fierce love of place, a refusal to let spirit be domesticated, and a political urgency to protect what is living – the earth beneath our feet and the fire within. As her practice evolves, she is increasingly drawn to politically engaged, environmentally and socially grounded work, with a deepening commitment to showing solidarity with First Nations causes and grassroots resistance movements. She believes art should live beyond galleries – accessible, part of daily life, and connected to the people it speaks to.
ART CENTRE
Minna’s work is an ode to aliveness — the ecstatic, animal pulse that hums in all living things. Her work moves between the urgent and the ridiculous – reverent one moment, absurd the next. Stripping forms back to their bones, she crafts bold silhouettes, organic lines, and instinctive marks to create a world in which animals and humans are equally wild: tangled in a writhing symphony of mischief, sensuality, humour, and resistance. Minna’s work speaks to a fierce love of place, a refusal to let spirit be domesticated, and a political urgency to protect what is living – the earth beneath our feet and the fire within. As her practice evolves, she is increasingly drawn to politically engaged, environmentally and socially grounded work, with a deepening commitment to showing solidarity with First Nations causes and grassroots resistance movements. She believes art should live beyond galleries – accessible, part of daily life, and connected to the people it speaks to. Originally from Victoria, she now calls Larrakia Country in Darwin home.
Stuart Park
DETAILS
- High texture acrylic on canvas
- Dimensions: 26 × 34 cm
ARTIST
Minna’s work is an ode to aliveness — the ecstatic, animal pulse that hums in all living things. Living and working on Larrakia Country in Darwin, Minna creates murals and paintings that celebrate the untamed, the interconnected, and the gloriously alive. Her work moves between the urgent and the ridiculous – reverent one moment, absurd the next. Stripping forms back to their bones, she crafts bold silhouettes, organic lines, and instinctive marks to create a world in which animals and humans are equally wild: tangled in a writhing symphony of mischief, sensuality, humour, and resistance. Minna’s work speaks to a fierce love of place, a refusal to let spirit be domesticated, and a political urgency to protect what is living – the earth beneath our feet and the fire within. As her practice evolves, she is increasingly drawn to politically engaged, environmentally and socially grounded work, with a deepening commitment to showing solidarity with First Nations causes and grassroots resistance movements. She believes art should live beyond galleries – accessible, part of daily life, and connected to the people it speaks to.
ART CENTRE
Minna’s work is an ode to aliveness — the ecstatic, animal pulse that hums in all living things. Her work moves between the urgent and the ridiculous – reverent one moment, absurd the next. Stripping forms back to their bones, she crafts bold silhouettes, organic lines, and instinctive marks to create a world in which animals and humans are equally wild: tangled in a writhing symphony of mischief, sensuality, humour, and resistance. Minna’s work speaks to a fierce love of place, a refusal to let spirit be domesticated, and a political urgency to protect what is living – the earth beneath our feet and the fire within. As her practice evolves, she is increasingly drawn to politically engaged, environmentally and socially grounded work, with a deepening commitment to showing solidarity with First Nations causes and grassroots resistance movements. She believes art should live beyond galleries – accessible, part of daily life, and connected to the people it speaks to. Originally from Victoria, she now calls Larrakia Country in Darwin home.
Territory Courtship (I): Apology Transcript
DETAILS
- Acrylic on canvas
- Dimensions: 26 × 34 cm
ARTIST
Minna’s work is an ode to aliveness — the ecstatic, animal pulse that hums in all living things. Living and working on Larrakia Country in Darwin, Minna creates murals and paintings that celebrate the untamed, the interconnected, and the gloriously alive. Her work moves between the urgent and the ridiculous – reverent one moment, absurd the next. Stripping forms back to their bones, she crafts bold silhouettes, organic lines, and instinctive marks to create a world in which animals and humans are equally wild: tangled in a writhing symphony of mischief, sensuality, humour, and resistance. Minna’s work speaks to a fierce love of place, a refusal to let spirit be domesticated, and a political urgency to protect what is living – the earth beneath our feet and the fire within. As her practice evolves, she is increasingly drawn to politically engaged, environmentally and socially grounded work, with a deepening commitment to showing solidarity with First Nations causes and grassroots resistance movements. She believes art should live beyond galleries – accessible, part of daily life, and connected to the people it speaks to.
ART CENTRE
Minna’s work is an ode to aliveness — the ecstatic, animal pulse that hums in all living things. Her work moves between the urgent and the ridiculous – reverent one moment, absurd the next. Stripping forms back to their bones, she crafts bold silhouettes, organic lines, and instinctive marks to create a world in which animals and humans are equally wild: tangled in a writhing symphony of mischief, sensuality, humour, and resistance. Minna’s work speaks to a fierce love of place, a refusal to let spirit be domesticated, and a political urgency to protect what is living – the earth beneath our feet and the fire within. As her practice evolves, she is increasingly drawn to politically engaged, environmentally and socially grounded work, with a deepening commitment to showing solidarity with First Nations causes and grassroots resistance movements. She believes art should live beyond galleries – accessible, part of daily life, and connected to the people it speaks to. Originally from Victoria, she now calls Larrakia Country in Darwin home.
Territory Courtship (II): Behavioural Exception
DETAILS
- Acrylic on canvas
- Dimensions: 26 × 34 cm
ARTIST
Minna’s work is an ode to aliveness — the ecstatic, animal pulse that hums in all living things. Living and working on Larrakia Country in Darwin, Minna creates murals and paintings that celebrate the untamed, the interconnected, and the gloriously alive. Her work moves between the urgent and the ridiculous – reverent one moment, absurd the next. Stripping forms back to their bones, she crafts bold silhouettes, organic lines, and instinctive marks to create a world in which animals and humans are equally wild: tangled in a writhing symphony of mischief, sensuality, humour, and resistance. Minna’s work speaks to a fierce love of place, a refusal to let spirit be domesticated, and a political urgency to protect what is living – the earth beneath our feet and the fire within. As her practice evolves, she is increasingly drawn to politically engaged, environmentally and socially grounded work, with a deepening commitment to showing solidarity with First Nations causes and grassroots resistance movements. She believes art should live beyond galleries – accessible, part of daily life, and connected to the people it speaks to.
ART CENTRE
Minna’s work is an ode to aliveness — the ecstatic, animal pulse that hums in all living things. Her work moves between the urgent and the ridiculous – reverent one moment, absurd the next. Stripping forms back to their bones, she crafts bold silhouettes, organic lines, and instinctive marks to create a world in which animals and humans are equally wild: tangled in a writhing symphony of mischief, sensuality, humour, and resistance. Minna’s work speaks to a fierce love of place, a refusal to let spirit be domesticated, and a political urgency to protect what is living – the earth beneath our feet and the fire within. As her practice evolves, she is increasingly drawn to politically engaged, environmentally and socially grounded work, with a deepening commitment to showing solidarity with First Nations causes and grassroots resistance movements. She believes art should live beyond galleries – accessible, part of daily life, and connected to the people it speaks to. Originally from Victoria, she now calls Larrakia Country in Darwin home.
Territory Courtship (III): Identity Politics
DETAILS
- Acrylic on canvas
- Dimensions: 26 × 34 cm
ARTIST
Minna’s work is an ode to aliveness — the ecstatic, animal pulse that hums in all living things. Living and working on Larrakia Country in Darwin, Minna creates murals and paintings that celebrate the untamed, the interconnected, and the gloriously alive. Her work moves between the urgent and the ridiculous – reverent one moment, absurd the next. Stripping forms back to their bones, she crafts bold silhouettes, organic lines, and instinctive marks to create a world in which animals and humans are equally wild: tangled in a writhing symphony of mischief, sensuality, humour, and resistance. Minna’s work speaks to a fierce love of place, a refusal to let spirit be domesticated, and a political urgency to protect what is living – the earth beneath our feet and the fire within. As her practice evolves, she is increasingly drawn to politically engaged, environmentally and socially grounded work, with a deepening commitment to showing solidarity with First Nations causes and grassroots resistance movements. She believes art should live beyond galleries – accessible, part of daily life, and connected to the people it speaks to.
ART CENTRE
Minna’s work is an ode to aliveness — the ecstatic, animal pulse that hums in all living things. Her work moves between the urgent and the ridiculous – reverent one moment, absurd the next. Stripping forms back to their bones, she crafts bold silhouettes, organic lines, and instinctive marks to create a world in which animals and humans are equally wild: tangled in a writhing symphony of mischief, sensuality, humour, and resistance. Minna’s work speaks to a fierce love of place, a refusal to let spirit be domesticated, and a political urgency to protect what is living – the earth beneath our feet and the fire within. As her practice evolves, she is increasingly drawn to politically engaged, environmentally and socially grounded work, with a deepening commitment to showing solidarity with First Nations causes and grassroots resistance movements. She believes art should live beyond galleries – accessible, part of daily life, and connected to the people it speaks to. Originally from Victoria, she now calls Larrakia Country in Darwin home.
Territory Courtship (IV): Provisioning Success Report
DETAILS
- Acrylic on canvas
- Dimensions: 26 × 34 cm
ARTIST
Minna’s work is an ode to aliveness — the ecstatic, animal pulse that hums in all living things. Living and working on Larrakia Country in Darwin, Minna creates murals and paintings that celebrate the untamed, the interconnected, and the gloriously alive. Her work moves between the urgent and the ridiculous – reverent one moment, absurd the next. Stripping forms back to their bones, she crafts bold silhouettes, organic lines, and instinctive marks to create a world in which animals and humans are equally wild: tangled in a writhing symphony of mischief, sensuality, humour, and resistance. Minna’s work speaks to a fierce love of place, a refusal to let spirit be domesticated, and a political urgency to protect what is living – the earth beneath our feet and the fire within. As her practice evolves, she is increasingly drawn to politically engaged, environmentally and socially grounded work, with a deepening commitment to showing solidarity with First Nations causes and grassroots resistance movements. She believes art should live beyond galleries – accessible, part of daily life, and connected to the people it speaks to.
ART CENTRE
Minna’s work is an ode to aliveness — the ecstatic, animal pulse that hums in all living things. Her work moves between the urgent and the ridiculous – reverent one moment, absurd the next. Stripping forms back to their bones, she crafts bold silhouettes, organic lines, and instinctive marks to create a world in which animals and humans are equally wild: tangled in a writhing symphony of mischief, sensuality, humour, and resistance. Minna’s work speaks to a fierce love of place, a refusal to let spirit be domesticated, and a political urgency to protect what is living – the earth beneath our feet and the fire within. As her practice evolves, she is increasingly drawn to politically engaged, environmentally and socially grounded work, with a deepening commitment to showing solidarity with First Nations causes and grassroots resistance movements. She believes art should live beyond galleries – accessible, part of daily life, and connected to the people it speaks to. Originally from Victoria, she now calls Larrakia Country in Darwin home.
Territory Courtship (V): Digital Transfer Query
DETAILS
- Acrylic on canvas
- Dimensions: 26 × 34 cm
ARTIST
Minna’s work is an ode to aliveness — the ecstatic, animal pulse that hums in all living things. Living and working on Larrakia Country in Darwin, Minna creates murals and paintings that celebrate the untamed, the interconnected, and the gloriously alive. Her work moves between the urgent and the ridiculous – reverent one moment, absurd the next. Stripping forms back to their bones, she crafts bold silhouettes, organic lines, and instinctive marks to create a world in which animals and humans are equally wild: tangled in a writhing symphony of mischief, sensuality, humour, and resistance. Minna’s work speaks to a fierce love of place, a refusal to let spirit be domesticated, and a political urgency to protect what is living – the earth beneath our feet and the fire within. As her practice evolves, she is increasingly drawn to politically engaged, environmentally and socially grounded work, with a deepening commitment to showing solidarity with First Nations causes and grassroots resistance movements. She believes art should live beyond galleries – accessible, part of daily life, and connected to the people it speaks to.
ART CENTRE
Minna’s work is an ode to aliveness — the ecstatic, animal pulse that hums in all living things. Her work moves between the urgent and the ridiculous – reverent one moment, absurd the next. Stripping forms back to their bones, she crafts bold silhouettes, organic lines, and instinctive marks to create a world in which animals and humans are equally wild: tangled in a writhing symphony of mischief, sensuality, humour, and resistance. Minna’s work speaks to a fierce love of place, a refusal to let spirit be domesticated, and a political urgency to protect what is living – the earth beneath our feet and the fire within. As her practice evolves, she is increasingly drawn to politically engaged, environmentally and socially grounded work, with a deepening commitment to showing solidarity with First Nations causes and grassroots resistance movements. She believes art should live beyond galleries – accessible, part of daily life, and connected to the people it speaks to. Originally from Victoria, she now calls Larrakia Country in Darwin home.
Territory Courtship (VI): The Federal Assets
DETAILS
- Acrylic on canvas
- Dimensions: 26 × 34 cm
ARTIST
Minna’s work is an ode to aliveness — the ecstatic, animal pulse that hums in all living things. Living and working on Larrakia Country in Darwin, Minna creates murals and paintings that celebrate the untamed, the interconnected, and the gloriously alive. Her work moves between the urgent and the ridiculous – reverent one moment, absurd the next. Stripping forms back to their bones, she crafts bold silhouettes, organic lines, and instinctive marks to create a world in which animals and humans are equally wild: tangled in a writhing symphony of mischief, sensuality, humour, and resistance. Minna’s work speaks to a fierce love of place, a refusal to let spirit be domesticated, and a political urgency to protect what is living – the earth beneath our feet and the fire within. As her practice evolves, she is increasingly drawn to politically engaged, environmentally and socially grounded work, with a deepening commitment to showing solidarity with First Nations causes and grassroots resistance movements. She believes art should live beyond galleries – accessible, part of daily life, and connected to the people it speaks to.
ART CENTRE
Minna’s work is an ode to aliveness — the ecstatic, animal pulse that hums in all living things. Her work moves between the urgent and the ridiculous – reverent one moment, absurd the next. Stripping forms back to their bones, she crafts bold silhouettes, organic lines, and instinctive marks to create a world in which animals and humans are equally wild: tangled in a writhing symphony of mischief, sensuality, humour, and resistance. Minna’s work speaks to a fierce love of place, a refusal to let spirit be domesticated, and a political urgency to protect what is living – the earth beneath our feet and the fire within. As her practice evolves, she is increasingly drawn to politically engaged, environmentally and socially grounded work, with a deepening commitment to showing solidarity with First Nations causes and grassroots resistance movements. She believes art should live beyond galleries – accessible, part of daily life, and connected to the people it speaks to. Originally from Victoria, she now calls Larrakia Country in Darwin home.
Rising To Responsibility
DETAILS
- Acrylic on corrugated iron
- Dimensions: 25 × 24 cm
ARTIST
Minna’s work is an ode to aliveness — the ecstatic, animal pulse that hums in all living things. Living and working on Larrakia Country in Darwin, Minna creates murals and paintings that celebrate the untamed, the interconnected, and the gloriously alive. Her work moves between the urgent and the ridiculous – reverent one moment, absurd the next. Stripping forms back to their bones, she crafts bold silhouettes, organic lines, and instinctive marks to create a world in which animals and humans are equally wild: tangled in a writhing symphony of mischief, sensuality, humour, and resistance. Minna’s work speaks to a fierce love of place, a refusal to let spirit be domesticated, and a political urgency to protect what is living – the earth beneath our feet and the fire within. As her practice evolves, she is increasingly drawn to politically engaged, environmentally and socially grounded work, with a deepening commitment to showing solidarity with First Nations causes and grassroots resistance movements. She believes art should live beyond galleries – accessible, part of daily life, and connected to the people it speaks to.
ART CENTRE
Minna’s work is an ode to aliveness — the ecstatic, animal pulse that hums in all living things. Her work moves between the urgent and the ridiculous – reverent one moment, absurd the next. Stripping forms back to their bones, she crafts bold silhouettes, organic lines, and instinctive marks to create a world in which animals and humans are equally wild: tangled in a writhing symphony of mischief, sensuality, humour, and resistance. Minna’s work speaks to a fierce love of place, a refusal to let spirit be domesticated, and a political urgency to protect what is living – the earth beneath our feet and the fire within. As her practice evolves, she is increasingly drawn to politically engaged, environmentally and socially grounded work, with a deepening commitment to showing solidarity with First Nations causes and grassroots resistance movements. She believes art should live beyond galleries – accessible, part of daily life, and connected to the people it speaks to. Originally from Victoria, she now calls Larrakia Country in Darwin home.
Ethics Under Investigation
DETAILS
- Acrylic on corrugated iron
- Dimensions: 22 × 24.5 cm
ARTIST
Minna’s work is an ode to aliveness — the ecstatic, animal pulse that hums in all living things. Living and working on Larrakia Country in Darwin, Minna creates murals and paintings that celebrate the untamed, the interconnected, and the gloriously alive. Her work moves between the urgent and the ridiculous – reverent one moment, absurd the next. Stripping forms back to their bones, she crafts bold silhouettes, organic lines, and instinctive marks to create a world in which animals and humans are equally wild: tangled in a writhing symphony of mischief, sensuality, humour, and resistance. Minna’s work speaks to a fierce love of place, a refusal to let spirit be domesticated, and a political urgency to protect what is living – the earth beneath our feet and the fire within. As her practice evolves, she is increasingly drawn to politically engaged, environmentally and socially grounded work, with a deepening commitment to showing solidarity with First Nations causes and grassroots resistance movements. She believes art should live beyond galleries – accessible, part of daily life, and connected to the people it speaks to.
ART CENTRE
Minna’s work is an ode to aliveness — the ecstatic, animal pulse that hums in all living things. Her work moves between the urgent and the ridiculous – reverent one moment, absurd the next. Stripping forms back to their bones, she crafts bold silhouettes, organic lines, and instinctive marks to create a world in which animals and humans are equally wild: tangled in a writhing symphony of mischief, sensuality, humour, and resistance. Minna’s work speaks to a fierce love of place, a refusal to let spirit be domesticated, and a political urgency to protect what is living – the earth beneath our feet and the fire within. As her practice evolves, she is increasingly drawn to politically engaged, environmentally and socially grounded work, with a deepening commitment to showing solidarity with First Nations causes and grassroots resistance movements. She believes art should live beyond galleries – accessible, part of daily life, and connected to the people it speaks to. Originally from Victoria, she now calls Larrakia Country in Darwin home.
Bitch Pup
DETAILS
- Acrylic on corrugated iron
- Dimensions: 22 × 21 cm
ARTIST
Minna’s work is an ode to aliveness — the ecstatic, animal pulse that hums in all living things. Living and working on Larrakia Country in Darwin, Minna creates murals and paintings that celebrate the untamed, the interconnected, and the gloriously alive. Her work moves between the urgent and the ridiculous – reverent one moment, absurd the next. Stripping forms back to their bones, she crafts bold silhouettes, organic lines, and instinctive marks to create a world in which animals and humans are equally wild: tangled in a writhing symphony of mischief, sensuality, humour, and resistance. Minna’s work speaks to a fierce love of place, a refusal to let spirit be domesticated, and a political urgency to protect what is living – the earth beneath our feet and the fire within. As her practice evolves, she is increasingly drawn to politically engaged, environmentally and socially grounded work, with a deepening commitment to showing solidarity with First Nations causes and grassroots resistance movements. She believes art should live beyond galleries – accessible, part of daily life, and connected to the people it speaks to.
ART CENTRE
Minna’s work is an ode to aliveness — the ecstatic, animal pulse that hums in all living things. Her work moves between the urgent and the ridiculous – reverent one moment, absurd the next. Stripping forms back to their bones, she crafts bold silhouettes, organic lines, and instinctive marks to create a world in which animals and humans are equally wild: tangled in a writhing symphony of mischief, sensuality, humour, and resistance. Minna’s work speaks to a fierce love of place, a refusal to let spirit be domesticated, and a political urgency to protect what is living – the earth beneath our feet and the fire within. As her practice evolves, she is increasingly drawn to politically engaged, environmentally and socially grounded work, with a deepening commitment to showing solidarity with First Nations causes and grassroots resistance movements. She believes art should live beyond galleries – accessible, part of daily life, and connected to the people it speaks to. Originally from Victoria, she now calls Larrakia Country in Darwin home.
Situationship Over
DETAILS
- Acrylic on corrugated iron
- Dimensions: 24 × 21 cm
ARTIST
Minna’s work is an ode to aliveness — the ecstatic, animal pulse that hums in all living things. Living and working on Larrakia Country in Darwin, Minna creates murals and paintings that celebrate the untamed, the interconnected, and the gloriously alive. Her work moves between the urgent and the ridiculous – reverent one moment, absurd the next. Stripping forms back to their bones, she crafts bold silhouettes, organic lines, and instinctive marks to create a world in which animals and humans are equally wild: tangled in a writhing symphony of mischief, sensuality, humour, and resistance. Minna’s work speaks to a fierce love of place, a refusal to let spirit be domesticated, and a political urgency to protect what is living – the earth beneath our feet and the fire within. As her practice evolves, she is increasingly drawn to politically engaged, environmentally and socially grounded work, with a deepening commitment to showing solidarity with First Nations causes and grassroots resistance movements. She believes art should live beyond galleries – accessible, part of daily life, and connected to the people it speaks to.
ART CENTRE
Minna’s work is an ode to aliveness — the ecstatic, animal pulse that hums in all living things. Her work moves between the urgent and the ridiculous – reverent one moment, absurd the next. Stripping forms back to their bones, she crafts bold silhouettes, organic lines, and instinctive marks to create a world in which animals and humans are equally wild: tangled in a writhing symphony of mischief, sensuality, humour, and resistance. Minna’s work speaks to a fierce love of place, a refusal to let spirit be domesticated, and a political urgency to protect what is living – the earth beneath our feet and the fire within. As her practice evolves, she is increasingly drawn to politically engaged, environmentally and socially grounded work, with a deepening commitment to showing solidarity with First Nations causes and grassroots resistance movements. She believes art should live beyond galleries – accessible, part of daily life, and connected to the people it speaks to. Originally from Victoria, she now calls Larrakia Country in Darwin home.
Tropical Affection
DETAILS
- Acrylic on corrugated iron
- Dimensions: 30 × 30 cm
ARTIST
Minna’s work is an ode to aliveness — the ecstatic, animal pulse that hums in all living things. Living and working on Larrakia Country in Darwin, Minna creates murals and paintings that celebrate the untamed, the interconnected, and the gloriously alive. Her work moves between the urgent and the ridiculous – reverent one moment, absurd the next. Stripping forms back to their bones, she crafts bold silhouettes, organic lines, and instinctive marks to create a world in which animals and humans are equally wild: tangled in a writhing symphony of mischief, sensuality, humour, and resistance. Minna’s work speaks to a fierce love of place, a refusal to let spirit be domesticated, and a political urgency to protect what is living – the earth beneath our feet and the fire within. As her practice evolves, she is increasingly drawn to politically engaged, environmentally and socially grounded work, with a deepening commitment to showing solidarity with First Nations causes and grassroots resistance movements. She believes art should live beyond galleries – accessible, part of daily life, and connected to the people it speaks to.
ART CENTRE
Minna’s work is an ode to aliveness — the ecstatic, animal pulse that hums in all living things. Her work moves between the urgent and the ridiculous – reverent one moment, absurd the next. Stripping forms back to their bones, she crafts bold silhouettes, organic lines, and instinctive marks to create a world in which animals and humans are equally wild: tangled in a writhing symphony of mischief, sensuality, humour, and resistance. Minna’s work speaks to a fierce love of place, a refusal to let spirit be domesticated, and a political urgency to protect what is living – the earth beneath our feet and the fire within. As her practice evolves, she is increasingly drawn to politically engaged, environmentally and socially grounded work, with a deepening commitment to showing solidarity with First Nations causes and grassroots resistance movements. She believes art should live beyond galleries – accessible, part of daily life, and connected to the people it speaks to. Originally from Victoria, she now calls Larrakia Country in Darwin home.